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Posted on Jan 06, 2010
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The minimum volume setting is too loud for my ears. Is there anyway to gain a lower volume setting?

  • Anonymous Mar 31, 2014

    how do you lower the volume, its so loud that you can not use the ear plugs if you do you will go deaf

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  • Posted on Jan 06, 2010
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There are a couple of different ways to lower the volume. One is to check your settings to see if you have a volume limit setting and turn it on. Another way, check the settings and see if you have a equalizer setting, and see if it is turned on, then experiment with other settings. If you have a built in 4 band equalizer you can set the sliders all the way to the bottom and it should turn down the volume a good bit. Last, is to go and by cheep ear buds / head phones, the cheeper ones, take more volume / power to get loud.

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6helpful
1answer

What is dynamike gain cotrol on a cobra cb radio

Dynamike Gain Control varies the microphone sensitivity. When set fully clockwise, it is very sensitive - and will be able to "hear" background noises easily. This position also can cause your voice to be distorted or garbled when approaching maximum under the right conditions as well as causing "bleed over" to adjacent channels. When set to minimum, you will need to speak clearly and directly into the microphone to be heard. Most people find a setting somewhere in the middle works best.

You should adjust the level to suit those that are listening to you by asking them if it sounds OK. This prevents them from having to turn their volume down whenever you speak. In a "one-to-one" conversation it is not as noticeable. The trouble comes when 3 or more are conversing. The third person's audio may be low or normal - and the listeners set their radio's volume so that they can hear that person easily. Then you transmit with booming mic audio and everyone scrambles to turn down the volume to save their ears / speakers. This can be very frustrating for the others having to constantly adjust the radio volume whenever you speak.

I hope this helps and good luck. Please rate my reply - thanks.
May 18, 2011 • Cobra GPS
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Volume control is too loud at minimum settings.

Hi,
Just check thislink out..
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How to set gain controls on you car audio amplifier

HOW TO SET GAINS

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The ADD version -

1. Play a typically loud music CD in your headunit. Set volume to 75%. Wear ear protection.
2. Starting with the amp gains at their lowest setting, slowly raise one gain at a time until you hear clipping from the corresponding speaker. This will sound like audible distortion.
3. Once you've found the clipping point, back the gain down until you no longer hear the distortion.
4. Repeat for any addt'l gains on the amp/amps.
5. Your new maximum volume setting on the headunit is 75%, never exceed that for happy, healthy speaker life.

(This is the quick & dirty method, it'll get you 80% to proper settings. Read on for the other 20%.)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


How to do things right -

What's gain?
Also known as input sensitivity, gains are the small, typically recessed "volume knobs" on most equipment between the speakers & the headunit. All amps have them, also many EQ's, line output converters, some crossovers.

What's it for?
The idea is to properly match the output from different pieces of gear so that each communicates the cleanest signal to the other, resulting in maximum performance and minimal noise & risk of damage.

Know your enemy - Clipping.
Clipping is the tech term for the distortion that occurs when an amplifier is pushed beyond it's capabilities. In simple terms it sounds like significant distortion of the musical peaks. So for instance a big drum strike will sound muddy or distorted when turned up, but remains clear at a lower volume. That's clipping. What's happening is the amp momentarily runs out of power.

To properly understand this w/o an engineering degree you need to know the difference between constant power (RMS) and peak power. Constant power, very simply, is the amount of juice your amp can produce consistantly. Since there are some standards for measuring this it is one of the few benchmarks we have for amplifiers. But since sound waves are exactly that - waves, with peaks & valleys - understand that an amp's output is never constant, it has to increase & decrease with the music signal.

The amp's "reserve power" is what it uses to deal with the peaks in the music. This is called peak power, or my favorite, headroom. Headroom is typically about twice the RMS power of an amp, but can only be sustained for a few milliseconds before the amp gets totally winded.

