Question about Yamaha HTR-5860 Receiver

1 Answer

Hooking up an EQ on a Yamaha HTR 5860

How do I add an EQ to my home theater system? My old receiver had a tape 2 monitor button that would allow the signal to go through. If any one knows if it is possible to hook up an EQ to this receiver Yamaha HTR 5860 please let me know.

Posted by Doug Winters on

Ad

1 Answer

Anonymous

  • Level 2:

    An expert who has achieved level 2 by getting 100 points

    MVP:

    An expert that gotĀ 5 achievements.

    Governor:

    An expert whose answer gotĀ voted for 20 times.

    Hot-Shot:

    An expert who has answered 20 questions.

  • Expert
  • 105 Answers

Are you nuts? You dont need EQ to this system.This is such a nice syetem,inbuilt EQ gives very good output.Don't try to connect EQ if you are not an engineer.It can be connected with external source

Posted on Feb 10, 2007

Ad

Add Your Answer

×

Uploading: 0%

my-video-file.mp4

Complete. Click "Add" to insert your video. Add

×

Loading...
Loading...

Related Questions:

1 Answer

Install a equalizer to Teac Ag D9100 Receiver


From what I can tell (from photos), you'd hook an equalizer in the Tape 1 or Tape 2 path, where the EQ takes its input from the receiver's Tape 1/2 output and the EQ feeds its output to the receiver's Tape 1/2 input. When you want to switch the EQ into the signal path, you just push the tape monitor button for whichever tape path you hooked up.

Jul 24, 2015 | Teac Audio Players & Recorders

1 Answer

How too hook up a audio source eq100 to my harman/kardon avr 1600. i have in the tape outs and ins on both devices but its not working PLEASE HELP!!!!!!!!!!!!!!!



http://www.retrevo.com/support/Harman-Kardon-AVR-1600-Receivers-manual/id/23554ag018/t/2/


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? The rest would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.



Okay, back to the hook-up:



You have to select any available 'tape loop' containing an overrideable analog 2-channel Out and In. That would be Video 1 or Tape on the HK.


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.



So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.


The EQ has its own Tape Loop(s) to replace the one it uses. Actual Tape Decks or Processors can nest into those loops and be engaged or bypassed via controls on the EQ or Processor.



Mar 10, 2011 | AudioSource EQ-100 Home Equalizer

1 Answer

Hello, Can somebody please tell me how I can hook up my Yamaha EQ70 to my Yamaha RX-V663? Thanks very much!


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? The rest would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.



Okay, back to the hook-up:


You have to select any available 'tape loop' containing an overrideable analog 2-channel Out and In.


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.



So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Mar 05, 2011 | Yamaha EQ-70 Home Equalizer

1 Answer

I want to know how to connect an equalier to an 7.1 onkyo surround system


It might not be worth the effort because it would only be useful for analog 2-channel audio. But it IS possible.

Video 1 and Tape have Ins and Outs for the use of any typical analog stereo processor, such as the EQ.

The following is some boilerplate I made up that should explain some usage limitations.


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.



Okay, back to the hook-up:


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.



So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer

Feb 07, 2011 | Onkyo HTS3100 Theater System

1 Answer

How do I link my technics ge 70 graphic equaliser to my technics cd player sl-pd7a and my technics md player sj-md100 with phono rca leads . Thank you Simon


It would help to know what other electronics (receiver, maybe?) is involved.

If neither of those devices is a recorder, why do you need to connect them to the EQ when your receiver/preamp may have the facilities to connect the two playback devices directly; and the EQ in a Tape Loop?

Scenario A)

Assuming you REALLY want to have the CD and MD input through the EQ because you can't attach them any other way...

CD audio OUT to Line In; MD audio OUT to Playback;

EQ LINE OUT to whatever analog electronic inout you have in mind.

To hear and Equalize the CD set the Input Selector to Source, EQ REC button OFF; to hear the MD equalized set the Input Selector to Tape, EQ REC button OFF.

====

Scenario B:

You have a receiver with only ONE Line Level Aux input and a Tape Loop.

Insert the EQ in the Tape Loop. Attach one of the disc players to AUX and the other to the TAPE conenctions on the EQ.

====

Scenario C

You have a Home Theater System or Audio Vido Reciever.

The following is some boilerplate I made up that should explain some usage limitations.


