Question about Philips 60PP9352 60" Rear Projection Television

1 Answer

Color i own a 60inch model #60pp935217 since 2002 and the color on my screen looks like as if i have the brightness set real high but i dont what could be the problem

Posted by on

  • Anonymous May 05, 2008

    washed out color

×

1 Answer

  • Level 1:

    An expert who has achieved level 1.

    Problem Solver:

    An expert who has answered 5 questions.

  • Contributor
  • 3 Answers

Need new bulb

Posted on Jun 11, 2008

Add Your Answer

Uploading: 0%

my-video-file.mp4

Complete. Click "Add" to insert your video. Add

×

Loading...
Loading...

Related Questions:

1 Answer

Color good but picture very dark must get close to see


I would suggest if model number is correct that with set unplugged you remove rear cover and look at the three large black lens; if the set has not been serviced they should be cleaned with either a lens cloth or a paper towel with glass cleaner sprayed on it.

With the cover removed also peek at the mirror at the rear of the set (look from back and up to rear) to see if it is grimy or real dirty; The only real way to get at it is remove entire front frame with screens and remove; not a simple task on this model if you have not done it before.

Usually the lens (they are for the red, green, blue picture tubes the set uses) if real dusty will cut down the brightness and make the picture look dull and even dim (they are the light source for your picture).

Before you rate this information let me know what you find or if you have any questions as I am here to help.


SD TECH

Aug 15, 2011 | Sony KP-53XBR45 53" Rear Projection...

1 Answer

The pic is real brightand blue waypoint missed up


These sets have several common problems listed below.

Problem #1) Convergence

Symptoms:

  • Screen Looks Distorted/3D
  • Colors wont align
  • Screen may look distorted
  • No Audio/Video - makes a chirping sound.
Problem #2 CRT Fluid has clouded over. Symtoms
  • Dull looking screen
  • White looking sceen
  • Halos around objects
  • Red/Orange looking

You can see some examples and find a fix here...

bb0cf99.pnghttp://www.fixya.com/support/r2861467-solution_video_looking_whiteish_dull

Mar 01, 2010 | Philips 55PW9363 55" Rear Projection...

2 Answers

In the past few day i've noticed the picture is


BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

Dec 12, 2009 | Sony Grand WEGA KDF-55XS955 55" Rear...

1 Answer

Color


see if there is a "default" option, if not set everything back to the middle, if the colors are still off you sure its not the convergence?
most big screens allow you to change "color temperature" it's like a default adjustment for 3 different brightness levels.... ie...COOL, WARM picture will show obvious changes in brightness

Apr 24, 2009 | Philips 50P8341 50" Rear Projection...

1 Answer

Phillips Magnavox 60 inch Projection Tv


That model is famous for having bacterial contamination in the CRT coolant causeing halos, and dim pictures with bad overall color issues. You can look into the lens of the CRTs when the set is laying and if the coolant looks cloudy or has any growth there you will notice it right away, and changing the coolant will restore color, clarity and brightness.

Jun 15, 2008 | Philips Magnavox 9P6034C 60" Rear...

1 Answer

My phillips model 60pp920217f has a horrible picture...no green to the color


The green CRT coolant has congealed thats whats giving you the green halos. Change the coolant in the green and blue and your set will be fine. red is never affected so the red coolant should be fine.

May 07, 2008 | Philips 43PP9202 43" Rear Projection...

1 Answer

60inch big screen philip t.v picture looks kind of orange in picture


crt coolant it tube is contaminated with a orange like fungus which is orange in color new coolant is needed.

May 01, 2008 | Philips 60PP9352 60" Rear Projection...

1 Answer

Aadjusting screen colors


They should be adjusted to set voltages. however it is best to shut the color level to the lowest setting then try t balance the screens to achieve the best black and white picture. then turn up your color level. Your brightness level should also be set to 50 % then when you adjust for the best B&W picture. You will have better color and brightness when you reset your color and brightness levels. Hope this helps.

Feb 01, 2008 | Hitachi 57F500 57" Rear Projection...

1 Answer

TV shuts off with high color images . Example: explosions,bright lights etc


Normally, the screen control being up a little to high, would cause this problem. If no one has worked on this unit when it started may be a sign of something else, for example, the 200 volt line may be running a little low. Check the brightness and contrast for starters and if that doesn't help, then, the screen control would be my next step. Hope this helps.

Jun 03, 2007 | Mitsubishi WS-55809 55" Rear Projection...

Not finding what you are looking for?
Philips 60PP9352 60" Rear Projection Television Logo

Related Topics:

147 people viewed this question

Ask a Question

Usually answered in minutes!

Top Philips Projection Televisions Experts

matt martin
matt martin

Level 3 Expert

1191 Answers

Jaime Hernandez

Level 3 Expert

2267 Answers

The Knight
The Knight

Level 3 Expert

68250 Answers

Are you a Philips Projection Television Expert? Answer questions, earn points and help others

Answer questions

Manuals & User Guides

Loading...