Hook up external amp for atmos on my marantz sr7010

I believe that Dolby Atmos would require a hardware change. Atmos has at least two extra channels. This would mean extra amps installed.

Hi Mark,
One can hook-up as many peamps as desired to the SR6007 either as sources or destinations. How to connect external preamps to the SR6007 depends on what you wish to achieve.
The SR6007 already has its own internal preamps.
You could, if you are not careful, burn the AVRs input circuitry by adding external preamps as "sources". Also, not much improvement in SQ could be gained by external preamps connected to the SR6007's preouts becuase any signals that come out of these have already been processed (or distorted?) by the SR6007s internal preamps.

The output of the Marantz will go to the input of the Carver. The Bose EQ has to go into a Tape Monitor on the Marantz, or, you can connect the Marantz output to the Bose line in(not tape in). The line output of the Bose, to the Carver input.

Is there anything else I'm missing?

Marantz preamp out, to Carver amp(or line in). Have you tried this and had problems?

Please see my last few comments on the same issue. If you can't find it, please let me know. BTW, Marantz does not show the AZ8003 to be a valid model.

Check if you amp as phono in put if not then you need to get phono stage

You can but you will have to put two speakers on the main L/R and two speakers on the remote L/R. DO NOT HOOK UP MORE THAN ONE SPEAKER TO A CHANNEL. Doing so can result in the amp running hot and damage will occur.

how can i check the trasmission oil on a 2005 pontiac sunfire

For dolby digital to work you have to have the optical or coax cable hooked up to the reciever ,The HDMI cable is for digital video and audio output but does not support dolby digital out the cable into your reciever , so just turn off the dolby digital on your reciever and you should hear the sound.
here is more info

Dolby TrueHD is an advanced lossless multi-channel audio codec developed by Dolby Laboratories which is intended primarily for high-definition home-entertainment equipment such as Blu-ray Disc. It is the successor to the AC-3 Dolby Digital surround sound codec which was used as the audio standard for DVD discs. In this application, Dolby TrueHD competes with DTS-HD Master Audio, another lossless codec from Digital Theater System.
Dolby TrueHD uses Meridian Lossless Packing (MLP) as its mathematical basis for compressing audio samples. MLP was used on the earlier DVD-Audio format, but details of TrueHD and DVD-Audio differ substantially. A Dolby TrueHD bitstream can carry up to 14 discrete sound channels. Sample depths up to 24 bits/sample and audio sample rates up to 192 kHz are supported. Like the more common legacy codec Dolby Digital, TrueHD bitstreams carry program metadata. Metadata is separate from the coding format and compressed audio samples, but stores relevant information about the audio waveform. For example, dialog normalization and Dynamic range compression are controlled by metadata embedded in the TrueHD bitstream.