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Cuptcher jvc110 to final cut pro on hdv 720p 16:9 25-50fp plez hellp best regards khaled

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I have an HDR-FX1 hdv handycam. I have Final Cut Express Instaled however when I connect the firewire cable to my macbook Pro and the other end to my cam hdv/dv port I get a window saying the computer...


Try to install a driver for the HDR-FX1 hdv handycam from the manufacturer, and check the Apple site for any other drivers available for your machines.

Good luck to you.

Jun 17, 2010 | Cameras

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Transcode/Convert AVCHD MTS/M2TS Video to FCP Apple ProRes 422 without rendering...


<b>Apple ProRes 422</b> is a standard-definition and high-definition lossy video compression format developed by Apple Inc. for use in post production. It was introduced in 2007 with Final Cut Studio 2 and is comparable to Avid's DNxHD codec which has the same purpose and uses similar bit rates. Both are DCT basedintra-frame-only codecs, and are therefore simpler to decode than distribution oriented formats like H.264. FCP/FCP7 is Mac based editing software which supports transcoding AVCHD MTS/M2TS to Apple ProRes for further editing. <br /><br /><b>AVCHD MTS/M2TS</b> files produced by HD camcorder like Panasonic HDC-TM700, HDC-HS700, HDC-SD700/SD600, Sony CX350, Sony CX550, Canon HF200, etc are not the preferred formats by FCP/FCP7. Even you will have problem for transferring and logging these MTS, M2TS videos. <br /><br />So the program you need is a great <b><a href="http://www.aunsoft.com/video-converter-mac/">Mac MTS Video to Apple ProRes 422 Converter</a></b>. With it, you can convert any HD camcorder 1080 60p/50p, 1080i AVCHD (*.mts, *.m2ts), 720p AVCHD lite files to Apple ProRes 422 for editing with Final Cut Pro, Final Cut Pro 7 on Mac. <br /><br />Below is the step-by-step guide for you to quickly <b><a href="http://canon-videoconverter.com/2011/06/transcodeconvert-avchd-mtsm2ts-video-to-fcp-apple-prores-422-without-rendering-on-mac/">Transcode/Import AVCHD to FCP Apple ProRes 422 Codec (*.mov)</a></b> for editing. <br /><br />Step 1. Download MTS/M2TS files to Apple computer. <br />Connect your AVCHD camcorder c to Apple computer via USB cable, find the .mts, *.m2ts files from the camera folder like PRIVATE &gt; AVCHD &gt; BDMV &gt; STREAM. Then copy and transfer the .mts, *.m2ts files from camera to the Apple hard drive disk. <br /><br />Step 2. Import MTS/M2TS files to Aunsoft Video Converter for Mac. <br />Run Aunsoft Video Converter for Mac as the <b><a href="http://www.aunsoft.com/video-converter-mac/">best AVCHD to FCP Apple ProRes Converting software</a></b>, and click the "Add" button to load AVCHD .mts or .m2ts videos. You may also directly drag and drop the AVCHD video to application UI for importing files. <br /><br />Step 3. Choose Final Cut Pro-Apple ProRes (*.mov) output format. <br />Click the "Format" option and navigate the mouse cursor to <b>Final Cut Pro &gt; Apple ProRes 422 (*.mov)</b> as output format. The Mac MTS/M2TS Video to FCP Converter will convert AVCHD to Apple ProRes 422 MOV with high quality. (<b>Tip:</b> The Apple ProRes (*.mov), DVCPROHD (*.mov), HDV (*.mov) formats under Final Cut Pro output profile are available when your FCP is installed on Mac). <br /><br />Step 4. <b>Convert AVCHD MTS/M2TS video to Apple ProRes (*.MOV) for Final Cut Pro</b>. <br />Click the convert button under the preview window, and the Mac MTS/M2TS to FCP Converter will start the conversion from AVCHD to Apple ProRes MOV for Final Cut. <br /><br />After the conversion, you can easily import <b><a href="http://www.aunsoft.com/video-converter-mac/">Apple Prores 422 to Final Cut Pro without rendering</a></b> for editing. <br /><br /><b>Tips:</b> <br /><br />If you would like to edit AVCHD MTS/M2TS with FCE/iMovie, Avid, etc, you can convert MTS/M2TS to Mac itself bring format like Apple Intermediate Codec, DV PAL/NTSC, DVCPRO NTSC/PAL, DVCPRO50 PAL/NTSC (*.MOV) for FCE and iMovie, or transcode MTS/M2TS to Avid DNxHD (*.mov) for Avid on Mac.

