Hi try this ...cheers
Thank you, I’m not sure if I can or how to change to analog
I have done it, thank you for your help
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SOURCE: MZ-R3 problem
first check where you plug it (line in) then check the record volume in the options then if still nothing check the record mode (digital or analog) if nothing helped out i'll be your slave man...or burry you player...
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yes, you can.
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SOURCE: How do I link my
It would help to know what other electronics (receiver, maybe?) is involved. The following is some boilerplate I made up that should explain some usage limitations. Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain. The connections themselves are fairly simple but it pays to understand what happens in the loop. In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever). Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated. The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion. EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources. In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast. Okay, back to the hook-up: Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In; Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out. So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer
If neither of those devices is a recorder, why do you need to connect them to the EQ when your receiver/preamp may have the facilities to connect the two playback devices directly; and the EQ in a Tape Loop?
Scenario A)
Assuming you REALLY want to have the CD and MD input through the EQ because you can't attach them any other way...
CD audio OUT to Line In; MD audio OUT to Playback;
EQ LINE OUT to whatever analog electronic inout you have in mind.
To hear and Equalize the CD set the Input Selector to Source, EQ REC button OFF; to hear the MD equalized set the Input Selector to Tape, EQ REC button OFF.
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Scenario B:
You have a receiver with only ONE Line Level Aux input and a Tape Loop.
Insert the EQ in the Tape Loop. Attach one of the disc players to AUX and the other to the TAPE conenctions on the EQ.
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Scenario C
You have a Home Theater System or Audio Vido Reciever.
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