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I have a zoom HD 16 multi track recorder when I turn it on I get an error messege (system err 2999:panel)I have look everywhere online and have talked to zoom tech support and still no answers. Help!

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6ya6ya
  • 2 Answers

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Posted on Jan 02, 2017

  • 1 Answer

SOURCE: tascam us 144 sync problems with cubase le

Hey lea,

i have a similar setup (Cubase LE & Tascam 144) and each time i start up Cubase i have to make sure there is no digital input going to the tascam. once cubase is started up but no project loaded i plug in my spdif from my DAT machine and then open my project and all is fine. does that answer part of your question?

i have a different problem though, i'm trying to record my DAT tapes which are recorded at 32khz and cubase doesn't recognize that sample rate properly. it'll record no problem, and play them back fine, but exporting always creates mismatched sample rates in the exported file. sucks big time and i have got no idea on how to fix it either.

Posted on May 03, 2008

  • 189 Answers

SOURCE: tracks 13/14 etc...

As far as I'm aware there is no way to record to just one of the stereo paired tracks (channels) on the 2488. There are individual mono tracks underneath those channels, but they are controlled with one fader and can only be recorded to in stereo. They are designed to be used for recording stereo sources and stereo bounces. You can however record to any of tracks 1 to 12 and then move (assign) that track to say track (channel) 13 or you can clone any single track to any other track (channel).

The term track can be misleading on the 2488. It might be easier to refer to the 1-24 fader controlled 'tracks' on the 2488 as 'channel strips' and refer to each of the 250 virtual 'tracks' on the 2488 as 'tracks'. You can assign any of the 250 virtual tracks on the 2488 to any of the channel strips. So you have 250 tracks available, but can only work with 24 of them at a time. The stereo pairs just offer some extra convenience when working in stereo. They allow you to control the volume of two tracks with one fader making working with stereo easier.

Channels 1 and 2, 3 and 4, 4 and 6, ...11 and 12 can also be linked as stereo pairs and will be controlled with the fader of the odd numbered (first) track when linked.

Cheers,

bd

Posted on Jul 14, 2008

  • 608 Answers

SOURCE: I have a Realtek HD audio driver on my Windows XP

Make sure your input and out put device is set to Realtek HD Audio Input; & Realtek HD Audio output, respectively, in sound and audio device settings.(under voice tab) Next ensure there are no ticks in the boxes muting your mic, & finally make sure you volume sliders are about half way up.

Posted on Mar 18, 2010

electrotech1
  • 1126 Answers

SOURCE: I have a problem with my hard drive recorder DMC

The could have been hit by a small power surge and it you disconnect all power to and unplug it from the wall for 30MIN., it will reset back to normal.

Posted on Dec 20, 2010

  • 1 Answer

SOURCE: System error: zoom message with Panasonic Lumix FS15 camera

I had the same problem, i switched the camera on in capture mode and zoomed in and applied a little pressure to the lens which made a slight click but retracted and has worked fine since. I may of just been lucky but the camera is fully functional again, could be worth a try.

Posted on May 20, 2011

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I am trying to record in multi track mode-want to know how to record for example vocals on track one then without erasing the vocals add for example harmony or guitar so i get two things on one track. At...


How multitrack recording works is assigning each recording to a different track. A way around this is to record the vocals to track one, then your harmony to track two. Save that as a single recording, or mixdown, then open that saved mixdown to track one. You may need to be connected to a computer to do this.

I use the same technique when using Cool Edit Pro (outdated, yes, but I've been using it for 4 years, and I know most of the ins and outs), especially on the guitar tracks, where for studio sound, you've gotta use 4 total tracks. Putting two tracks together frees up your processor, and uses less in the way of effects, as well.


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I have a Realtek HD audio driver on my Windows XP Media Center Edition version 2002 with SP3. I can listen to anything online and offline but I can't record anything using my Wave Pad sound editor or...


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Err format while recording - 1 hour lost!


I have almost the exact same problem.

I did not interrupt my recording. I stopped recording, turned off the recorder, unplugged all the mics, turned on the recorder, listened to the first 10 seconds of the recorded track, turned off the recorder, plugged it into my mac, turned it on in USB mode, attempted to transfer the track file, and the track size is "zero kb." I ejected the recorder, turned it off and back on, and now the track says "err format" and skips to the next track.

This seems like a unique problem, as any "data recovery" software will search for deleted files instead of corrupted files. And even if the file is corrupted I have software that can read the raw wav data. However, the filesize is incorrect and obviously doesn't contain any wav data. Shouldn't it be the actual file size? How can I fix this???

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1 Answer

Guitar effects often disappear after recording


Hi Danny,

You seem to be aware already that the multi-effect acts like a traditional 'insert effect' on a mixer and as such can only be applied to one track/channel at a time (multiple effects / single channel). The problem you're asking about seems to be that the effect is not 'printing' during the recording of your track. Obviously the effect can't 'go away' after recording so it would appear that your guitar effect isn't being recorded (only monitored) when the track is being laid down.

My initial guess here would be that while recording you've been assigning the multi-effect to a channel vs an input. That would explain the effect being audible while monitoring, but the input still being recorded dry even though the effect is heard through the monitors.

So to get this working the way you expect you'd want to insure that you are indeed assigning the multi-effect to input from which your guitar is coming, rather than the track on which it is getting recorded.

Having said that, actually recording dry (like you are doing) and then applying the multi-effect to a new track via a 'bounce' is the way a lot of people (myself included) choose to accomplish this anyway. That way you preserve a dry track and can go back and 'redo' the effect (or choose a different effect instead) later on. It does however introduce another step and use up another virtual track (but the 2488 has 250 of them available which si a big reason the 2488 is so competitive).

Hope this helps.

bd.

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