Question about Sony DSR-1500 Mini DV VCR

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Recording output form Final Cut to DSR1500 via firewire does not work for me is there a fix?

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Clean the connectors.

Posted on Jul 16, 2010

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I was using the ADVC300 on my old MacPro G5. I just got a new iMac Intel 27" and can not figure out how to connect the unit to this machine.. Do I need a different cable then the IEEE-1394 since I do not...


connect box to Mac via FireWire

The connection would be, analog into device, firewire to computer. Play the analog device and import into iMovie, Final Cut or other editor. They should see the signal and therefore import to a digital file. Check with System Profiler to see if it sees the firewire device. If your software allows playing to the firewire device, the ADVC300, then you can record to those analog devices.

Aug 24, 2010 | Canopus ADVC300 Bi-directional...

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Convert and Merge Panasonic TM700/HS700 MTS to ProRes MOV for FCP 7 on Mac


More Article about ProRes Converter: <br /><a href="http://www.aunsoft.com/mac-avchd-videos-to-prores-422-converter-m2ts-to-prores-422-quicktime/">Convert M2TS to ProRes</a> <br /><a href="http://www.aunsoft.com/transcode_convert_avchd_mts_m2ts_to_fcp_fcp7_apple_prores_422_on_mac/">Convert AVCHD MTS to ProRes</a> <br /><a href="http://www.aunsoft.com/convert_transfer_panasonic_hs60_mts_to_apple_prores_422_mov_for_editing_on_final_cut_pro/">Transcode Panasonic 1080p AVCHD to ProRes</a> <br /><a href="http://www.aunsoft.com/no_loss_of_quality_mts_to_prores_conversion-edit_panasonic_tm900_mts_on_fc_studio/">No Loss of Quality Panasonic MTS to ProRes</a> <br /><a href="http://www.aunsoft.com/convert_nikon_d5100_h264_to_prores_for_editing_on_fcp/">Convert Nikon H.264 MOV to ProRes</a> <br /><a href="http://www.aunsoft.com/convert_canon_eos_t2i_canon_7d_mov_to_prores_mov_for_final_cut_pro_on_mac/">Convert Canon EOS MOV to ProRes</a> <br /><a href="http://www.aunsoft.com/convert_deinterlace_sony_hxr-nx5e_avchd_to_prores_mov_for_fcp_on_mac/">Deinterlace Sony AVCHD MTS to ProRes</a> <br /><a href="http://www.aunsoft.com/convert_bloggie_touch_full_hd_mp4_to_prores_for_final_cut_with_mac_sony_bloggie_touch_converter/">Convert Sony Bloggie Touch Full HD MP4 to ProRes</a> <br /><a href="http://www.aunsoft.com/apple_prores_422_converter_convert_and_playback_apple_prores_codec_movies/">Convert and Playback Apple ProRes Codec Movies</a> <br /><br /><b>Panasonic HDC-TM700</b> is the new model introduced in early 2010 with 32GB built-in Flash Memory. To maximize the beauty of Full-HD 1920 x 1080, 60 progressive recording*, Panasonic worked to develop the ideal camera system. <br /><b>Panasonic HDC-HS700</b>,New 1080/50p recording (Full-HD, 1920 x 1080, 50 progressive recording) conveys about twice the information of 1080i (interlace) recording to produce the ultimate beauty in image quality, exceeding even conventional Full-HD images. It minimizes afterimages and flickering caused by subject motion and renders crisp, detailed images. 64GB SDXC card can record approximately 27 hours 30 minutes of 1920 x 1080i High Definition video in HE mode, and approximately 5 hours 20 minutes of 1920 x 1080p full High Definition video in 1080/50p mode. <br />Final Cut Pro is supposed to support AVCHD Lite import, but it does not work very well.If you encounter any problem using GH2 AVCHD Lite on Mac, or want to edit TM700/HS700 1080p MTS in FCP/FCP 7, it is recommended that you convert TM700 Full HD to common MOV for FCP/FCP 7.So you may face the rendering problem when editing in Final Cut Pro. To avoid waiting for rendering in Final Cut when editing, it is recommended want to <b><a href="http://www.aunsoft.com/video-converter-mac/">Transcode AVCHD to ProRes 422 for Final Cut Pro</a></b> native format. <br /><br />Apple ProRes,Apple ProRes 422,Apple ProRes 4444,introduced in Final Cut Studio, was advertised to one of the codecs to result in less compression and higher data rate/higher quality files for HD editing in Final Cut Pro. <br /><br />Here is the step-by-step guide for you to <b><a href="http://prores-converter.com/2011/06/convert-and-merge-tm700hs700-mts-to-prores-mov-for-fcp-7-on-mac/">Convert and Merge TM700/HS700 AVCHD MTS to PreRes 422 MOV</a></b> for Editing in FCP/FCP7 without rendering on iMac or MacBook Pro with Mac OS X like Snow Leopard. <br /><br />Step 1. Load Panasonic TM700/HS700 videos to Aunsoft Video Converter for Mac. <br />Run Aunsoft Video Converter for Mac as the best <b>TM700 AVCHD Video to ProRes Converter on Mac</b>, click the "Add" button and you can browse the TM700/HS700 1080p videos for conversion. <br /><br />Step 2. Choose Apple ProRes for Final Cut Pro. <br />Click the "Format" option, and navigate the mouse cursor to <b>Final Cut Pro &gt; Apple ProRes 422 (*.mov)</b> as output format. The video to ProRes 422 converter will transcode Panasonic DMC-GH2 1080 AVCHD Lite to Final Cut Pro native format. <br /><br />Step3. <b>Merge Panasonic 700 1080p AVCHD files. (Optional)</b> <br />Tick the checkbox for "Merge into one file", and the Panasonic TM700/HS700 1920&times;1080 AVCHD converter will join and combine the video clips into a single file as output. <br /><br />Step 4. <b><a href="http://canon-videoconverter.com/2011/06/convert-and-merge-tm700hs700-mts-to-prores-mov-for-fcp-7-on-mac/">Convert Panasonic TM700/HS700 videos to Apple ProRes for FCP</a></b>. <br />Click the convert button under the preview window, the conversion from <b>Panasonic Camcorder AVCHD to FCP Native Format ProRes 422</b> will start immediately. <br /><br />After converting and merging the Panasonic TM700/HS700 AVCHD files, just import the output Apple PreRes 422 .mov files to Final Cut Pro 7 or Final Cut Pro 6 for editing and the video is in HD 1920&times;1080.Optimize your workflow and save time with the Apple ProRes compression for Final Cut Pro. You can also import the output videos to Final Cut Express (FCE) 4 for editing in full HD.