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.


Okay, back to the hook-up:


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.


So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer

Feb 01, 2011 | Technics Audio Players & Recorders

1 Answer

How do you connect the dbx eq to a home stereo system


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically convert ed to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out.

So, to sum up, you can only use the EQ for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

[Or you could obtain a dbx Program Route Selector (check eBay, I highly recommend the 400x, of which I have two) and it would, while only using one receiver Tape Loop, allow for three discrete attachment paths for processors and three for tape decks with the added flexibility of front-panel selection of any and all, with the processors being before, after or between the source or tape decks. Plus it has a dedicated facility for an inline dbx Noise Reduction Processor that can also be juggled around via pushbuttons. Pretty neat.]

Jan 10, 2011 | DBX 215 Home Equalizer

1 Answer

I have an onkyo tx sr608 7.1 receiver and I want to hook up my yahama eq. I dont have a tape/monitor loop, how do I do it?


Actually the VCR/DVR is a Tape Loop that would support the EQ or any other audio processor..

http://www.retrevo.com/support/Onkyo-TX-SR608-Receivers-manual/id/23653ag916/t/2/


Be advised that the engagement of any device in a Tape Monitor loop will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Mon as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? That logical problem also plays into the decision to defeat digital sources if the Tape Mon is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out.

If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Dec 31, 2010 | Yamaha EQ-70 Home Equalizer

1 Answer

How do I hook up technics equalizer sh-ge70


This is boilerplate I wrote a long time ago for general eq or sound processors. Without know to what you are connecting, well, read on...

Be advised that the engagement of any device in a Tape Monitor loop will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Mon as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? That logical problem also plays into the decision to defeat digital sources if the Tape Mon is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out.

If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Aug 05, 2010 | Technics SH-GE70 Home Equalizer

1 Answer

IM TRYING TO CONNECT MY EQ TO MY RECEIVER MY EQ HAS3 PAIRS OF RCAS LINE IN AND OUT TAPE 1 AND TAPE 2 WHICH ONE DO I HOOK IT UP TO ALL I USE THIS RECEIVER FOR IS FOR MUSIC ON MY IPOD.WILL TAKE ALL THE I...


You don't specify the receiver model or type so I'll give you the generic AV/Receiver advice that also applies to stereo receivers. It's probably verkill but the short answer is at the end.

Be advised that the engagement of any device in a Tape Monitor loop will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Mon as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? That logical problem also plays into the decision to defeat digital sources if the Tape Mon is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out.
If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Apr 18, 2010 | Gemini Sound Products EQ-300 Home...

1 Answer

Adding equalizer to system


TIB's are notoriously rigid in their design. An EQ would go in between the source and the amplifer, typically in a Tape Monitor loop if a receiver is powering the speakers. This unit has nothing like that.

The manual implies you can record OUT to a tape deck and play it back (later) through the AUX but that does not mean you can send a signal out and get it back simultaneously as a real tape Monitor would do. Attached in the prescribed configuration, your EQ would be signal-starved as soon as you selected AUX. Dead silence would be the result.

Even if it was a true Monitor circuit, the change imparted would be to the entire program and anything down stream, including the subwoofer, would be affected.

A crossover could be used with a few high-end receivers or complete separate components and bi-amped speakers only.

Many people want to use an EQ with their modern multi-channel Digital Sound Processing gear but at best an analog 2-channel EQ (or any other processor) will only work with analog stereo sources. On most receivers, simply selecting the Tape Monitor disables all digital inputs. However, most DSP can still be employed with stereo source material and a 2-channel processor, with varying degrees of aesthetic pleasantness. Beauty is indeed in the ear of the beholder.

Apr 25, 2009 | Panasonic SC-HT930 System

Not finding what you are looking for?

Open Questions:

See all Yamaha HTR-5860 Receiver Questions

Yamaha HTR-5860 Receiver Logo

Related Topics:

536 views

Ask a Question

Usually answered in minutes!

Top Yamaha Audio Players & Recorders Experts

The Knight
The Knight

Level 3 Expert

76584 Answers

Will

Level 1 Expert

2 Answers

Paul Bade

Level 3 Expert

1688 Answers

Are you a Yamaha Audio Player and Recorder Expert? Answer questions, earn points and help others

Answer questions

Manuals & User Guides

Loading...