So a good way to think of this is a 10 yr old jumping on a bed - that's the music signal. The bed is the amp's RMS power, the ceiling above is the headroom limit. If the kid jumps too high he whacks his head - that's clipping. Do it a couple times & he'll survive. Do it repeatedly & there WILL be permanant damage. This is the single biggest speaker killer out there.

So the object of the game is to adjust the bed height (by using the gains) to the right height so the kid can jump around like a caffeinated monkey without ever whacking into the ceiling. So setting the gains properly allows you to get the amp's maximum output without overtaxing the equipment. With me so far?

A few other basics -
To do this properly you'll need a few things:

Ear protection. Stuff some cotton in your ears if you don't have anything better.

A test CD with a sine wave set to 0db, a 50-80hz stereo tone is ideal. This is important - it's far more accurate than using a music CD. You can purchase these at most any guitar or pro music stores, Amazon, or download a program to make your own. Making your own isn't recommended since there are a lot of variables in computers that can affect the final product.

If you have a crossover, you'll need test tones within the frequency range for each amp. For instance if you have a dedicated sub amp crossed over at 80hz, get a 60hz test tone. For your mains, work with a 120hz tone. If you have a 3-way or more crossover, adjust appropriately, just be sure the test frequency is within the bounds of the speaker range. Test each frequency seperately.

Fader, tone controls, loudness/expansion, etc.
Ideally you'll have the sound from your headunit/EQ completely flat on a normal basis. If so, be sure everything's this way before you test. However, if you KNOW you'll have the bass boost activated, some sort of expansion, or the tone controls preset in some way then go ahead & set them before you test.

Otherwise it's best to have everything flat. If you choose to adjust the tone controls later & leave them that way you can always repeat the process. Regardless, be sure the fader & balance are zeroed out.

Dedicated sub volume controls
A lot of amps have outboard sub volume knobs & headunits frequently have dedicated internal sub volume adjustments. If you plan on using these they should be maxed before setting your gains. If you're not going to use them, best to de-activate them.

Set all amp gains to their lowest point before starting. Usually full counter-clockwise.

Input sensitivity switches
If your amp has a selector switch for different input sensitivities, start by setting it to the highest setting. These are typically expressed in voltages, for example .2-1v, 1-3v, 3-8v. Start with the higher numbers (ex. 3-8v) (lowest sensitivity). If you can't get the amp to clip at those settings, try the next one down until you find the clipping point. You can disregard generally what the markings themselves say since there's no real standard for measuring that stuff. Never trust your system's well-being to those voltage numbers, they're just a guideline best ignored.

Work with one gain at a time.
For example, if you have a L&R gain for your front speakers, you'll be working with each side seperately. If multiple amps, unplug all but the amp you're working with. If a 4+ channel amp, typically you'll have only a single L & R gain, so treat it like a 2 channel. If it has more gains, isolate each & adjust seperately.

Play your test tone thru the headunit. Adjust your headunit volume to 75% of max.
This doesn't need to be precise, just be sure you know where this setting is b/c it's now the HIGHEST you'll ever turn up the volume on the headunit.

(But the amps go to 11...! You're using 75% volume because some CD's will be louder than others. Also b/c there's a small amp in the headunit that will clip if pushed too far. Trust me on this one.)

Now turn up the gain you're working with until you hear the tone quality change - it'll be a distinct change in the tone, there will be distortion. This is where your amp clips. Now turn the gain back down to just below where that distortion occurs. That gain's now set. Repeat for all other gains. Repeat for all other amps.


Final tweaking -
Have an EQ? Want to use the "loudness" button? Want to adjust the bass/mid/treble controls? If you're making minor tweaks (+/-1) there's no real need to worry about gains. If you're talking about bigger changes (+4/-3, etc) you may want to run the tones again to be sure you're still set right.

Also now that the gains are properly set you can adjust them DOWN to balance your system. Need more front volume but don't have a fader? Turn down the rear gains. Sub underpowered? Turn down the mains. The important thing is to never turn them UP from where they are, just down.


