My JVC GY-HD111E isn't located in final cut pro

To connect your Canon ZR 800 camcorder to your MacBook Pro using a Firewire connection, you will need a Firewire cable and a Firewire port on your computer. Here are the steps you can follow to connect your camcorder to your MacBook Pro:

1. Locate the Firewire port on your MacBook Pro. It is usually located on the side or back of the computer and is marked with a symbol that looks like a small lightning bolt.
2. Connect one end of the Firewire cable to the Firewire port on your MacBook Pro.
3. Locate the Firewire port on your Canon ZR 800 camcorder. It is usually located on the side or back of the camcorder and is marked with a symbol that looks like a small lightning bolt.
4. Connect the other end of the Firewire cable to the Firewire port on your camcorder.
5. Turn on your camcorder and set it to playback mode.
6. Open the video editing software on your MacBook Pro and choose the option to import video from a Firewire device.
7. Follow the prompts in the software to import the video from your camcorder.

I hope this helps! If you have any further questions, don't hesitate to ask.

You will require a firewire cable to connect to the Mac. Usually a 4 to 6 pin cable, the newer Macs use a 9 pin version.
iMovie will do the job as will Final Cut.

You should select the Easy Setup preset that matches the cameras output before capturing.
You may need to start a new project for the Easy Setup to take effect.

There are no drivers needed- you need to use the DV output (which is actually just a mini firewire 400 port) the other end of this cable is a full sized 6-pin firwire 400 cab;e that should slot into any mac (pre 2009 when some changed to the bigger firewire 800 ports). You cant use the USB. to capture the video, I use final cut pro athlough I'm sure imovie will let you do it.

This camera works fine with FCP 6. I use it all the time. You need to use the Easy Setup for Firewire basic HDV 1080/60i (or whatever sounds like that). The camera should be connected from it's small connector FIREWIRE port(under back panel cover -- USB port will not work for this use) to either a Firewire 400 or Firewire 800 port (auto-switches to 400Mbps if the device doesn't support 800) on the computer. Cables are available with a variety of connectors for this for under $20 ea (it's digital -- i.e. don't overspend on cables unless you have an actual problem!).

Hi, Sorry you are having problems,
You are really really close, be sure the camera is plugged in and turned on on preview mode and then launch ( Open ) the iMovie application on your Mac, the iMovie application will recognize the camera and probably prompt you right away if you want to import video from the camera.
There you go, it's that easy...

I've been around the block with this for days, including a fresh installation of the software on my MacBook Pro. Sigh.

Here's what seemed to work:

1) Reset Vixia HV30 (tiny reset button behind the battery). Did not change any settings on the camera after that.

2) Installed Canon's software that dropped some canon-related files in Library/Quicktime folder.

3) Opened new iMovie 6.0.3 and Final Cut Express HD 3.5.1 projects (a) FCE (using Easy Setup in FCE) to Apple Intermediate Codec 1080i60 (b) iMovie 'HDV 1080i'.

4) Connected 4-pin --> 6-pin firewire cable out of the camera to a bus-powered external drive and from the drive, firewire 800 --> firewire 800 --> MacBook Pro 10.5.8.

This was a last-ditch, Hail Mary effort. It worked, and the camera showed up in the System Profiler firewire window, too, whereas it had not before all of the above. Still does not show up when hooked directly from the camera to the FW 800 input, but at least I can capture now.

Are you shooting 24p? Make sure you're using the correct capture presets. DV NTSC 48k 24Pa (presuming you're shooting 24p advanced)
if this doesn't help, close final cut and delete your com.apple.finalcutpro.plist file from library>preferences. This should solve additional cadence problems.

Have a look at http://software.transdigital.co.jp/products/cbs_ev/qc_eng/index.htm
There are instructions and links to solve the problem

Many HDV cameras and decks are able to play and record DV as well as the higher-resolution HDV format. Additionally, many of these HDV devices will attempt to automatically change their settings to match the format of the tape that it's playing. Here are some tips for using these types of devices with Final Cut Pro / Final Cut Express.
Tip: Make explicit settings on your HDV device. Instead of using an "Auto" setting, make your own settings on your HDV device to keep the communication going between it and Final Cut Pro / Final Cut Express. This also helps Final Cut Pro / Final Cut Express keep things running smoothly with HDV devices that handle both DV-NTSC and DV-PAL.
For example, say you're using an HDV deck to capture footage from a tape that was recorded as DV-NTSC. Before capturing in Final Cut Pro / Final Cut Express, make sure that you set the deck to DV mode specifically—don't rely on Auto mode. With some devices, you may need to disconnect it from FireWire to change the mode.
For a common capture workflow, this sequence of steps can provide the best results:

1. Quit Final Cut Pro / Final Cut Express if it's open.
2. Insert your tape into your HDV deck or camcorder.
3. Use the device's menus to set it to match the format that's recorded on the tape.
4. Connect your HDV device to your computer with a FireWire cable.
5. Open Final Cut Pro / Final Cut Express.
6. Choose an Easy Setup for DV or HDV (whichever matches the format recorded on your tape).
7. Proceed to Log and Capture.

Tip: Quit Final Cut Pro / Final Cut Express before changing modes. It's generally a good idea to quit Final Cut Pro / Final Cut Express before you change the mode on your device from DV to HDV, or from HDV to DV, and then re-open the application again.
Tip: Use an Easy Setup to play back non-default HDV format footage on your HDV device. You can use Final Cut Pro / Final Cut Express to make your HDV device play back footage in its non-default HDV format. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as 1080i50. Or perhaps you have a 1808i50 HDV device and you want to play back footage that was recorded as 1080i60. To do this, follow these steps:

1. Connect your camera to your computer.
2. In Final Cut Pro / Final Cut Express, choose an HDV preset Easy Setup that matches the format of the tape's footage (you don't need to restart Final Cut Pro / Final Cut Express).
3. Your device's LCD display should automatically display a switch to 60 or 50, indicating the type of media that's being played.

Playing back non-default DV format footage on your HDV device You can also use your HDV device to play back footage in its non-default DV format too. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as DV-PAL. Or maybe you have a 1080i50 HDV device and want to play back footage that was recorded as DV-NTSC. If so, follow these steps:

1. Make sure that your device is in DV/DVCAM mode.
2. Put your device into Play/Pause mode, then open the Log and Capture window in Final Cut Pro / Final Cut Express.
3. Make sure that your device's LCD (or other readout screen) displays the same format as your tape or Final Cut Pro / Final Cut Express will misinterpret what type of device you have.

Tip: Avoid recording both HDV and DV formats on the same tape. Use separate tapes whenever you want to record in a different format. If you need to record over existing footage in a different format (for example, you have a tape with DV-PAL on it, but you want to record over it with HDV 1080i50), it's a good idea to black and code the tape, or completely record over the old footage with contiguous recording in the new format. If the tape contains even a second of, say, DV in the middle of an HDV tape (or vice versa), it could cause unexpected results later when you try to capture video from that tape.
For more information, see HD and Broadcast Formats and the Final Cut Pro / Final Cut Express User Manual, available under the Final Cut Pro / Final Cut Express Help menu