on Jun 10, 2011 | Sony Alpha DSLR-A580 Body Only Digital...

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How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut...


How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut Pro?

Final Cut Pro is a professional and all in one video editing, compositing and special effects package for the Macintosh. The software logs and captures video onto a hard drive (internal or external), where it can be edited and processed.

If you are a Kodak video fan and you want to give professional editing to your Kodak videos, Final Cut Pro is the best choice for you. However, Final Cut Pro can edit any QuickTime compatible file format including DV, HDV, MOV, MPEG-4. That is to say, in order to edit your Kodak video with Final Cut Pro, you have to convert Kodak videos to the supported formats by Final Cut Pro with Kodak video to Final Cut Pro Converter for Mac.

Tips:
Kodak records the video files with mov files (i.e. Quicktime files) does not mean they are perfect for editing in FCP. The fact is, all of the small video cams, including the Kodak Zi8 Cams, records highly compressed codecs that are known as delivery codecs, not editing codecs. You need one third-party software to convert HD mov files to some formats like DV, HDV , MPEG-4 that FCP is happy to edit.

How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut Pro?

Kodak video to Final Cut Pro Converter for Mac is one simple-to-use solution with the minimum amount of buttons and a small menu for converting Kodak video (Kodak Zx1, Kodak zi6, Kodak Zi8 and Kodak PLAYSPORT) to DV, HDV, MPEG-4, etc., for importing Kodak videos to Final Cut Pro. Besides, it is also an easy-to-use editing tool that assist you for making personalized video. You can trim the video to a certain length to convert, adjust video aspect ration by using crop function, add special effect like Gray, Emboss, Old film into video to make it more artistic, join several files or set the video output parameters. All this can be done with a few mouse clicks.
Part one: How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut Pro?

Step 1:Free download and install Mac Kodak video to Final Cut Pro Converter
Download Kodak Video to Final Cut Pro Converter For Mac and double click the downloaded . dmg files to install. A user-friendly interface will pop up.

Step 2:Load Kodak video files
First: Connect Kodak camcorder to computer and transfer mov files to iMac, Mac book.
Second: Hit the File button on the top left panel or click "Add Video" button to select Kodak MOV files to this converter.
504a848.jpg
Step 3:Select the output format and destination
Click the downward arrow beside Settings to choose the proper Final Cut Pro format from the drop-down list. And then click Browse button to specify the output location.
Tips: Select DV, HDV or MOV format for FCP in the pull-up list next to Profile field. And then click Browse button to specify the output location.


Step 4:Start the conversion
After all the necessary setting has been done, hit the "Start" button to start converting. Click the Open button to select the converted DV, HDV files to Final Cut Pro for further editing upon completion.
Part Two: Import Kodak videos to Final Cut Pro and edit Kodak video in Final Cut Pro.

Step 1:Import Kodak videos to Final Cut Pro
Launch Final Cut Pro and click "Import"-"Files" and then select the converted Kodak files. Find the file in the resources list for the project and drag the file into the Timeline, and then save the project.

