Nikon Normal AF Nikkor 50mm f/1.8D Autofocus Lens Logo

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Posted on Oct 26, 2010

I use 50mm Nikkor with D300s. If I try to increase the aperture by 22 to get better depth of field it comes blur. why is that? Do i need to change the camera settings?

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  • Posted on Jan 10, 2011
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When you set the aperture to 22, you decrease the amount of light coming through to the sensor. Hence, you camera compensates by increasing the shutter time. With the decrease in shutter speed, you have a higher can of blurring the picture if you're holding the camera by hand. Try mounting on a tripod to keep the camera still. See if that helps.

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What's the aperture in a 3G mobile lens?

The aperture of a lens system is the opening between the actual lens elements, typically made of glass or plastic, and the camera's digital sensor that translates the light into image data. Aperture openings are referred to in terms of stops or f-stops that equate to the ratio of the lens focal length to the diameter of the opening. A lens system with a focal length of 50mm and an aperture opening that is 25mm in diameter would equate to an f-stop of 2, and would be known as a 50mm f2 lens. Some lenses have variable apertures that can be set to one of multiple f-stop values. Reducing the aperture size decreases the amount of light that makes it to the sensor as well as increases the amount of depth of field that the lens will provide.
Oct 24, 2012 • Cell Phones
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Controlling Depth of Field

A photographed object will only appear sharp in an area a specific distance from the camera. The human eye and brain still accept some areas of the image as acceptably sharp if they lie near the plane of focus and already show a small degree of blur. This zone, which is still in acceptably sharp focus, is called depth of field.

You'd typically want a wide depth of field when shooting landscapes, so as to have everything from the flower in the foreground to the mountains on the horizon in focus. You'd typically want a narrow depth of field for such subjects as portraits and flowers, blurring the background to avoid distractions.

How large this depth of field is depends on the distance to the subject, the aperture, and the focal length of the lens. Whether you're shooting film or digital makes no difference.

If the plane of focus lies further away from the camera, the depth of field is wider than if the camera focuses on an object close by.

Small apertures (large f/numbers) result in a wider depth of field.

Short focal length lenses (wide angle) have a wider depth of field than long focal length lenses (telephoto).

The depth of field is determined by the actual focal length of the lens, not the "35-mm equivalent" often used in the camera specifications. Because most compact cameras have sensors much smaller than SLRs, they have much shorter lenses, giving wider depth of field. This is great for landscapes, not so great for portraits.

To get a narrow depth of field, set the aperture as large as you can (smaller f/numbers), move in close to the subject, and zoom in. If your camera doesn't give you direct control over the aperture, try using the Portrait mode. And yes, the last two items above, moving in close and zooming in, are in opposition, You'll have to decide on the best balance for your picture.

To get a wide depth of field, set the aperture as small as you can (larger f/numbers), move away from the subject, and zoom out. If your camera doesn't give you direct control over the aperture, try using the Landscape mode.

Before going on vacation or shooting your child's wedding, experiment with these factors. Shoot things in your backyard or at a park, trying for both narrow and deep depth of field, then look at the pictures on your computer.
on Jun 23, 2011 • Cameras
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Aperture function

The primary function of the aperture is to control the amount of light passing through the lens. The more light passes through the lens, the less time is required for the proper exposure. A faster exposure can freeze motion and alleviate camera motion, while a longer exposure can allow the subject to blur, conveying a sense of motion.

The aperture also affects the depth of field. A wider aperture narrows the depth of field, causing the foreground and background to blur, while a smaller aperture widens the depth of field, putting more of the scene into focus.

It's up to the photographer to decide which effects to show. Usually for a portrait you'd want the subject's face to be sharp and the background to be blurry. For a landscape, you'd generally want everything from the foreground to the background to be sharp.
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Fujifil FinePix S6500fd: How to focus the subject(blur the background)? Like this: http://sphotos.ak.fbcdn.net/hphotos-ak-ash2/hs604.ash2/155662_1475615262462_1596139557_31044751_765416_n.jpg

What you are asking about is called depth of field. Boiled down, it means that there is a certain amount of area in an image that is in focus, given the focal length of the lens, the aperture (size of the shutter opening) and some other factors. There's a lot of theory behind it, but you just want to know how to accomplish that creative blur behind the subject, right?