on Jun 16, 2011 | Sony Alpha DSLR-A580 Body Only Digital...

1 Answer

No DV output from Canon GL2. Using a firewire cable from DV port on camera to firewire port on Mac Pro tower. Attempting to import the camera live to Final Cut Pro. Previously worked just fine.


Was the tape your trying to import recorded on the camera you are trying to import from? I've noticed that sometimes the tape I recorded on my old Panasonic won't show up on my GL2. It's like it's a blank tape, but I know it's not, as I have it labeled. Stick it back into the panasonic and it plays fine.

Nov 12, 2009 | Canon GL2 Mini DV Digital Camcorder

1 Answer

New user. Audio IN and Out fine in iMovie via Firewire and headphone monitoring. No audio in newly installed FCExpress HD.


It seems the know-it-alls at Apple have decided that we should monitor the audio, not via our Mac output but from our attached camera's audio out. Even iMovie does it better. That's the way they show it in the 'Set Up' section and,sure enough, thats the only way you can monitor audio. How stupid! Davideo

Nov 10, 2009 | Apple Final Cut Express HD for Mac

1 Answer

GREY BANNED OUTPUT


Hi,
It is symptom of dirty / clogged video head.
Please use good quality mini-dv video head cleaning tape to clean head. Problem will be resolved.

Mar 16, 2009 | Canon ZR850 Mini DV Digital Camcorder

1 Answer

Final Cut does not recognize DVM600


This is supposedly the formula to fix the problem of getting Final Cut to communicate with the DVM600: http://usjvc.com/faq/index.php?action=artikel&cat=6&id=26&artlang=en
My friend had to do this on his machine, but now that I'm borrowing his DVM600, I can't get it to work on either of my Macs.