Step 2:Edit Kodak video in Final Cut Pro
Apple's Final Cut Pro Software is an all in one video editing, compositing, and special effects package for the Macintosh. The following steps will show you how to use the Timeline:
One: Edit video and audio timing
There are three tracks on the Timeline, one for video and the other two for audio. And you can cut the video and audio tracks all at once in the same place.
Choose the razor blade tool in your menu, and click the times that you want to split it. You can also set input and output times on the Viewer window. Final Cut Pro also allows you to layer video tracks on top of each other.
Two: Add transitions
For Kodak videos, you might want to use simple and non-distracting transitions. Then you can just select Fade Out or Cross-Fade transitions.
Three: Export video
Once you are finished with editing your video, click on File and point to Export, then you will see a list of options of how you can export the edited file. For example, if you want to publish your video to the web, you can click on "Export using QuickTime Conversion". When you see the naming dialog box, input the name you prefer and at the bottom, select "MPEG-4" at the bottom, and then select "Broadband-High" under the format setting. And now click on Save.

on Sep 17, 2010 | Computers & Internet

1 Answer

Print to Video from Final Cut to GV-HD700 HDV has been impossible. What are the proper settings for both programs?


Depends how you are out putting the signal and the aspect of the original source footage. If firewire insure input select is hdv / dv, iee. And that remote is selected (if that deck has a remote option). Ensure the aspect ratio is correct as a sequence setting mark the area with an in and out and select in/out in the print to video window. Away you go, unless the tape is for broadcast (which I doubt as HDV is not generally a deliverable format).

Apr 15, 2009 | Apple Final Cut Express HD for Mac

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Import MOD to FCP ? How to import MOD to Final Cut Pro to edit your MOD files


Final Cut Pro is a very sophisticated video editing program made by Apple and provides professional editing of any QuickTime compatible video format including DV, HDV, P2 MXF (DVCProHD), XDCAM, QuickTime MOV, QuickTime MP4 etc. It has become the choice for multimedia journalists using Apple computers and many Hollywood film makers.

However, Final Cut Pro does not support MOD files, which poses a problem if you are using JVC, Panasonic or Canon camcorders that take MOD videos. So if you want to edit MOD in Final Cut Pro, you will need to convert MOD to Final Cut Pro supported formats.

Doremisoft Mac MOD converter provides the perfect solution to letting you import MOD to FCP by converting MOD to Final Cut Pro supported formats.

The four steps below will guide you to import MOD to Final Cut Pro:

Step 1: Add MOD files
Click the "Add File" button to add the MOD files you want to import to Final Cut Pro from your Mac hard disc. Then double click a file or select a file and click on "Open" to add it.

Step 2: Select the output format
Click the small arrow at the end of the Profile field, and you will see the Profile drop-up list. Move your mouse cursor to "HD Video" and click on the "HD MOV" profile. This option will let you convert MOD to FCP MOV. Then you can tick the "Apply to all" option that will convert all added MOD files into selected Final Cut Pro supported format. You can also convert MOD to FCP MP4 if it is what you prefer.

Step 3: Start to convert MOD to Final Cut Pro
Find the round Start button on the lower right part of the main interface to start the conversion. On the conversion window you can see the elapsed time and the remaining time. Now you can decide how to kill the time before the conversion is finished. Then just don’t forget to come back for the converted files you want to import to FCP.

Tip: You can also use Doremisoft Mac MOD Converter to do easy editing such as cropping, trimming, and video effects to your MOD files, click here to see how.

Step 4: Import converted MOV to Final Cut Pro
Launch Final Cut Pro and you can see the layout of the Final Cut Pro Interface. From under the File command at the top of the interface, select "Import" and "Files". Then select one converted file from the Choose a File window and press the "Choose" button to choose this file. Then find the file in the resources list for the project and drag the file into the Timeline and then save the project.

Now you have successfully imported MOD to Final Cut Pro and just start editing!

on Jul 21, 2010 | Cell Phones

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How to Edit/Convert Sony HDR-FX1 HDV Files to FCP,Adobe Premiere,Avid Sony's...


