Question about Sanyo DP42849 42 in. HDTV

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The color contrast is off. The black color appears with a red tint, and the picture looks similar to a graphic comic. I have a Sanyo 32" flat screen.

Posted by Anonymous on

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  • 203 Answers

The five times I ran into this problem on these model sets it was caused by bad main board three times and bad lcd display panel,(screen) one time, and bad solder connections at a connector on the main board the other time. You can try to search model number and board description for pricing. Chances are a repair shop will charge 100-400 u.s. dollars to fix this problem. Good luck with your new disposable flat screen.Russmann.

Posted on Jan 03, 2011

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Contrast really dark but seems to improve after the tv has been on several hours


Hi:
You may have a problem with the inverters in the unit, they are responsible for lighting up the back panel. Check or have checked the power supply voltage to the inverters, should be around 18-24 volts DC. Also leaky capacitors on the power supply will cause this issue as well as leaky or puffy capacitors on the inverter.

Sep 08, 2011 | LG 32LG30 32 in. LCD HDTV

1 Answer

RE; NS-LCD42HD-09 THE COLORS ARE TERRIBLE. THE


Here are some preferred settings for the same model in 32" It should get you close enough to fine tune from.
  • Picture Modes
    • Picture Mode : N/A
    • Color Temperature : Warm
    • Aspect Ratio : Wide
  • Precision Settings
    • Contrast : 60
    • Brightness : 50
    • Color : 52
    • Tint : G1
    • Backlight : 3
  • Advanced Video Menu
    • Noise Reduction : Off
    • Color Temperature : Warm
    • 3DYC : Off
    • Dynamic Contrast : Off

Dec 25, 2009 | Insignia NS-LCD42HD-09 42 in. HD-Ready LCD...

2 Answers

In the past few day i've noticed the picture is


BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

Dec 12, 2009 | Sony Grand WEGA KDF-55XS955 55" Rear...

2 Answers

Need lg 32lh30 calibration specs


I think I have a solution involving far less effort. Have you tuned your picture settings? Out of the box, the settings are ok and the presets will do the trick for most. But if you're like myself, you want the best picture possible. Here are my settings:

Picture menu:
Aspect ratio: Just Size
Energy Saving: Off
Picture Mode: Expert 2
Backlight: 35
Contrast: 90
Brightness: 54
H Sharpness: 40
V Sharpness: 42
Color: 50
Tint: 0

--Expert control menu
Dynamic contrast: Off
Noise reduction: Off
Gamma: Medium
Black level: Low
Real Cinema: On [grayed out]
Color Standard: HD [grayed out]
Color Gamut: Standard
Edge Enhancer: Off
xvYCC: Auto [grayed out]
OPC: Off
Expert Pattern: Off[grayed out]
Color Filter: Off

White balance: Warm
Method: 10 point IRE
Pattern: Outer
IRE: [see below]
Luminance: 137

-- 10 point IRE calibration
IRE: [Red, Green, Blue results, respectively, for each IRE point]
100 [-8, 1, -40]
90 [-13, -5, -40]
80 [-20, -12, -40]
70 [-17, -14, -33]
60 [-17, -12, -31]
50 [-17, -13, -26]
40 [-13, -12, -19]
30 [-6, -4, -8]
20 [-6, -4, -10]
10 [2, 3, -1]

Color management system
Red color: 2
Red tint: 0
Green color: -1
Green tint: -7
Blue color: 2
Blue tint: 7
Yellow color: 0
Yellow tint: 1
Cyan color: 0
Cyan tint: 0
Magenta color: 0
Magenta tint: -2

These are taken from CNET.com

Nov 08, 2009 | LG 32LH30 32 in. LCD HDTV

1 Answer

Yellow tint no color red.


you can adjust in color mode. please balance the tint, color,brightness, contrast, & sharpness.

Aug 30, 2009 | Sharp Aquos LC-46D62U 46 in. LCD HDTV

2 Answers

Picture djust


Put it in the custom mode.Put the contrast to the max.Put every things in middles may be colors for less.Now u have the desire ajustment u want?