If your camera has the capability to choose the aperture, known as the f-stop, either with a manual mode or an aperture-priority mode, then this is pretty easy. The larger the aperture (size of shutter opening) the smaller the depth of field, which means only a small area is in focus. The aperture, or f-stop, is denoted with numbers like F/2.8 or F/8, etc. The lower the number, the bigger the aperture and the more background blur you will get. There is an inverse relation ship between shutter opening and speed, too. A big opening like F2.8 means a faster shutter speed, versus a small opening like F/22. Every lens is different, so your aperture options will vary.

If your camera does not allow you to choose the aperture, it may still have a "scene" setting you can use. A "portrait" or "night" setting usually has a bigger aperture than, say, a "landscape" setting.

Other factors also contribute to creating background blur. All else being equal, the blur increases as you move closer to the subject or as you zoom in on the subject with a zoom lens. Also, having greater space between the background and your subject increases blur.

So, to maximize background blur and create a shallow depth of field, you want to pick the largest aperture possible (smallest f-stop number), you want to get close to the subject and extend your zoom as much as you can, and you want to maximize the distance between the subject and the start of any background objects. Your success will depend in part on your camera and lenses.

If all else fails, you can also artificially create the background blur in software after the image is taken, but that's another story!
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Hi i purchased also Nikkor AF 50mm f/1.8D and i could'nt hear the click sound when i mounted it on my Nikon D90 cam, and return to my kit lens and it's doing very well. I did follow the advised you give...

You need to turn the aperture ring to its smallest aperture (f/22) and lock it using the little orange slide. Control the aperture from the camera, just as you do with the kit lens.
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I HAVE THE SAME PROBLEM.

If you're using the kit lens (17-85mm f/4-5.6), the maximum aperture achieveable when fully zoomed out (wide) is f/4 and when fully zoomed in, f/5.6 (that's what the f/4-5.6 stands for). The minimum aperture on this lens is not a problem since you're only making it smaller. i.e., f/22.

Try zooming back and turning the Aperture adjustment dial. You should be able to get f/4.

If you need bigger aperture to get a nice bokeh or to take portraits where the background is blurred while the subject in focus (aka shallow Depth of Field), try lens that are f/3.5 or f/2.8 max. The Canon 50mm f/1.8 is quite affordable (around US$100-120).
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Nikon 50mm 1.8 lens error message

Hello,
The 50mm lens is fairly old and uses a different system to the later lenses. On the D90 and other later cameras you should rotate the ring to 22 and lock it there using the lock just above the aperture ring.
To adjust the aperture you use the front dial by the on/of switch.

Try it out in A mode. Rotate the mode dial on the top left of the camera to A (Aperture Priority mode) then lightly press the shutter button to turn the meter on. Then rotate the front dial and you will see the aperture reading changing.

The older Nikons changed their apertures using the ring but the later Nikons use the camera controls.
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What is the solution

You are dealing with "depth of field", or simply put (?), the range from near to far of an image that appears in focus. To increase the depth of focus, the camera must be set to a smaller aperture (higher numbered). Using a wider angle lens helps also. Focusing on the mid-point (near to far range) will also increase the apparent focus range. This is one of the most complicated photographic issues, and much has been written about it. Google "depth of field" for about 4 million explanations.
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FEE message in display when using 50mm lense

The FEE message indicates that the lens is not set to smallest aperture (highest number). The camera body expects this so it will have full control of the aperture. It sounds like you may be accidentally bumping or turning the aperture ring on the lens while using it or changing lenses. There is a little slide lock to lock it at f/22 to prevent this. Turn the aperture ring to 22 and move the slider so the white dot is next to the orange mark on the lens barrel.
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I do a lot of presentatins an my camera is always letting me dow. The problem is the flash doesn't always work. I put the camera on the 'P' setting. I was given the camera for a Christmas Prtesent and...

"P" is Program mode. The flash won't pop up in this mode unless you tell it to with the manual flash button.
You might be better off starting in Av (Aperture Priority) mode and choosing the depth of field you want via the aperture setting.
The camera will then pick the shutter timing according to the available light.

Choose a smaller number (=larger aperture) for less depth-of field, meaning the background will appear more blurred.

Choose a larger number (=smaller aperture) for more depth-of-field meaning the background will be more in focus.
Feb 10, 2009 • Cameras
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