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Screen edge shadows

Both R & L screen edges have shadowing appearing when bright or light color screen is on.

Posted by Anonymous on

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6ya6ya
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Posted on Jan 02, 2017

DR NITIN
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SOURCE: Green shadows in dark scenes

You should contact Service Center to resolve this issue.






Posted on Jun 18, 2008

  • 2 Answers

SOURCE: shadow round edge of my lcd tv

hi did u get a solution to this i got the same prob

Posted on Oct 17, 2010

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1 Answer

How can i fix shadows on my tv ?


the shop should have told you of any problems after they did the repair; I'd ask them why they didn't.

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Picture has a red shadow. especially


Convergence problem on rear projection CRT TVs.

Apr 19, 2010 | Televison & Video

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There is a line, like a shadow on the right side of the screen all the way up and down. What is that from?


Your TV uses a "Light Tunnel". A part which has various filters to create the proper "color" of light needed to produce the picture. Sometimes, one of these filters slips, causing a shadow to appear in a corner or along an edge. The appearance is this defect is more of a shadow and does not have a sharp, defined edge (like a letterbox image would). You can replace the entire light engine to repair this or just replace the light tunnel. The light tunnel repair is much more difficult... I would recommend a service call, as this is not a simple procedure. I hope this helps.

Mar 17, 2010 | Samsung 61" Slim-Depth DLP HDTV

1 Answer

Shadow along edge of my SHARP DM-3551 copier's copies


Run a page with the cover or document feeder open. Just a solid black page. If the shadow runs completely edge to edge on the paper, your problem is in the drum unit or less likely the fiser.. If the there is a clean edge delete, then the problem is either dirty scanner mirrors or the laser. It is far less likely in the optical/laser system but still likely. I tend to believe the problem is in the drum unit.

Mar 12, 2010 | Canon imageCLASS D860 All-In-One Laser...

2 Answers

In the past few day i've noticed the picture is


BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

Dec 12, 2009 | Sony Grand WEGA KDF-55XS955 55" Rear...

2 Answers

Color Alignment


the most common problem when the tv felt is the shadows all over the screen (maybe the tv didnt show it imm but looks like now is there the problem)
second:there is a circuit in the tv that works when the tv turns on every day. prevents the tv showing shadows on the screen.
the answer is this: if that system that prevents shadowing is working then the CRT is broken and say bye to the TV. But if the expert tech can make sure the D' gauss system is not working and can repair it then you get tv back.

Apr 08, 2009 | Philips Magnavox TP3285C 32" TV

1 Answer

Lower left quadrant has shadow


By knocking into the tv you have shifted the light tunnel in the light engine. The repair for this is to replace the light engine the part number is BP96-01198B you can order it from Samsung parts.com The cost for the part is 985 dollars but if you return the one the repair man takes out you get a core credit of 350 making the light engine only 630 dollars or so...You should be able to find a repair shop to put this in for labor of less than 300 maybe even 250...our shop does a Samsung for 190 Labor. Hope this helps.

Feb 04, 2008 | Samsung HL-R5078W 50" HDTV

2 Answers

Green shadows in dark scenes


You should contact Service Center to resolve this issue.






Jan 22, 2008 | LG RU-42PX11 42 in. EDTV-Ready Plasma...

1 Answer

Blue shadows


Sony Too green,red or blue

http://www.somelifeblog.com/2007/06/sony-projection-tv-red-line-repair.html

Nov 25, 2007 | Sony KP-53HS10 TV

1 Answer

Rca hd61thw263 61 in. dlp


Seems a lightning strike took out my bulb
eventhough i have a surge protector.
after replacing the bulb perhaps 1 hour later a shadow began to appear at the top of the screen and progressed slowly down until only the edges are visible.
please can you help?

Sep 09, 2007 | RCA HD61THW263 61" Rear Projection HDTV

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