Question about Zenith B25A02Z TV

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Picture adjustment questions

Please tell me what do these funtions do to the screen? Brightness Contrast Sharpness And Picture enhancement

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*The brightness control setting determines how bright your picture will be. *The contrast control sets the gain of the video circuit. This determines the difference between dark and light scenes. Low contrast settings make the picture "hazy". High contrast settings make the picture more distinction between dark and light scenes. *The sharpness control determine the frequency response of the video circiut. High sharpness settings give better resolution but also shows more noise in your picture. Lower sharpness settings smoothe out the picture removing noise but also fine detail. It needs to be set for the best all around picture. *Picture Enhancement is pre-set adjustments which give you different picture qualities. You just select the one you like. Stargazer

Posted on Mar 10, 2007

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Go to menu, go to screen settings or display settings. Should bring up the sharpness, contrast, color, brightness controls. Follow directions on screen to adjust. Hope this helps!

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This is likely a simple settings issue.

A lot of people don't realize that backlight settings can affect the picture.

Go to the menu (press menu on your remote)

The menu will show picture options. Just toy with different settings until you find what you want. It may be on a preset setting that doesn't work. If you are in a bright room, you will need to increase brightness and contrast and perhaps backlight.

Usually an unclear picture is due to the contrast, backlight, and brightness settings being too low. You can also increase sharpness.

I suggest a contrast setting of 70, a brightness setting of 60-80, and a backlight setting of above 80.

Good luck.,

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How do I turn up the brightness on a HP Probook 6550b?


PLEASE RATE ME!
go to the search icon under start. search brightness. it will tell you step by step what to do.
Every laptop is different, so adjusting the brightness or contrast on your laptop may vary from the steps provided on this page. However, understanding the process of how to adjust the brightness or contrast will help you change your settings.
Most laptops adjust their brightness and other settings using the function key in conjunction with another key. For example, pressing and holding the function key (abbreviated as "Fn") and pressing the up or down arrow keys as shown in the picture below, increases and decreases the brightness.

laptopb.jpg

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LOOKING FOR PICTURE SETTING SAMSUNG MO.NO.LN-T5265F


This may help you...you can also get an owners manual free on line.


