Have had Fuji 2800 for years for my sons high school sports. Now for no reason the colors are wrong blues are green, reds are purple, and also skin will have red spots as if you were sun burnt in spots. Please help I have a Grand baby coming want my camara back.
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Re: Color wrong and red spots
Sounds like CCD sensor problem . It starts with 'noisy' pictures ( colors not true and resolution deteriorates )but eventually the sensor stops outputting anything and you end up with blank screen. Have the sensor replaced and camera will work fine.
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since every display color monitors are only work with 3 primary color which are red, blue and yellow. You could also search it that by mixing these colors, you could get any color your want. Thats how color monitors work. Now in case of green color, it creates by mixing blue and yellow. When you are turning the screen adjustment screw, the red color plug will become lose, makes it appear green. I hope your got the reason.
Hi, This would be 5 pins, red-white is for audio and rest of 3 pins red-green-blue for video signal, it calls component video. Find out red-green-blue jacks at back of TV that would be label as Y, Yr, Yb Plug each pin in same color to get color picture.
For CRT projection TV's, this indicates that the Green picture tube is burned (warn out). The less green that strikes the screen, the more redish the image will look. You will need to find an old school TV repair shop that knows how to replace picture tubes.
In the case of a DLP style TV, the color wheel needs replacing.
Normal color picture is composed with 3 colors R-G-B (Red-Green-Blue). Picture turns Red means: Missing Green and Blue colors (many reasons: bad contacts, projector tubes dead, and other...). Try to give some "tabs" to diagnose ... I don't know what is the type of your Projection TV, how long you owned it, to have more idea.
The Fuji S2 sensor is noted for this red sensitivity. Here's a few different approaches to getting the shot with the S2, all of which require some experimentation.
1. Set the "Color" and "Tone" Function options to "ORG". Underexpose the shot. Progressively change the exposure compensation downward until when checking the histogram, the red channel does not show saturation at the high end. Advantages: this is the simplest approach to getting the picture. Disadvantages: the S2 already had a fairly limited dynamic range, and this will make things worse for the parts of the photo that are not red. For the surgical setting and use of a ringflash, this may not be much of a disadvantage, since a lot of the stuff of interest will be red, and ringflash illumination generally is of lower contrast than directional lighting.
2. Set the "Color" and "Tone" Function options to "ORG". Use a custom white balance. The idea here is to have the camera adjust the red channel sensitivity itself, and leave the blue and green channels alone. To do this, start with several sheets of white paper and a red or pink marker or highlighter. Scribble with the marker across a sheet, then use that to set a custom white balance. Take a test shot of the red stuff that has been problematic, and see whether the histogram for the red channel shows that there is no saturation at the high end. Repeat this with progressively more red or pink on each sheet used to set the custom white balance until you find the custom white balance that takes enough of the edge off the red channel response. Alternative: I just tried out making a gradient across an 8.5x11" sheet of paper going from white to about 30% red saturation. I can set more or less red adjustment in a custom white balance just by pointing the camera at different parts of the page. This seems to work OK for me. Advantage: can allow the full dynamic range of the sensor to be used. Disadvantages: the experimentation period is likely to take a while to get the best results, and the final images are unlikely to look completely natural.
3. Set the "Color" Function option to "B/W". Use a green or cyan filter on the lens to cut the amount that the red color channel contributes to the final image. Advantages: this is fairly simple as an approach. A similar post-processing technique can be applied to the photos that you already have, by nulling out the red channel contribution and desaturating the blue and green channels to produce a grayscale image. Disadvantages: you lose the color information entirely. Since much of what you want information about is colored red anyway, the organs are likely to appear quite dark when only taking the blue and green channel contributions to the image.
Picture Mode: Expert1
Fresh Contrast: Off
Noise Reduction: Medium
Black Level: Low
Real Cinema: On
Color Standard: HD (N/A w/HDMI)
White Balance: Warm
**Method: 10-Point IRE
Color Management System
Red Color: 0
Red Tint: 0
Green Color: 0
Green Tint: -15
Blue Color: 0
Blue Tint: 11
Yellow Color: 15
Yellow Tint: 2
Cyan Color: -15
Cyan Tint: 0
Magenta Color: 0
Magenta Tint: -1
lg70 nice tv excellent processor just to bad there is no intensity control on color management oh well still better than what the three s are pushing block out the hype lg will be number 1 in a few years haters are starting to come around and well leds coming,
p.s. i dont work for lg just tired of losers bashing stuff because they dont own it. im isf certified those settings are right on the money straighter than a ruler