How to Edit/Convert Sony HDR-FX1 HDV Files to FCP,Adobe Premiere,Avid
sony-hdr-fx1.jpg
Sony's HDR-FX1 is the first three-CCD HDV camcorder to hit the market. The Sony HDR-FX1 HDV camcorder can record and playback both in high definition and in standard MiniDV formats, so the choice is yours. What's amazing is that with this camera, you can play and record both formats on a MiniDV tape!
With the Sony HDR-FX1, Sony developed a special compression engine. It encodes in MPEG2 at the same bit rate as DV. As a result, you can use the same miniDV tapes you're accustomed to buying to record at stunning high definition. Moreover, when in high definition mode, the camcorder records audio in MPEG1 Audio Layer II, providing excellent sound quality.
Sony HDR-FX1 Handycam Camcorder Supported Format:
Audio system: MPEG1 Audio Layer 2 Stereo;
Dolby Digital Output : MPEG1 Audio Layer 2-Stereo (HDV), PCM (DV)
Video: Digital Video Format: MPEG-2
Video Recording System: Real-Time HD Codec Engine, HDV/DV Recording
Still Image Format: JPEG
The Advantages and Disadvantages of Sony HDR-FX1 Handycam Camcorder:
Advantages:
1.Sharp and vibrant three-chip HD images;
2.Native 16:9 capture;
3. Ability to downconvert video for use with existing editing systems and displays.
Disadvantages:
1. No XLR inputs or independent audio-level controls;
2. No 24P;
3.Somewhat difficult to control and monitor focus manually;
4.Limited HDV editing and distribution options at this time.
Final Cut/Abobe Premiere/Avid/Canopus/Pinnacle/Ulead Support Sony HDV/DV files Editing
Along with the announcement of the HDR-FX1, Apple Computer is announcing support for the HDV spec with their popular video editing program, Final Cut. "Native HDV support in future releases of Final Cut will enable our customers to create high quality HD content with affordable HDV cameras, including Sony's much anticipated HDR-FX1 camcorder," said Rob Schoeben, Apple's Vice President of Applications Marketing.
Adobe has also stated that they will be releasing an HDV plug-in for their popular Premiere editing system later this year. "The Sony HDR-FX1 is a milestone product, bringing HD-quality video at resolutions of up to 1080i at a price that will encourage widespread adoption of HDV across the industry. In keeping with our commitment to lead the HD revolution, Adobe plans to release a HDV Plug-in for Adobe Premiere Pro later this year," said Steve Saylor, Vice President, Digital Imaging and Video, Adobe Systems, Inc.
Avid, Canopus, Ulead and Pinnacle also announced support for HDV. Editing support has been a big issue for HDV in the past, with third party companies supplying solutions for Final Cut and Adobe Premiere.
Aunsoft Video Converter for Mac Supports Native Sony HDV/DV files Converting
With the release of Aunsoft Video Converter for Mac, no matter what usages you want to deal with Sony HDR-FX1 recorded HDV/DV files, for sharing on your websites, YouTube, Vimeo, Dailymotion, Motionbox, Myspace, etc, for playing with your iPad, iPhone 4, iPod, Android Phones, Xbox 360, etc, for making forever collection by burning to Blu-ray or DVD, etc, it can help you to convert Sony HDV/DV files to MOV, AVI, WMV, 3GP, MP4, FLV, F4V, etc formats you wanted. Take it as your Sony HDR-FX1 converter, and you have the choice to deinterlace HDV/DV files, merge HDV/DV files into only one.

on Jul 15, 2010 | Computers & Internet

1 Answer

My JVC GY-HD111E isn't located in final cut pro


Are you using HDV, make sure you set the signal to DV on the camera. Does it have a signal out option to switch from video to dv / firewire? Have you checked to see if it is supported? Also just keep trying, turn camera on and off, restart the computer with firewire connected then without. I had this problem with a deck and it randomly started working after my 5th try.