Aug 19, 2009 | JVC AV-27530 27" TV

2 Answers

Picture calibration settings for 42lg70


Picture Menu
Picture Mode: Expert1
*Backlight: 16
*Contrast: 83
*Brightness: 53
Sharpness: 50
*Color: 55
*Tint: 0
Expert Control
  • Fresh Contrast: Off
  • Noise Reduction: Medium
  • Gamma: Medium
  • Black Level: Low
  • Real Cinema: On
  • TruMotion: Low
  • Color Standard: HD (N/A w/HDMI)
  • White Balance: Warm
  • **Method: 10-Point IRE
    • 10 IRE
      • **Red: 1
      • **Green: 2
      • **Blue: -16
    • 20 IRE
      • **Red: -6
      • **Green: 0
      • **Blue: -7
    • 30 IRE
      • **Red: -5
      • **Green: 0
      • **Blue: -4
    • 40 IRE
      • **Red: -8
      • **Green: 0
      • **Blue: -4
    • 50 IRE
      • **Red: -4
      • **Green: 4
      • **Blue: -4
    • 60 IRE
      • **Red: -6
      • **Green: 6
      • **Blue: -5
    • 70 IRE
      • **Red: -8
      • **Green: 3
      • **Blue: -10
    • 80 IRE
      • **Red: -8
      • **Green: 7
      • **Blue: -16
    • 90 IRE
      • **Red: -9
      • **Green: 5
      • **Blue: -18
    • 100 IRE
      • **Red: -10
      • **Green: 4
      • **Blue: -9
Color Management System
  • Red Color: 0
  • Red Tint: 0
  • Green Color: 0
  • Green Tint: -15
  • Blue Color: 0
  • Blue Tint: 11
  • Yellow Color: 15
  • Yellow Tint: 2
  • Cyan Color: -15
  • Cyan Tint: 0
  • Magenta Color: 0
  • Magenta Tint: -1

lg70 nice tv excellent processor just to bad there is no intensity control on color management oh well still better than what the three s are pushing block out the hype lg will be number 1 in a few years haters are starting to come around and well leds coming,

p.s. i dont work for lg just tired of losers bashing stuff because they dont own it.
im isf certified those settings are right on the money straighter than a ruler

Oct 05, 2008 | Televison & Video

2 Answers

Picture settings



Colorimetre HCFR software
AVC HD 709 calibration disk
Spyder2 colorimeter (I know most prefer the Eye-One meters, but the Spyder2 was available from my job at no cost)

Here are the settings:

PS3 Blu-Ray player

Output Format (HDMI): Y Pb/Cb Pr/Cr (important!!! NOT RGB output)
BD 1080p 24hz Output (HDMI): On (this TV can reproduce video at 48hz for accurate 2:2 pulldown)
Y Pb/Cb Pr/Cr Super White (HDMI): On (not sure if this matters)

42LG50 Settings

Aspect Ratio: Set By Program (Personal Preference)
Picture Mode: Expert 1
Backlight: 50 (Personal Preference)
Contrast: 54
Brightness: 54
Sharpness: 40 (Personal Preference)
Color: 50
Tint: 0

Fresh Contrast: Off
Noise Reduction: Off
Gamma: Medium
Black Level: Low
Real Cinema: On

White Balance: Warm
Method: 10 Point IRE

10 (-3,8,-16)
20 (15,24,-21)
30 (20,36,-22)
40 (3,19,-40)
50 (8,34,-41)
60 (10,50,-20)
70 (-5,50,-8)
80 (-16,50,18
90 (-14,50,30)
100 (-22,38,21)

Red Color: -3
Red Tint: 0
Green Color: 10
Green Tint: 0
Blue Color: 14
Blue Tint: 0
Yellow Color: 0
Yellow Tint: 1
Cyan Color: -11
Cyan Tint: 0
Magenta Color: 0
Magenta Tint: -2

Take time to get used to the settings, you may think the screen looks dull at first. The truth is most people have way too much contrast on their TVs.
These settings will also work for Cable or Dish hookups, in which case you may change the Noise Reduction option to Medium to reduce signal noise.

OR....

2POINT IRE

Backlight: 65
Contrast: 55
Brightness: 45
Sharpness: 50
Color: 45
Tint: 0

Fresh Contrast: Off
Noise Reduction: Off
Gamma: Medium
Black Level: Low
Real Cinema: On

White Balance: Warm
Method: 2 Point

Red Color: 3
Red Tint: 0
Green Color: 9
Green Tint: 2
Blue Color: -1
Blue Tint: 0
Yellow Color: 6
Yellow Tint: 5
Cyan Color: -1
Cyan Tint: 1
Magenta Color: 2
Magenta Tint: -1

Sep 15, 2008 | LG 42LG50 42 in. LCD HDTV

1 Answer

Green tint I can't seem to fix


Hopefully someone on here has a manual and can tell you exactly where the tint controls are. Also need to try adjusting the color level, turn it clear down so you have a black and white picture.
Is the picture still green over the screen with the color control
set clear down to black and white? If it does, you might
have an issue with the green gun going out or problem in the
circuitry to it.


By the way, the best way to adjust the picture settings on a
tv are to first turn the color control clear down, then adjust
brightness and contrast for best black and white picture, then
bring up the color level to where it should be and adjust the
tint for best red/green ratio.

May 20, 2008 | Mitsubishi CS-27205 TV

1 Answer

Sanyo 5.0 megpi( yellow tint)


yellowish color is due to the light your flash gives when taking pictures. i suggest you bring that to a service center and let them take a look at your camera...probably needs a bulb replacement.

Jan 26, 2008 | Sanyo Xacti DSC-S4 / VPC-S4 Digital Camera

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