Question about Pioneer Elite VSX-9100TX Receiver
Maximum volumn on receiver gives very low sound. Input from another source works fine.
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Posted on Jan 02, 2017
SOURCE: poor sound
You need to connect most turntables to a PHONO input or buy a PHONO preamp. Many newer receivers do not have a PHONO input. The AUX port you are using would work fine for a device like a CD player, but turntables need to be amplified. You can buy an external Phono pre-amp from Radio Shack. I don't know anything about this site, but something like this device should work for you. http://www.phonopreamps.com/tc400pp.html
Posted on Jun 19, 2007
SOURCE: VSX D511 No input select
I am getting no sound via my optical cable input. The back of the AMP says that the optical is TV/SAT but i can't change the input to digital it will only go to analog. DVD player is set to Bitstream all dvd options set to DTS, but still no sound going through. Any help would be apprecaited
Posted on Mar 11, 2008
SOURCE: pioneer vsx d608-no sound
this is an IC failing , it changes the pre amplified audio to the amp.but there is most likely something causing this failure as well ,to much voltage to the chip , it will need testing
Posted on Dec 10, 2008
What you will need is a phono pre-amp, then you can run into the receiver with a line level input to an empty audio input on the receiver, you can try Radio Shack to obtain one.
Posted on Feb 11, 2009
SOURCE: Equalizer for Bose 901 Series IV
There's good news and bad news. The bad news is that a multichannel receiver with Bose 901's attached as you have them will only sound right in STEREO on stereo analog material. For one thing, the other speakers around the room are not designed to receive its Active Equalization and for another, if you engage your Tape Monitor you will NOT BE ABLE TO HEAR DIGITAL sources. Tape Monitor is for analog stereo material only and on my receiver it disables any digital inputs so you really can't use the Tape Monitor circuit or attached devises for modern digital sources. However, you can still employ the various DSP options to spread 2-channel analog source material around the room. I do.
The good news. I have a setup similar to what I think you're trying to do and it works great! With one caveat - My receiver actually has 5.1 analog Outputs so I can drive up to 6 external amplifiers if I want to (I drive 4). Yours does NOT so we have to be creative in extracting the front two channels from your multi-channel receiver. The obvious place would be at one of the few OUTputs on the back, assuming you have one free to use.
I see Video 1 and MD/Tape have Audio Outputs. Use one of these to feed the Bose EQ. **
A separate stereo amp for the 901's was my solution. I run a Carver AV-406 (5-channel amp) for my 901's in Front, 2 Subwoofers and the Rear Surround channel, with the Active EQ between the receiver Front L&R Outputs and the 901's amp channels. My receiver controls everything and just drives the Center and Surround speakers.
You could get by with just a stereo amp for the 901's. A Carver M-200 is a good efficient amplifier that would have you cooking just fine (2x100W). Run it with the Active EQ between the receiver Front L&R Pre-Outputs ** and the 901's amp channels.
** Sony STR-DE595 (Video 1 or MD/Tape Audio Out ***) >>> Bose EQ Amplifer IN, then
Bose EQ Amplier OUT >>> new amplifier IN.
Attach the 901's to the new amp, set its volume to Max and run through your receivers speaker level setup.
*** In either case you will NOT be able to SELECT the source you use for the 901 Pre-Outs for listening, or else the 901's will not get any sound sent their way. This is what's happening to you right now when you select MD/Tape. You're disconnecting the source from the 901 EQ.
You may have to get ugly with your other input components to find them all homes on the receiver. The labeling won't necessarily match up with the device types. Mine is ugly like that and I have a lot of connectors, but I have even more input devices.
If you have CD, TV Cable box and DVD (typical) you need to assess what you have that is digital and use what you can wherever you can, then the leftover analog device(s) - PC? - can go into any available analog input that is left over.
Whichever of these connections you DO NOT use for the 901's will still be available for using some kind of conventional analog recording device or sound processor such as an EQ or dbx Expander. However, as with any digital receiver, selection of that device for monitoring will kill the sound from any DIGITAL source you have playing (or maybe it just won't allow you to monitor).
Posted on Apr 24, 2009
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The following is some boilerplate I made up that should explain some usage limitations.
Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.
The connections themselves are fairly simple but it pays to understand what happens in the loop.
In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).
Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.
The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.
EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.
In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.
Okay, back to the hook-up:
Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In; Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.
Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;
Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.
So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer
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