A few other notes -

Can't I just use an O-scope or DMM to set gains?
Sure, IF you know the exact output (rarely the rated output) of your amp and you're a freakin' genius with your toys. Generally more accurate & far easier to use your ears.

What about the gains on the EQ/X-over/line-output converter?
Ooh, good question. The general idea here is to follow the same process but use the gains that are the furthest UPSTREAM (I.E. closest to the headunit) and set all the others to their lowest setting. This will send the hottest signal possible thru all the components. Just remember that anywhere the signal splits you'll have to set them there also. For example, if you have a LOC & an outboard crossover you'll need to set gains on both, starting with the LOC. This can get tricky. Let your ears guide you.

What if my headunit says "9v output" and the amp only says "5v input?"
Eh, doesn't really matter. Again, there isn't really any set standard for measuring this stuff & it's usually just marketing. Also remember that music is a wave, not a line, so that rated output is usually a max, not a constant. Just set everything according to the above process, nothing changes.
on Mar 27, 2010 • Car Audio & Video
0helpful
1answer

With volume set at 0-3 no matter what channel it is on it sometimes plays quiet and sometimes plays normal and out of nowhere the volume spikes very high. Also there is not much adjustment above 3. The...

Plug a set of headphones into the EFFECTS SEND jack... only one side will have sound... now see if the level varies at that point... Note that the soumd will not be too loud and only in one ear... but we are wanting to find out if it varies at this point.
0helpful
2answers

I have a Connex 4600 Turbo mounted in the headliner of a W900L Kenworth using Wilson 2000 twin antennas and a RK56 mic. When trying to use the "talk-back" feature all I hear is constant...

Strange. You shouldn't have a squealing problem with an RK56 noise canceling mic.

Unfortunately there is no way to change the volume of the talkback. Its too loud. The only solution is to turn the mic gain down.

The only reason you need to have talkback on is to check your audio. Make sure the echo is good and what not. After that you really don't need it on. So turn down the mic gain, then check the echo, then turn off the Talkback and turn the gain back up.

The squeal is feedback from the talkback being to loud and being heard by the mic. So the only way to solve it is to lower the volume of the talkback, (Which is not possible in this radio) lowering the mic gain(which lowers your audio level) or turning it off.
1helpful
1answer

Forgot codes of SHG-D500 cell phone - sound settings

I was suprised to see quite a few people are tweaking their sound settings and various other things -
thanks very much for the insightful help offered for my queries.

It might be an abuse of space, but If anyone else happens to needs/wants the defaults values SHG D500 Samsung Test Mode they are:.

Code: *#8999*8378# ( * means press star)

Normal
MIC gain - 0
Tx PGA - 70
Side PGA - 0
Ear gain - 3
HFR gain - 9
Rx PGA - 128
Rx vol - Lv 1 - 10
Rx vol - Lv 2 - 28
Rx vol - Lv 3 - 40
Rx vol - Lv 4 - 50
Rx vol - Lv 5 - 96
Rx comp - Lv 1 - 11
Rx comp - Lv 2 - 11
Rx comp - Lv3 - 11
Rx comp - Lv 4 - 29
Rx comp - Lv 5 - 30
Key vol - Lv1 - 64
Key vol - Lv2 - 64
Key vol - Lv3 - 64
Key vol - Lv4 - 64
Key vol - Lv5 - 64

Headset
MIC gain - 0
Tx PGA - 64
Side PGA - 0
Ear gain - 13
HFR gain - 3
Rx PGA - 128
Rx vol - Lv 1 - 10
Rx vol - Lv 2 - 20
Rx vol - Lv 3 - 42
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 146
Rx comp - Lv 1 - 11
Rx comp - Lv 2 - 11
Rx comp - Lv 3 - 11
Rx comp - Lv 4 - 30
Rx comp - Lv 5 - 28
Key vol - Lv1 - 10
Key vol - Lv2 - 20
Key vol - Lv3 - 42
Key vol - Lv4 - 76
Key vol - Lv5 146