English - 23
Using Automatic Picture Settings
Your TV has Three automatic picture settings ("Dynamic", "Standard", "Movie") that are preset at the factory.
You can activate either Dynamic, Standard, Movie by making a selection from the menu.
1. Press the MENU button to display the menu.
Press the ENTER button, to select "Picture".
2. Press the ENTER button to select "Mode".
Press the ??² or ??¼ buttons to select the "Dynamic", "Standard", "Movie" picture
setting. Press the ENTER button.
?³ Choose Dynamic to increase the clarity and sharpness of the picture.
?³ Choose Standard for the standard factory settings.
?³ Choose Movie for a natural Image without picture enhancements.
3. Press the ??² or ??¼ buttons to select "Contrast", "Brightness", "Sharpness",
"Color", or "Tint(G/R)", then press the ENTER button.
4. Press the ??? or ??? buttons to decrease or increase the value of a particular item.
For example, if you select "Contrast", pressing the ??? button increases it.
Press the ENTER button.
Press the EXIT button to exit.
• When you make changes to Contrast, Brightness, Sharpness, Color, Tint(G/R)
the OSD will be adjusted accordingly.
• When in PC mode, Tint, Sharpness, and Color are not available.
Press the P.MODE button on the remote control repeatedly to select the desired
picture mode.
Picture Control
Move Enter Return
Mode : Dynamic ???
Contrast 1 00
Brightness 50
Sharpness 85
Color 55
Tint G 50 R 50
Balck light 1 00
??¼More
TV Picture
Move Enter Return
Mode : Dynamic
Contrast 1 00
Brightness 50
Sharpness 85
Color 55
Tint G 50 R 50
Balck light 1 0
??¼More
TV Picture
Dynamic
Standard
Movie
Move Enter Return
Mode : Dynamic ???
Contrast 1 00
Brightness 50
Sharpness 85
Color 55
Tint G 50 R 50
Balck light 1 0
??¼More
TV Picture
50
??² Con trast ??¼
Move Adjust Return
English - 24
Adjusting the Color Tone
You can change the color of the entire screen according to your preference.
1. Press the MENU button to display the menu.
Press the ENTER button to select "Picture".
2. Press the ??² or ??¼ button to select "Color Tone", then press the ENT ER button.
3. Press the ??² or ??¼ button to select "Cool2", "Cool1", "Normal", "Warm1",
or "Warm2".
Press the ENTER button.
When the picture mode is set to Dynamic or Standard, Warm1 and Warm2
cannot be selected. Movie mode is only available.
Move Enter Return
??²More
Color Tone : Cool2 ???
Detailed settings ???
Size : 16 : 9 ???
Digital NR : Low ???
Active Color : On ???
DNle : On ???
Reset : OK ???
TV Picture
Move Enter Return
??²More
Color Tone : Cool2
Detailed settings
Size : 16 : 9
Digital NR : Low
Active Color : On
DNle : On
Reset : OK
TV Picture
Cool2
Cool1
Normal
Warm1
Warm2
Activating Backlight
You can adjust the screen brightness by adjusting the LCD backlight brightness. (0~10)
1. Press the MENU button to display the menu.
Press the ENTER button to select "Picture".
2. Press the ??² or ??¼ button to select "Backlight", then press the ENTER button.
3. Press the ??? or ??? button to decrease or increase the valueof the backlight
brightness.
Press the ENTER button.
Press the EXIT button to exit.
Move Enter Return
Mode : Dynamic ???
Contrast 1 00
Brightness 50
Sharpness 85
Color 55
Tint G 50 R 50
Balcklight 1 0
??¼More
TV Picture
5
??² Balcklight
??¼
Move Adjust Return
Move Enter Return
??²More
Color Tone : Cool2
Detailed settings
Size : 16 : 9
Digital NR : Low
Active Color : On
DNle : Off
Reset : OK
TV Picture
OK
Cancel
Resetting the Picture Settings to the Factory Defaults
1. Press the ??² or ??¼ button to select "Reset", then press the ENTER button.
Press the ??² or ??¼ button to select "Cancel" or "OK" then press the ENTER button.
Press the EXIT button to exit.
Each mode can be reset.

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2 Answers

In the past few day i've noticed the picture is


BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

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2 Answers

Need help with TV calibration for philips


Try these, Contrast: 53 Brightness: 56 Color: 45 Tint: 2 Sharpness: 2 
Color temperature: Off
Dynamic contrast: Off
Digital Natural Motion: Off
DNR: Off
Color enhancement: Off
Active control: Off

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3 Answers

Samsung tv settings


it depends on what your using it for, adjust colour tones to what you think looks natural, contrast between 80-90, keep sharpness below 30. just have a play around till you find what best suits the source material.

Mar 25, 2008 | Samsung LE40R74BDX 40 in. LCD Television

1 Answer

Help with settings - blurry SD picture


contrast full, brightness, tint, color, in the middle, then adjust sharpness for what suits your eyes, you may turn brightness and color below middle.

Mar 17, 2008 | Sony BRAVIA KDL-40V3000 Television

1 Answer

Edge Enhancement Option Disabled...


edge enhancement option i think would be enabled if you are in dynamic or movie mode. What it does is to enhance the contrast of the edges of 2 different colors.

I have the LA32S8, similar specs but only 7000:1 CONTRAST ratio. when playing dvd, i set it to movie mode. Settings vary on different tv and player. you can adjust first the backlight, then brightness then contrast, color and sharpness. the brightness you adjust by choosing the level that shows enough details on dark scenes. adjust if its too dark not to see the details of the scene. contrast, you can set by distiguishing vivid colors of the picture, dont put too much contrast as your picture would look flat. it should have a 3d look, same also with sharpness, you can experiment on the face of a person to show details on the edges.
color you set just enough to make it accurate on color reproduction.

My settings for movie are
contrast 92
brightness 49
sharpness 23
color 57
tint g48 r52
backlight 7
tone warm1
digital NR off
black adjust high
dynamic ocntrast high
gamma +2
edge enhancement on
color space auto

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