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Anonymous Posted on Sep 26, 2008

I can't initialize on FCP

Hi, Glad you're here. I can't initialize my GV-HD700 to Final Cut Pro. I have a tape in the VTR, but the Log and Capture window tells me it can't initialize, and to make sure the deck is connected. It is, with Firewire. A direct connection to the front of my Dual Core Intel Power Mac. All other connections were taken off the front of the Mac, and I started in many ways: 1. with the VTR hooked up and on with an already running Mac 2.  with the Mac off and the VTR hooked up and on before turning on the Mac 3. with the Mac off and the VTR unplugged, turning the Mac on, and then replugging the VTR Firewire back into the Mac.
The HD settings in FCP are good, as far as I can tell. The VTR's are also.  I'm out of ideas, and would love some advice. I've got to get up and running again! Thank you, Shari Dyer

  • Anonymous Sep 26, 2008

    Sweet! Thank you! It all works now!

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  • Posted on Sep 26, 2008
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If you are capturing HD, go into the menu > IN/OUT REC > i.LINK CONV and set it to off, and A/V->DV OUT to off. Go into FCP and go to the File Menu and select "easy setup". In the easy setup menu set the "Format" to "HDV" and set "Use" to HDV - 1080i60. Click "Setup". Now go to File > Log and Capture (command-8). You're now set to capture. Just queue your tape and hit "Capture Now" or set in and out points and capture "Clip".

If you want to capture SD footage, then on your Sony unit, go to the menu and set the i.LINK CONV to "on". In the easy setup menu you will want to set "Format" to "NTSC" and "Use" to DV-NTSC".

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Final Cut Pro X Review-No Log and Capture or Log and Transfer?

The newly released Final Cut Pro X is now a hot topic, especially among the FCP 7 or 6 users. The UI of FCP X is different from the older versions. The style change is somewhat like how Adobe Premiere Pro CS4 differs from the older versions. In the other words, it is from grey to black. Of course, Adobe Premiere Pro is different form FCP. <br /><br /><b>How would FCP X change the video editing on Mac?</b> <br /><br /><b>- No Log and Capture , Log and Transfer</b>: <br />With FCP 7 or below, the Log and Capture option is to import tape-based videos, while the Log and Transfer option is for file-based camcorder videos. If you have mini-dv like Sony HDR-FX1S, you may need another tool to capture and save videos as a file, and then import to FCPX. <br /><br />For videos from file-based camcorders, the process is like working with iMovie. The Camera Import window should pop up when camera is connected to Mac for you to select clips. Then click Import Selected, or the like button to load videos. Even though FCP X is supposed to import AVCHD files in .mts or .m2ts format, there are still users reporting the problem. If that is the case for you, you may need to transcode AVCHD to QuickTime MOV for FCP. Aunsoft <b><a href="http://www.aunsoft.com/final-mate-mac/">Final Mate for Mac</a></b> would help you make the videos compatible to FCP X. <br /><br />If you use Canon XF100 to shoot videos in .mxf format, or other camcorders with MXF files, just try Aunsoft <b><a href="http://www.aunsoft.com/video-converter-mac/">Video Converter for Mac</a></b> to see if it works for your .mxf video footage. <br /> <br /><b>- <a href="http://www.aunsoft.com/news/final_cut_pro_x_review_-_no_log_and_capture_or_log_and_transfer.html">No transcoding to ProRes</a></b>: <br />As it is known that the videos imported via Log and Transfer would be transcoded to Apple ProRes. User should wait for the transcoding before editing. It is said that Final Cut Pro X would grant you access to your material right away, saving a lot of time. <br /><br />Actually, there is also timeline for <b>editing in FCP X</b>. But the layout is different from the previous versions. The audio would be snapped to the video. You may find out more interesting features and get used to it.
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How to Export Movie from Final Cut Pro (FCP) to FLV? After editing your own...

How to Export Movie from Final Cut Pro (FCP) to FLV?

After editing your own movies on Final Cut Pro or Final Cut Express, you may want to put them on your website for presenting your introduction or promoting your services/products. For users with the older version of FCP, FCE or iMovie, it is easy to export FLV by choosing File > Export > Using QuickTime Conversion. However, if you could not find Flash FLV as output format from FCP/FCE/iMovie, you may need a FCP to FLV converter to get Flash videos.
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Step 3. Transcode FCP movies to FLV.
Click the "Convert" button under the preview window, and the Mac FCP to FLV converter starts converting Final Cut Pro movies to FLV for playing on webpage.
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About Final Cut Pro
Final Cut Pro shorting for FCP, is a professional video editing software program developed by Apple Inc for mac users, which offers pro-level editing for people who had hit iMovie's ceiling and wanted more editing control and options. As part of the Final Cut Studio, Final Cut Pro allows video editing for highest-possible quality and mix frame sizes, frame rates and formats in the same Timeline in real time.

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Depends how you are out putting the signal and the aspect of the original source footage. If firewire insure input select is hdv / dv, iee. And that remote is selected (if that deck has a remote option). Ensure the aspect ratio is correct as a sequence setting mark the area with an in and out and select in/out in the print to video window. Away you go, unless the tape is for broadcast (which I doubt as HDV is not generally a deliverable format).
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HHHhhhmmmm. I'd suggest the DV mode and if you camera has the option to output DV as letter box select this, as it is a faster version to edit with (due to compression of HDV). I don't know the camera but VTR is just the playing mode, so play the file you want while trying to connect. Is the signal coming from tape? If it is catured to the harddrive of the camera you will need to import not capture.
USB does not support video, USB2 maybe.
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Many HDV cameras and decks are able to play and record DV as well as the higher-resolution HDV format. Additionally, many of these HDV devices will attempt to automatically change their settings to match the format of the tape that it's playing. Here are some tips for using these types of devices with Final Cut Pro / Final Cut Express.
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For example, say you're using an HDV deck to capture footage from a tape that was recorded as DV-NTSC. Before capturing in Final Cut Pro / Final Cut Express, make sure that you set the deck to DV mode specifically—don't rely on Auto mode. With some devices, you may need to disconnect it from FireWire to change the mode.
For a common capture workflow, this sequence of steps can provide the best results:
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For more information, see HD and Broadcast Formats and the Final Cut Pro / Final Cut Express User Manual, available under the Final Cut Pro / Final Cut Express Help menu
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