Loud SPK SUP
MIC gain - 0
Tx PGA - 160
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 120
Rx vol - Lv 1 - 16
Rx vol - Lv 2 - 27
Rx vol - Lv 3 - 45
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 128
Key vol - Lv1 - 1
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Loud SPK SDN
MIC gain - 0
Tx PGA - 160
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 120
Rx vol - Lv 1 - 16
Rx vol - Lv 2 - 27
Rx vol - Lv 3 - 45
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 128
Key vol - Lv1 - 1
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Loud SPK EXT
MIC gain - 1
Tx PGA - 226
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 92
Rx vol - Lv 1 - 16
Rx vol - Lv 2 - 27
Rx vol - Lv 3 - 45
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 128
Key vol - Lv1 - 5
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Loud SPK Out Only
Tx PGA - 160
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 120
Rx vol - Lv 1 - 10
Rx vol - Lv 2 - 28
Rx vol - Lv 3 - 40
Rx vol - Lv 4 - 50
Rx vol - Lv 5 - 96
Key vol - Lv1 - 1
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Yamaha AMP vol.
31

Yamaha MEL vol.
Normal
Lv 1 - 6
Lv 2 - 12
Lv 3 - 18
Lv 4 - 24
Lv 5 - 31
Melody key
Lv 1 - 2
Lv 2 - 4
Lv 3 - 11
Lv 4 - 18
Lv 5 - 25
Power on/off
Lv 1 - 1
Lv 2 - 10
Lv 3 - 14
Lv 4 - 18
Lv 5 - 22

ISS Normal
Ear gain - 12
HFR gain - 3
Rx vol - Lv 1 - 121
Rx vol - Lv 2 - 186
Rx vol - Lv 3 - 268
Rx vol - Lv 4 - 376
Rx vol - Lv 5 - 564
Rx vol - Lv 6 - 802
Rx vol - Lv 7 - 980
Rx vol - Lv 8 - 1560
Rx vol - Lv 9 - 2167
Rx vol - Lv 10 - 2863

ISS Headset
Ear gain - 10
HFR gain - 3
Rx vol - Lv 1 - 164
Rx vol - Lv 2 - 328
Rx vol - Lv 3 - 492
Rx vol - Lv 4 - 656
Rx vol - Lv 5 - 820
Rx vol - Lv 6 - 984
Rx vol - Lv 7 - 1148
Rx vol - Lv 8 - 1312
Rx vol - Lv 9 - 1476
Rx vol - Lv 10 - 1640

Bluetooth
Tx PGA - 255
Rx PGA - 12
Side PGA - 0

1helpful
1answer

Which is a better tuning setup for good quality bass ?

The KAC-8401 has a bass boost switch. Be sure that is on +6dB setting.
Secondly, LPF (low pass filter) should be selected, with the crossover cutoff set to 60Hz.


Follow the instructions on this site for accurate tuning....
http://trussinme.com/Apps/audio/voltagecalc/default.asp



