Behringer DJx700 5-Channel Pro DJ Mixer with Digital Effects & Bpm Counter Logo

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Anonymous Posted on Aug 12, 2013

I am having problems with sound on my mixing board.. I am sure I have all the equipment in the correct inputs.

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Need help with mixing for kondensation microphone

For audio mixing on PA audio equipments a dynamic microphone will give almost the best results without noise or (singing) feedback from your speakers.
Condenser microphones should better performing for recording of sounds because of the higher sensitivity that they have special for it.
tip

How to Set up Auxiliaries on a Mixer.

Here are some tips to set up the auxiliaries properly on your mixer:
  • Step1:
Your auxiliaries allow you to send the signal from a channel strip to somewhere else while maintaining the signal on the channel strip. For instance, you can use auxiliaries for monitor mixes for performers in a live environment. You can also use auxiliaries for external effects processors or a number of different situations.
  • Step2:
Set the auxiliaries to pre-fader to allow you to change the level for the auxiliary with the auxiliary knob but not with the channel fader. Most mixers have a "Pre" button that allows you to enable pre-fader mode. If you don't have the button pressed, your auxiliaries are in post-fader mode, which means your channel fader will affect the signal level of the auxiliary output. For monitor mixes, you usually want to use pre-fader so you can control monitor mixes independently from the front of house mix. Some effects processors will be better to run post-fader, though, so don't always rely on pre-fader.
  • Step3:
Send out your auxiliary sends. On the back of your board, you there are the auxiliary outputs. For a monitor mix, you will use these outputs to connect to the inputs of the monitors. When using an effects processor, you will use the auxiliary output to connect to the input of the effects processor.
  • Step4:
Plug in a return if necessary. If you are just doing monitors, you do not need returns to the mixer. When using effects processors though, you need a way to get your effected signal back to your mixer. Take the output of the effects processor and connect that to the return input on the back of the mixer. Now you will have to adjust the return section on your channel strip to get the desired signal.
  • Step5:
Use the auxiliary knob to set the desired level. Once you know if you are running pre- or post-fader, and you have your inputs and outputs all correct, you can start sending signal to your auxiliary output. Turn up the auxiliary knob until either your monitors are set correctly or until you have the desired amount of signal going to your effects processor or other outboard equipment.
0helpful
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Mixing board hum

AC hum comes from poor grounding of components.
Jun 21, 2017 • Music
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Hi i have connected all the cables up correctly & have it all working except i have some sort of interferance coming through.i have a contant crackling & on & off buzzing sound,sound like...

First thing: Make sure ALL and I do mean ALL of your interconnected equipment is POWERED from the SAME receptacle. Powering different parts from different receptacles in a building will surely get ground bounce buzz and ALSO subject the equipment to hazards of circuit damage.
The audio connecting cables should be BALANCED lines where possible... either XLR or TRS cables. Problems like you are having are common when CONSUMER grade equipment is mixed with PROFESSIONAL equipment. Anyway, get all the stuff powered from the same receptacle and get back to me if you still have the problem. Note you may have to run three wire extension cords if devices are separated a bit... the pro's have to do that to avoid noise. All devices should have three wire (grounding) cords and/or grounding wires connecting chassis...
5helpful
2answers

Beringer Xenyx 1204fx emits a clicking sound... Sounds like a Geiger Counter for radiation in my headphones. I have used the same sound mixer in the same configurations for 3 weeks. Now I've had it...

This is likely a problem with the FX in the unit or the power to it. Does the FX display act correctly? Check that the headphone source "Main Mix" is the ONLY button down for the headphones. If not, make it so. If the clicking is still there, try the headphones in the aux send jacks... see if EITHER left or right can hear the clicking. Back in the phone jack, scan across the SOLO channel buttons down one at a time. Is there clicking? If not, the problem involves the mixing buss or further down the line. Make sure the SOLO buttons at the FX Aux sends are up.
What effect does the MODE button have in SOLO and in PFL? Is the SOLO LED off? Is the number in the FX window SOLIDLY on and not flashing?
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When I try to record an audio CD on the internal CDRW from a mixed down song in the VF160 it records it, but adds a horrible, cyclical "hiss" (very loud) over the recording rendering it useless.

I haven't personally used this equipment, but 9 times out 10, a hiss or noise problem is due to damaged or incorrect cables been used.
Check your cables.
Check your gear. If the inputs are TRS (1/4") the make sure your cables are to. This goes for any connection your recorder: balanced cables.
If the inputs are unbalanced, then you would use TS (1/4")
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When we are trying to get a reasonable level of sound for vocals before it gets loud enough to be able to hear clearly with the band playing it starts to clip at the speakers now we are only using this set...

Proper level setting of the mixer is important. HOWEVER if the clipping is occuring at the speakers the only possible problem MIGHT be that you have a supersonic feedback that is saturating the speakers above your hearing range, Be sure you don't boost the highs too much with the EQ as this can cause the feedback that you can't hear. Also make sure that you power the speakers from the SAME receptacle as the mixer, even if it means running an extension cord to bring power to the mixer. This is to avoid a low frequency hum and common mode distortion/damage. A low frequency hum could cause the clipping.
It would be a good idea to get a sound meter to check the sound level. You should be able to reach 85 Db from this system without clipping. If you need more than that, you MAY need more speakers if the band instruments are too loud. Also if the band has amps that get into the vocal microphones that adds to the clipping level... make sure the mics don't "hear" the band instruments. Make sure your speakers are toward the audience from the mics to avoid the supersonic feedback problem. If the vocalists can't hear themselves with that configuration you need to set up seperate stage monitors.

There are some pretty good videos on YouTube about proper mixer level setup.
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I need to get step by step direction to set up a behringer cx 340

You will need to carefully read all your manuals and proceed step by step Here is the first one to look at:http://www.behringer.com/EN/Products/CX3400.aspx This crossover goes between the output of your board and the input of whatever power amps you are using. It has sections describing each setup and by what you have said, if you have enough amps you would probably need to run stereo 3 way which is described on pages 9,10 and 11. This would allow you to run a mono sub out setup. The grey areas are the connections and controls you use. Make absolutely sure your cables match the ones in the diagrams and read and heed carefully all the warnings. As far as your E.Q. and your Compressor they are separate topics as they are signal processors and are hooked up in the signal chain of your mixing board. They condition the input signals. Your crossover belongs in the output stage which as mentioned before is from the output of your board to the input of the crossover then from the outputs of your crossover to the inputs of your amplifiers and then on to your speaker systems. Try to find a friendly person on your end who does sound on a regular basis and has experience setting up and troubleshooting connection problems who wouldn't mind trading some advice for whatever help you could offer them. You have some good gear there and although there are people who will give Behringer gear a bad rap, I have never experienced any problems with mine. You absolutely have to understand all your gear inside out and not try to make it do something it is not designed to do. You also have to make sure you understand the differences between balanced and unbalanced cable connections and only use good quality cables designed for each application. If you're good at soldering and understand all the theory and want to do the work you can probably buy in bulk and customize everything to your own purpose. Enjoy your new equipment.
Aug 27, 2009 • Music
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Peavey sound board 2 channels not working

check for cold solder joints from the input jacks and the fader. If any look suspicious (dull or grainy) re-solder.
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