Jun 05, 2008 | JVC SR-DVM600

2 Answers

Importing video from Xl1 canon into my Mac


you must use the third party software convert your video files format to final cut express support formats.such as dv,mp4,mov
if your video files is .tod format,you can use tod to final cut express converter.
http://www.fceconverter.com/tod-to-final-cut-express/
if it's .mod files format, you can use mod to final cut express converter
http://www.fceconverter.com/mod-to-final-cut-express/

Mar 27, 2008 | Sony Handycam DCR-TRV18 Mini DV Digital...

2 Answers

Get Final Cut Pro 5.04 to communicate with my XH A1


Many HDV cameras and decks are able to play and record DV as well as the higher-resolution HDV format. Additionally, many of these HDV devices will attempt to automatically change their settings to match the format of the tape that it's playing. Here are some tips for using these types of devices with Final Cut Pro / Final Cut Express.
Tip: Make explicit settings on your HDV device. Instead of using an "Auto" setting, make your own settings on your HDV device to keep the communication going between it and Final Cut Pro / Final Cut Express. This also helps Final Cut Pro / Final Cut Express keep things running smoothly with HDV devices that handle both DV-NTSC and DV-PAL.
For example, say you're using an HDV deck to capture footage from a tape that was recorded as DV-NTSC. Before capturing in Final Cut Pro / Final Cut Express, make sure that you set the deck to DV mode specifically—don't rely on Auto mode. With some devices, you may need to disconnect it from FireWire to change the mode.
For a common capture workflow, this sequence of steps can provide the best results:
  1. Quit Final Cut Pro / Final Cut Express if it's open.
  2. Insert your tape into your HDV deck or camcorder.
  3. Use the device's menus to set it to match the format that's recorded on the tape.
  4. Connect your HDV device to your computer with a FireWire cable.
  5. Open Final Cut Pro / Final Cut Express.
  6. Choose an Easy Setup for DV or HDV (whichever matches the format recorded on your tape).
  7. Proceed to Log and Capture.
Tip: Quit Final Cut Pro / Final Cut Express before changing modes. It's generally a good idea to quit Final Cut Pro / Final Cut Express before you change the mode on your device from DV to HDV, or from HDV to DV, and then re-open the application again.
Tip: Use an Easy Setup to play back non-default HDV format footage on your HDV device. You can use Final Cut Pro / Final Cut Express to make your HDV device play back footage in its non-default HDV format. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as 1080i50. Or perhaps you have a 1808i50 HDV device and you want to play back footage that was recorded as 1080i60. To do this, follow these steps:
  1. Connect your camera to your computer.
  2. In Final Cut Pro / Final Cut Express, choose an HDV preset Easy Setup that matches the format of the tape's footage (you don't need to restart Final Cut Pro / Final Cut Express).
  3. Your device's LCD display should automatically display a switch to 60 or 50, indicating the type of media that's being played.
Playing back non-default DV format footage on your HDV device You can also use your HDV device to play back footage in its non-default DV format too. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as DV-PAL. Or maybe you have a 1080i50 HDV device and want to play back footage that was recorded as DV-NTSC. If so, follow these steps:
  1. Make sure that your device is in DV/DVCAM mode.
  2. Put your device into Play/Pause mode, then open the Log and Capture window in Final Cut Pro / Final Cut Express.
  3. Make sure that your device's LCD (or other readout screen) displays the same format as your tape or Final Cut Pro / Final Cut Express will misinterpret what type of device you have.
Tip: Avoid recording both HDV and DV formats on the same tape. Use separate tapes whenever you want to record in a different format. If you need to record over existing footage in a different format (for example, you have a tape with DV-PAL on it, but you want to record over it with HDV 1080i50), it's a good idea to black and code the tape, or completely record over the old footage with contiguous recording in the new format. If the tape contains even a second of, say, DV in the middle of an HDV tape (or vice versa), it could cause unexpected results later when you try to capture video from that tape.
For more information, see HD and Broadcast Formats and the Final Cut Pro / Final Cut Express User Manual, available under the Final Cut Pro / Final Cut Express Help menu

Dec 04, 2007 | Canon XH A1 Mini DV Digital Camcorder

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