Manual For Download:
http://inform3.kenwoodusa.com/manuals/KAC8401.pdf

There is so much bad information and VOODOO going around the internet about how to set car audio amplifier gain controls that I thought I better write this. Gain controls on an amplifier are basically just small potentiometers (variable resistors) or volume controls if you will, that allow you to adjust the incoming signal to the amplifier so the amplifier works well with your headunit of choice or to match the level of other amplifiers in your system.
Its not rocket science to set the gains. Gains are like little volume controls, (I don't know why so many installers are taught that gains are NOT volume controls, when in fact that is EXACTLY what they are!) its super simple to just set them where the level sounds good to you.
With one amplifier its desirable to have a nice swing on your headunits volume control. Let me try to clarify this a little.
If we hook up a head unit with a 8volt (or more) output to an amplifier, then the volume will get loud very fast when we start to turn it up...In other words if our digital volume control goes from 1-30, then a HIGH VOLT output to an amplifier might make the amplifier reach full power at 5 on the volume scale... That kinda sucks cause it would be nice if you had a little more swing in your 1-30 range!
And by the same token a headunit with a LOW VOLT output might have to be turned up all the way to 30 and might still not quite drive the amplifier to full power... That sucks too!
A gain control in this case will allow you to adjust the amplifier so it allows the volume of a headunit to control the amplifier so it will get loud at a desirable point in the 1-30 swing... Usually about 3/4 the way up. We don't want it to get loud too fast as we wont have a good control as music levels differ. And we don't want it to have to be turned up all the way to get loud either, because since different music may be recorded at different levels if we set the gains for max output with one music source it might not get loud with a music source recorded at a lesser level.
So, by setting the gains so 3/4 turn of the headunits volume knob gets it LOUD gives you plenty of control and some extra above the 3/4 mark in case you get some music that's recorded at a lesser level...
To do this its easiest to do it by ear. No need to drag out the TEST TONES and OSCILLOSCOPES! They will do you absolutely no good.
One MYTH is how the gain controls will help to prevent amplifier distortion and amplifier clipping... That's simply not true, UNLESS you set the gains at a level where the headunit cannot possibly drive the amplifier to full power.. And even if you were to find this magic spot for your gain controls then (A) you would have to turn that volume control FULL SWING to get your system loud and (B) since many music sources (or disks) are not all recorded at the same level, its likely that if you have a disk recorded lower then you cant get it loud at all! and if you have a disk recorded louder then you can still surpass your magic spot... So in reality searching for this magic spot is fruitless! Dont waste your time...
In the early 80s when high fidelity car amplifiers were just starting to make the scene I worked with a pretty crazy installer that was kind of legendary around these parts... I wont mention his name but he was pretty highly respected at the time.. Well anyway, this crazy installer had heard that the amplifier gain control was to prevent amplifier clipping.. (still widely heard today).. Well this crazy installer set up EVERY CAR WE DID to the point where the gain control was so LOW that if you turned the head unit all the way up the amplifier WOULD NOT DISTORT.. And of course if you did turn the headunit all the way up the system would just be getting loud...
Customers would find that some cassettes would be recorded at a lower level and the music just wouldn't get loud enough... The Crazy installer would FLIP OUT and tell the customer that a REAL AUDIOPHILE doesn't want his music to distort or be that loud! The customers were NOT HAPPY and came to me to say "Gee Eddie, I don't want to make the other guy mad but can you adjust my system so it sounds good and please dont tell the other guy? Of course I said yes, and some of those customers from back in the early 80s are still my customers and they are sending sending their children to me for work as well.
SO, you see the only way the gains can be used to eliminate clipping or distortion will also limit your top end volume! And for most of us it is NOT DESIRABLE to do so.
As long as this is not done, it is just as possible to turn your system up to FULL power and beyond to clipping no matter where the gains are set....
2helpful
1answer

To increase up volume

The code is: *#0206*8378#
Then go in: H/W Test > Audio Settings > MP3 spk

change 'ear gain' to 14.

Then, enter 'Rx vol.'....
I made this changes:
Level 1: 150
Level 2: 180
Level 3: 210
Level 4: 260
Level 5: 300
Level 6: 370
Level 7: 460
Level 8: 550
Level 9: 640
Level 10: 700
Level 11: 800
Level 12: 1000
Level 13: 1350
Level 14: 1400

I made this changes and the sound of mine became very loud now...
You can do your own changes,

0helpful
2answers

Ear piece volume

Hi,

When you are in the middle of a call...press the lower volume button.
0helpful
1answer

Audio settings

default values of the secret E370 audio menu by inputing *#8999*8378*

 

