Hi. I'm recording using Garage Band. I've already drag and dropped the backing track but when I record the vocal via the Pre USB I get a double recording with a slight delay. Sounds like I'm singing in a tunnel. Your help would be gratefully received
- If you need clarification, ask it in the comment box above.
- Better answers use proper spelling and grammar.
- Provide details, support with references or personal experience.
Tell us some more! Your answer needs to include more details to help people.You can't post answers that contain an email address.Please enter a valid email address.The email address entered is already associated to an account.Login to postPlease use English characters only.
Tip: The max point reward for answering a question is 15.
it's not supported on that or any earlier sony software that I know of. have you tried running the program twice (simultaniously) and playing on one while recording on the other then mixing the tracks together after??
The problem is thus. You have a multitrack recording saved in a format that your portastudio recognizes and you want to use it on your imac. If you can copy the file to the imac as a file, a translator, if one is available, will make it usable by the mac. You won't be able to play it and record on the imac because maintaining the recording as multitrack would require one output from the portastudio and one input on the imac for each recorded track. Bummer dude. The kluge method would be to play/record 2 tracks at a time (or however many outputs and inputs are available) and hope for some semblance of time alignment, after which you can fine tune it and then start your editing.
Disagree with previous post. The GTrack is designed to record vocals and a mono insrtument at the same time. That's its main selling point. It should also allow monitoring of both the vocals and guitar alongside the playback from the computer. In your computer's Control Panel, go to sound preferences, select the usb microphone and click on advanced tab. It is likely yours is set up to record 1 channel at CD quality - this is how many ship for some reason. Set it to 2 Channels CD quality. In Sonar, set your track input as USB Left for the vocals, and USB Right for your guitar.
It appears to be a problem with USB and the clock sample rate of the mic. You need to go into your Applications/Utilities folder to find your Audio MIDI Setup. In there you can choose the device for input and manually set the sample rate (usually 44.1K or 48K). Keep that window open while you record, and you'll find that the mic will reset itself to another sample rate on its own... don't know why, and Samson's support is pretty non-existent, so I can't get any answers from them. If you simply reset the sample rate in the Mac's Audio MIDI Setup utility the problem will clear itself up. But, with Garage Band, you'll then get a very bad latency issue that will force you to restart Garage Band to reestablish a near-zero latency. It's annoying, but it does work. (In Soundtrack Pro I can reset it without having to restart the application.)
You've got two inputs on the DP-02 so you can record two sources at once.
Depending on how you want the electric guitar recorded (mic the amp, or direct line in) you can in the first case plug your guitar mic into one of the mic inputs on DP02 and plug your vocal mic into the other mic input. You also have the option of plugging the guitar directly into the DP02 (using the hi-z input - I believe it is labelled 'guitar' or something on the DP02. I any event I believe it's the one on the left). This way you only need one mic for use recording the vocal part.
To avoid any 'bleed' between channels you can use the headphones while recording this way and you'll avoid having the unamplified guitar sound coming through over the vocal mic.
Once you have the mics or guitar and mic plugged into two inputs, you need to assign the inputs to a channel (track) to record on. You do this by pressing the select button for the input and then pressing the select button for the track where you want to record the input. Do this for both inputs so that they are recording on different tracks. Then arm the tracks for recording by pressing the record button for each track and the lighted buttons will flash above each armed track. Then just press play and record and you'll be recording. You can go back and redo it as many times as you like and record over what is there, or preserve a take and assign a new track (or tracks) for another take. You've got 8 to play with.
The easiest way to record using an external Lexicon effects unit (without an external mixer) is to connect your mic onto one of the 2488's inputs and assign that input to a channel strip (track). You should have the 2488 sends (output) going to the Lexicon's inputs. Then connect the Lexicon outputs back into another set of inputs on your 2488 and assign those inputs to two empty channel strips (tracks).
Then you will have to take that channel that has your mic input assigned to it and press send and set the levels there to send the signal out the sends (to the Lexicon).
Now you have a channel strip assigned to the mic input which contains your dry signal, and you have the two inputs returning from the Lexicon which contains your wet or effected signal.
You then have some options. You can control the amount of effected signal you hear while recording by adjusting the faders of the two wet tracks and you can either record the dry signal or the wet signal (or both) onto separate tracks.
Typically when recording the singer will want to hear an effect (say reverb) on his voice, but the engineer wants to record only the dry track at recording time (because effects can always be added later, but they can't be taken out). To accomplish this you would use the setup above, but only arm the mic input track for recording. In this way the singer hears the reverb, but only the dry vocals get recorded and the engineer can add reverb to that track again later as desired (and mix it back with the dry vocal etc).
On the other hand if you want to record only the effected signal you would simply arm the two channels to which the inputs coming back from your Lexicon are assigned for recording. This will get you a recording of the effected signal only.
Hope this helps you do what you are trying to do.
You need tro set up the monitoring capability in your recording software under either hardware profiles or audio settings. All "good" recording software has this monitoring capability. There's another thing - I got rid of my Multimix 8 USB, because it wasn't allowing me to monitor as I recorded new tracks. At first it did, then about a year into using it, this function stopped, and when I investigated further, it was coming up as a single duplex sound card in my hardware profiles in Windows XP. It is as if that functionality of the soundcard component had burned out. Maybe on the circuit board...
I now have a gina Echo that I bought off eBay, and it was the best thing I ever bought. It is a hard card - no latency! Full monitoring! 24 bit recording! A hard card with a breakout box instead of USB! My recordings have never sounded better. The best thing about it is that I sold my ALesis adn was able to by the gina and have money left over - they are out of production (stupidly) and can still be purchased for anywhere between $50.00 - $80.00
You may or may not have a problem with your mixer - check your software settings first. If that isn't the problem, eBay is open 24 hours...
If you're recording to an audio program on your computer (e.g., Cubase), there typically is a slight delay in the tracks you record with the first one (such as a slight delay in the vocal when layering over the guitar track). ou can change the delay in the "Preferences" for the audio card in your computer or you can remove the delay manually.. I do the latter. I record using the Audacity 1.3.3. program on a Mac G4. I find that get a 0.3 second delay in tracks layered onto the first track. So, after I record a track, I cut the first 0.3 seconds froom the beginning of the track (I give myself at least 10 seconds of "dead air" at the start. and keep playing the tracks until they're synchronized. Takes a good ear, but really is the best way to synchronize the tracks.