Does anyone know the color temperature that corresponds to the various white balance settings (Sunlight, Cloudy, Tungsten, etc.) on the Powershot A70? Are these settings the same color temperature for all canon digital cameras? Thanks.
- If you need clarification, ask it in the comment box above.
- Better answers use proper spelling and grammar.
- Provide details, support with references or personal experience.
Tell us some more! Your answer needs to include more details to help people.You can't post answers that contain an email address.Please enter a valid email address.The email address entered is already associated to an account.Login to postPlease use English characters only.
Tip: The max point reward for answering a question is 15.
This is due to the white balance setting on the camera, if available. Auto is a fine setting. You can use a "daylight" setting outdoors and an "incandescent" setting indoors. (Sunlight is bluer than filament bulb light, which is more yellowish in color.) If you cannot change the white balance setting on your camera, you're probably just stuck with this issue. A newer camera would deal with this difference considerably better.
It sounds like a White Balancing problem. I'd guess if it's set on Auto WB, then
you'll need to do it manually. Some digital cameras tend to produce that blue
tint when left to white balance themselves.
If you don't understand completely let us
know the exact model of the camera and I'm sure somebody can talk you through it!
White balance adjustment
The set should be working for over 30 minutes before white balance adjustment so that it can be in a stable state. Use white balance apparatus CA210 and change to BBY channel to adjust white balance; Only need to adjust chromaticity coordinates when color temperature is 10000K (namely "COOL") for the unit. To meet testing requirements of BBY when color temperature is 8000K or 6500K, make sure chromaticity coordinates of bright scale is X=280 ± 5 Y=288 ± 5, chromaticity coordinates of dark scale is X=280± 8 Y=288± 8; Manual adjustment of both groups of white balance datum YPbPr white balance adjustment.
Light from ordinary light bulbs has a strong yellow-orange cast, which our eyes tend to adjust for without thought. Check the white balance setting on your camera. This is to adjust the camera for the color of the light, to try to make white come out white, hence the name "white balance." Set the white balance to incandescent (light-bulb icon) for indoor shooting under light bulbs, or to automatic to let the camera take its best attempt.
Try experimenting with the white balance setting. Taking pictures in bright sunlight with the incandescent setting will give your pictures a very blue cast, making things look a little colder. There are other settings, such as flourescent.
You must switch to preset, push the awb button on the front to switch from auto white balance indoor to auto white balance sunlight (3200k to 5600k). This will automatically balance the camera to the approximate settings needed. For fine tuning the white balance..... If you want to set the A and B buttons, first switch to A, then hit the Auto button by the user 1,2 3 button until you are off of auto total white auto focus auto iris mode AWB A ch will show in the viewer hit the Auto again and ATW shows, meaning Auto total white is on, and you will not have control over the white balance, it will continue to float and try to automatically balance in the middle of your footage. Once you are on AWB A ch from hitting the AUTO button, then point the camera at the white you are balancing to (of course put the white under the lighting you want to balance to) push the AWB button on the front of the camera and hold it in until the camera goes through the white balance mode and the black balance mode,...the camera will go dark while this is being done but an OK with the correct color temperature will show briefly on the screen when it is done and you can release the AWB button. Now you have set the A button to the white balance for the current lighting. If you are going to be switching between indoor and outdoor, do the same for the B button above and set it's white balance to the exterior light color temp. that way you can just switch between A and B when you are moving fast between interior and exterior shots and have the correct color temp. You could always leave the switch on preset, and hit the AWB button on the front to switch from 3200 to 5600, but remember not all light is either 3200 or 5600, that is why we use the A and B settings and get the White balance for the exact color temp of the space being shot in.
1. Just use the Daylight (direct sun) white balance setting. Electronic flash is typically close to the direct sunlight setting for white balance. Advantages: it is simple. Disadvantages: if you are balancing electronic flash with ambient light, you are likely to have an odd mixture of lighting, with the ambient lighting tending toward red (if incandescent) or green (if flourescent).
2. Get a Wratten 85 color correction gel that you can cover your flash's head with, and use the Tungsten white balance setting. This will bring your flash output into line with existing incandescent light sources. Advantages: almost as simple as (1), and allows you to come close to matching a common indoor lighting situation. This will produce more natural-looking environmental shots if you balance the flash and incandescent ambient light contributions to the exposure. Disadvantages: large gel filters get expensive. You may be able to obtain something close to the Wratten 85 color correction filter from a theater supply house more cheaply. Roscolux #3408 is slightly weaker and #3411 is slightly stronger than the Wratten 85. If you have to balance flash with flourescent light sources, try a Roscolux in the cyan series leading to #4360. Some experimentation is likely to be required. The place I looked online offered the Roscolux in 20x24" sheets for about $7 per sheet, a bargain compared to the optical-grade Wratten filters.
3. Set a custom white balance. This is not too difficult, and it will definitely provide the best approximation to your desired white balance that you will obtain in the field. Advantages: this will allow you to reproduce white accurately even with mixed lighting sources. Combine with gel over flash of (2) for the very best approach to balanced flash/incandescent lighting situations. Disadvantages: requires a "white" target (can be a neutral gray photo card, for example) and some additional time before a photo session.
You can obtain some striking effects by purposely mixing color temperature light sources. But day in and day out, getting a balanced shot is a skill that it pays to cultivate.
Did you use flash? Did you use tripod? Generally speaking night photos with non-DSLR digital camera, W55 is non-DSLR, will be blurry unless either flash is used or a tripod is used. The issue is the camera shutter is set for a long exposure in order to get enough light that it is impossible to hold the camera steady. The color problem you mentioned is most likely your white balance. Normal white balance is sunlight at night you white balance should be Auto, Incandescent or Neon
Custom setting mode allows a user to calibrate the camera to a specific light condition. Color reproduction may be inadequate with preset white balance settings in mixed lighting condition or when critical control is needed. You can calibrate the camera's white balance to the specific light condition (color temperature) so that the lighting of the selected area is neutral.
So you bought the camera but didn't make a good choise :)
Yeap, the "four only options" in the Sony F55 in the White Balance Function are what you said. You have to have that in attention when buying a Digital Camera.
About the White Balance > Hold, the intention is to adjust the white balance acording to an object. After you select the option, to use it you just have to point the camera to the object, press half off the shutter button to focus, then you chose the angle and press the rest of the shutter button.
On the other cameras those options improve the quality of the skin tones and colors of your subjects reduzing color temperature.