Mar 28, 2009 | JVC GY-HD111E Mini DV Digital Camcorder

1 Answer

HD footage stutters after captured in Final Cut Express HD 3.5.1


Did you capture as HDV? When you render is it ok? Some times it is best to capture as DV not HDV the quality will be as good (letter boxed) but it means fce is not having to decode the mpg4 compression of HDV in realtime. Can lead to a jolting due to extram RAM usage.

Mar 04, 2009 | Apple Final Cut Express HD for Mac

2 Answers

Get Final Cut Pro 5.04 to communicate with my XH A1


Many HDV cameras and decks are able to play and record DV as well as the higher-resolution HDV format. Additionally, many of these HDV devices will attempt to automatically change their settings to match the format of the tape that it's playing. Here are some tips for using these types of devices with Final Cut Pro / Final Cut Express.
Tip: Make explicit settings on your HDV device. Instead of using an "Auto" setting, make your own settings on your HDV device to keep the communication going between it and Final Cut Pro / Final Cut Express. This also helps Final Cut Pro / Final Cut Express keep things running smoothly with HDV devices that handle both DV-NTSC and DV-PAL.
For example, say you're using an HDV deck to capture footage from a tape that was recorded as DV-NTSC. Before capturing in Final Cut Pro / Final Cut Express, make sure that you set the deck to DV mode specifically—don't rely on Auto mode. With some devices, you may need to disconnect it from FireWire to change the mode.
For a common capture workflow, this sequence of steps can provide the best results:
  1. Quit Final Cut Pro / Final Cut Express if it's open.
  2. Insert your tape into your HDV deck or camcorder.
  3. Use the device's menus to set it to match the format that's recorded on the tape.
  4. Connect your HDV device to your computer with a FireWire cable.
  5. Open Final Cut Pro / Final Cut Express.
  6. Choose an Easy Setup for DV or HDV (whichever matches the format recorded on your tape).
  7. Proceed to Log and Capture.
Tip: Quit Final Cut Pro / Final Cut Express before changing modes. It's generally a good idea to quit Final Cut Pro / Final Cut Express before you change the mode on your device from DV to HDV, or from HDV to DV, and then re-open the application again.
Tip: Use an Easy Setup to play back non-default HDV format footage on your HDV device. You can use Final Cut Pro / Final Cut Express to make your HDV device play back footage in its non-default HDV format. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as 1080i50. Or perhaps you have a 1808i50 HDV device and you want to play back footage that was recorded as 1080i60. To do this, follow these steps:
  1. Connect your camera to your computer.
  2. In Final Cut Pro / Final Cut Express, choose an HDV preset Easy Setup that matches the format of the tape's footage (you don't need to restart Final Cut Pro / Final Cut Express).
  3. Your device's LCD display should automatically display a switch to 60 or 50, indicating the type of media that's being played.
Playing back non-default DV format footage on your HDV device You can also use your HDV device to play back footage in its non-default DV format too. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as DV-PAL. Or maybe you have a 1080i50 HDV device and want to play back footage that was recorded as DV-NTSC. If so, follow these steps:
  1. Make sure that your device is in DV/DVCAM mode.
  2. Put your device into Play/Pause mode, then open the Log and Capture window in Final Cut Pro / Final Cut Express.
  3. Make sure that your device's LCD (or other readout screen) displays the same format as your tape or Final Cut Pro / Final Cut Express will misinterpret what type of device you have.
Tip: Avoid recording both HDV and DV formats on the same tape. Use separate tapes whenever you want to record in a different format. If you need to record over existing footage in a different format (for example, you have a tape with DV-PAL on it, but you want to record over it with HDV 1080i50), it's a good idea to black and code the tape, or completely record over the old footage with contiguous recording in the new format. If the tape contains even a second of, say, DV in the middle of an HDV tape (or vice versa), it could cause unexpected results later when you try to capture video from that tape.
For more information, see HD and Broadcast Formats and the Final Cut Pro / Final Cut Express User Manual, available under the Final Cut Pro / Final Cut Express Help menu

Dec 04, 2007 | Canon XH A1 Mini DV Digital Camcorder

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