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Bad picture poor pictuer after new color wheel install.the darker shadows are really bad it was fine before new coler wheel it does not have a sharp picture anymore

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Re: bad picture

The picture quality is very poor and dark, need to see detail in all aspects of the video

Posted on Dec 21, 2007

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Re: bad picture

Please provide accurate info for best solution = Make,model,
chassis and mo / yr built off sticker on back of set ......
Also, the part # of the color wheel installed...........T.

Posted on Dec 03, 2007

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What makes you think the color wheel is bad!?... It would require removing the light engine from the rear!.... Geo

Jun 22, 2014 | Zenith Z52SZ80 TV

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No luminance

poor very dark is sighn of bad bulb ok after 3000 hours they get dark they wont die just get darker in darker like what going on now and have stuff looks like red nasty get new bulb ok

Feb 10, 2008 | Mitsubishi WD62627 62" HDTV

1 Answer

Samsung dlp the picture is all shadows with dark green/black colors after replacing with new color wheel..what is wrong? Is it a bad color wheel?

no you need to adjust the color wheel to factory specs by getting into the service software. The color wheel has to be timed to the engine.

Dec 29, 2013 | Samsung Bp96-00674a Dlp Tv Color Wheel...

1 Answer

Tv is about 6 years old hd-ila 56g657 have replaced lamp 3 times over that time but the picture started to get darker and darker.the last time i replaced the lamp it did very little good and the ptcture...

you cleaned the reflector glass, then tried to make the manual adjustment of the color to have good convergence. you can do the adjustment in the menu set up. if can not get with adjustment, their might be a problem in the convergence circuit board.a bad convergence ic or resistor.

Nov 18, 2012 | JVC HD-56FB97 HDTV

1 Answer

It has double picture. It is like there is a shadow picture also really bright green,blue,red colors.

usually an issue with the color wheel not being calibrated or the backlight reflecting from multiple angles.

Mar 07, 2011 | RCA R52WH73 Projection Television

1 Answer

I just replaced the color wheel on my samsung hln5065w. Picture is great but there is a shadow on the right side of screen from top to bottom. The shadow on the top of the screen is wider across the screen...

Its a Good Possibilty that its the New Color Wheel causing this,if the colors are not complete on the color wheel then that will be why you are seeing shadow on right hand side of screen.
I know I ordered color wheel for mine and had to send it back,it did the same thing.
I compared it to the old color wheel and the new one did not have Solid colors on it.

Can you see picture behind the shadow? or is it shadow and no picture?

Mar 06, 2011 | Samsung HLN5065W 50" Rear Projection...

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In the past few day i've noticed the picture is

BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

Dec 12, 2009 | Sony Grand WEGA KDF-55XS955 55" Rear...

2 Answers


These set have a problem with the color wheel, when it starts to fail it will do what you describe. The bad news is Sharp will not sell just the colorwheel, the sell the entire light engine for $1200.00 ond as of today I still have not found a replacment colorwheel that will work for this set

Dec 16, 2007 | Sharp 56DR650 56" Rear Projection HDTV

1 Answer

Darkening screen (or of programs?)

use the advanced options page and reset the factor blue and red convergence defaults then do re apply the auto color defaults color at first it seemed very red (which is good because red was the missing factor in the green picture) but after reseting all the color and tints to the normal ranges I then reset the color auto correct again and all seems fine.

Nov 21, 2006 | Hitachi 60SX13B 60" Rear Projection...

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