Question about Yamaha RX-Z1 Receiver
I want to play my Yamaha NS K-15 tape player directly into the A-05
integrated amp but when tape monitor is selected on the front of the
amp I get nothing. When I had it set up with the graphic equaliser,
pressing tape monitor on the amp and on the equaliser gave me play back
from the tape player.
If I plug the tape player into the phono input of the amp and select 'phono' all I get is a loud hum through the speakers.
How do I set it up to play directly from the tape player without having the equaliser included?
All of this applies to nearly any analog consumer audio gear...
If you have any Tape Deck and an Equalizer and only the one Tape Monitor loop you should place the EQ into that Tape Monitor loop, then place the Tape Deck onto one of the probable two Tape Monitors on the EQ as it sounds like you had here...
"When I had it set up with the graphic equaliser,pressing tape monitor on the amp and on the equaliser gave me play backfrom the tape player."
That setup will allow you to apply EQ to any analog source and the tape deck in record or playback mode.
However, if you want to remove the EQ and use the Tape Deck directly on the Tape Monitor just attach the deck's Playback cables to Tape Mon In (Play) and the deck's Record cables to the Tape Mon Out (Rec). Flip the Tape Mon control to hear the tape deck or monitor it while recording.
NEVER plug anything but a turntable into the Phono. It has a preamp that expects a ver ysmall signal from the cartridge AND it also has a severe RIAA Equalization curve which would result in grossly exaggerated frequency extremes if you managedto get a non-LP source into it. Likewise, turntables without internal electronics mut always use the Phono section of a receiver, preamp or integrated amp to get the boost and EQ they need.
Posted on Apr 05, 2009
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Posted on Jan 02, 2017
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Dec 25, 2013 | Kenwood Audio Players & Recorders
The following is some boilerplate I made up that should explain some usage limitations.
Be advised that the engagement of any device in a Tape Monitor loop on most late-model Audio/Video Receivers (*) will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.
* But not the HTR-5063.
The connections themselves are fairly simple but it pays to understand what happens in the loop.
In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).
Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.
The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.
EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.
In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.
Okay, back to the hook-up IF you had a Tape Loop:
Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Amp-, Rec-In;
Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Amp-, Play-Out.
So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer
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