Normal
MIC gain - 0
Tx PGA - 70
Side PGA - 0
Ear gain - 3
HFR gain - 9
Rx PGA - 128
Rx vol - Lv 1 - 10
Rx vol - Lv 2 - 28
Rx vol - Lv 3 - 40
Rx vol - Lv 4 - 50
Rx vol - Lv 5 - 96
Rx comp - Lv 1 - 11
Rx comp - Lv 2 - 11
Rx comp - Lv3 - 11
Rx comp - Lv 4 - 29
Rx comp - Lv 5 - 30
Key vol - Lv1 - 64
Key vol - Lv2 - 64
Key vol - Lv3 - 64
Key vol - Lv4 - 64
Key vol - Lv5 - 64

Headset
MIC gain - 0
Tx PGA - 64
Side PGA - 0
Ear gain - 13
HFR gain - 3
Rx PGA - 128
Rx vol - Lv 1 - 10
Rx vol - Lv 2 - 20
Rx vol - Lv 3 - 42
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 146
Rx comp - Lv 1 - 11
Rx comp - Lv 2 - 11
Rx comp - Lv 3 - 11
Rx comp - Lv 4 - 30
Rx comp - Lv 5 - 28
Key vol - Lv1 - 10
Key vol - Lv2 - 20
Key vol - Lv3 - 42
Key vol - Lv4 - 76
Key vol - Lv5 146

Loud SPK SUP
MIC gain - 0
Tx PGA - 160
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 120
Rx vol - Lv 1 - 16
Rx vol - Lv 2 - 27
Rx vol - Lv 3 - 45
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 128
Key vol - Lv1 - 1
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Loud SPK SDN
MIC gain - 0
Tx PGA - 160
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 120
Rx vol - Lv 1 - 16
Rx vol - Lv 2 - 27
Rx vol - Lv 3 - 45
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 128
Key vol - Lv1 - 1
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Loud SPK EXT
MIC gain - 1
Tx PGA - 226
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 92
Rx vol - Lv 1 - 16
Rx vol - Lv 2 - 27
Rx vol - Lv 3 - 45
Rx vol - Lv 4 - 76
Rx vol - Lv 5 - 128
Key vol - Lv1 - 5
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Loud SPK Out Only
Tx PGA - 160
Side PGA - 0
Ear gain - 12
HFR gain - 5
Rx PGA - 120
Rx vol - Lv 1 - 10
Rx vol - Lv 2 - 28
Rx vol - Lv 3 - 40
Rx vol - Lv 4 - 50
Rx vol - Lv 5 - 96
Key vol - Lv1 - 1
Key vol - Lv2 - 2
Key vol - Lv3 - 3
Key vol - Lv4 - 4
Key vol - Lv5 - 4

Yamaha AMP vol.
31

Yamaha MEL vol.
Normal
Lv 1 - 6
Lv 2 - 12
Lv 3 - 18
Lv 4 - 24
Lv 5 - 31
Melody key
Lv 1 - 2
Lv 2 - 4
Lv 3 - 11
Lv 4 - 18
Lv 5 - 25
Power on/off
Lv 1 - 1
Lv 2 - 10
Lv 3 - 14
Lv 4 - 18
Lv 5 - 22

ISS Normal
Ear gain - 12
HFR gain - 3
Rx vol - Lv 1 - 121
Rx vol - Lv 2 - 186
Rx vol - Lv 3 - 268
Rx vol - Lv 4 - 376
Rx vol - Lv 5 - 564
Rx vol - Lv 6 - 802
Rx vol - Lv 7 - 980
Rx vol - Lv 8 - 1560
Rx vol - Lv 9 - 2167
Rx vol - Lv 10 - 2863

ISS Headset
Ear gain - 10
HFR gain - 3
Rx vol - Lv 1 - 164
Rx vol - Lv 2 - 328
Rx vol - Lv 3 - 492
Rx vol - Lv 4 - 656
Rx vol - Lv 5 - 820
Rx vol - Lv 6 - 984
Rx vol - Lv 7 - 1148
Rx vol - Lv 8 - 1312
Rx vol - Lv 9 - 1476
Rx vol - Lv 10 - 1640

Bluetooth
Tx PGA - 255
Rx PGA - 12
Side PGA - 0

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