Question about RCA Televison & Video

Open Question

Referring to my tint problem on the rca 32la30rq set. the colors are okay I cannot adjust the faces to be more natural. too much light brown

Cannot get the tint bar to wake up the the other controls like color and brightness to adjust...strange any ideas out there?

Posted by on

Ad

6 Suggested Answers

6ya6ya
  • 2 Answers

SOURCE: I have freestanding Series 8 dishwasher. Lately during the filling cycle water hammer is occurring. How can this be resolved

Hi,
a 6ya expert can help you resolve that issue over the phone in a minute or two.
Best thing about this new service is that you are never placed on hold and get to talk to real repairmen in the US.
New users get 2 Free calls (no credit card required) and instant help on almost anything you can think of (from cars to computers, appliances, handyman, and even pets).
click here to download the app (for users in the US for now) and get all the help you need.
Goodluck!

Posted on Jan 02, 2017

Ad
  • 1153 Answers

SOURCE: Color Problems 60PP9352 60" Rear Projection

Check to make sure the green is lit up! You will need to remove back and look inside to tell.

Posted on Jan 06, 2008

Ad
  • 51 Answers

SOURCE: Color problems

if you have hd cable or satellite box make sure the component cables are properly connected(green red and blue) and matching same color in source (cable box or satellite and tv as well)
also make sure in tv menu that color and tint are 50%

Posted on Jul 03, 2008

  • 2 Answers

SOURCE: white colors schemes seem off white color or brownish color and blue has green tint or baby blue color. .

Check the coolant in all three crt's as chances are it is contaminated (should be crystal clear). If brown (beer color), replace coolant in all three crt's and perform convergence adjust. Picture should be like new!!!

Good Luck!!!

Posted on Jul 25, 2008

  • 11 Answers

SOURCE: Picture settings

The settings is on the remote (menu)

Posted on Jul 31, 2008

  • 1 Answer

SOURCE: Panasonic TH-50PX60U Plasma TV no red color

I had the exact same problem. Thought it was the tv, but it was the cable between my cable box and the tv. Try unplugging the cords and plugging them back in, color was restored.

Posted on Oct 17, 2008

Add Your Answer

Uploading: 0%

my-video-file.mp4

Complete. Click "Add" to insert your video. Add

×

Loading...
Loading...

Related Questions:

1 Answer

How to rectify my hair colour used xxl absolute platinum roots are a lovely colour but rest of hair is orange suggestions in what i can do to rectify the problem


Where you tinting / coloring over a existing color?
It is real important that you navigate / calculate what your natural color level and what natural reflect your hair is. (Not artificially from a previous tint) Because tint is not total matt coverage like paint. Hair color wont tint over tint accurately. This is how many horrific bad colors are born.
If your eyes are blue or hazel & you have a fairer complexion that color is more feasible. If your eyes are brown and your hair is medium to coarser texture and very dark its a lot more complicated because you could throw scaling down (backwards) from lots of red to brassy copper to gold.
The actual formula needed is calculated on how many shade levels of lift counteracted by what reflect your lightened hair will throw. Not necessarily by what color the tint box says. The color shade on the box is a idealistic situation. If your having trouble following me or these complexities cut about 50 strands of hair at the nape (back of neck underneath your hair and put scotch tape around it. Then mix a minute amount of color and developer and you will understand me. This way you can at worse only screw up of 50 strands of hair (instead of everything attached to your head). Bad hair color jobs are expensive to fix & as I can see what we are working with a guess is a hazard. Don't take on almost mission impossible blindly.

Jun 04, 2014 | Schwarzkopf Essensity Permanent Hair...

3 Answers

F31672et rca tv


Is this a projection/plasma/CRT?

Oct 03, 2008 | RCA F31672ET TV

1 Answer

I want my hair this color by wella


It is real important that you navigate / calculate what your natural color level and what natural reflect your hair is. (Not artificially from a previous tint) Because tint is not total matt coverage like paint. Hair color wont tint over tint accurately. This is how many horrific bad colors are born.
If your eyes are blue or hazel & you have a fairer complexion that color is more feasible. If your eyes are brown and your hair is medium to coarser texture and very dark its a lot more complicated because you could throw scaling down (backwards) from lots of red to brassy copper to gold.
The actual formula needed is calculated on how many shade levels of lift counteracted by what reflect your lightened hair will throw. Not necessarily by what color the tint box says. The color shade on the box is a idealistic situation. If your having trouble following me or these complexities cut about 50 strands of hair at the nape (back of neck underneath your hair and put scotch tape around it. Then mix a minute amount of color and developer and you will understand me. This way you can at worse only screw up of 50 strands of hair (instead of everything attached to your head). Bad hair color jobs are expensive to fix & as I can see what we are working with a guess is a hazard. Don't take on almost mission impossible blindly.

Apr 07, 2014 | Wella Professional Hair Color & Developer...

1 Answer

When I take pictures now with my A85 the tint is green, my pictures have more of a green tint. is there a way of adjusting the color.


Sounds like the camera was adjusted for flourescent lighting. The PowerShot should have a menu with various Lighting scenarios such as natural, outdoor, nighttime, sepia, etc. I would check this first. It should be easy to find. If you can't adjust the color properly with these pre-set options, there may be an RGB adjuster although I doubt it. You can certainly use a photo editor on your computer easily as well to adjust the color balance easily. If you don't use Photoshop there are free online photo editors such as http://www.gimp.org. You want to look for Color Balance and an RGB slide bar, it is quite fun to play around with.

May 10, 2011 | Canon PowerShot A85 Digital Camera

1 Answer

1) I have a Sony KV-32FS13 that has a green tint in the picture. Does any oneknow how to access the service menu for this model? I tried other adjustments and I can't get rid of the annoying green...


Code 5 is "AKB error". AKB, or auto kine bias, is a cicuit that monitors the three color guns of the picture tube (red, green and blue) and tries to adjust them for proper color balance. If it can't, the picture is blanked (usually) and the timer/standby light blinks 5 times. When the color drives aren't balanced, you see a color tint in the picture like you're describing.

There might be a problem in the AKB circuit, or the picture tube may just be old enough that the AKB circuit has run out of adjustment range. If the tube is at fault, you should consider replacing the set. A new tube will cost nearly as much as a new 32-inch LCD TV, and you'll need to pay someone to install it and set it up. There are special tools required to perform the convergence which gets the color guns aligned with the face of the tube so they hit the right colors.

If you'd like to try tinkering with the service menu adjustments, this site explains how to access the menu and gives a list of settings.

Jan 02, 2011 | Sony KV-32FS13 TV

1 Answer

Images on screen are very red. Tried adjusting everything in the menu but still every thing is like glowing red.


Color balance is labeled "Tint"
Color amount is labeled "Color"

Both are in the "picture" adjustments menu.

Either your tint is swung too far to red, or the color setting is wide open making normally pink faces look sunburned...likely it's a combination of the two; Too much red, and a bit too much color.

Going back to the "default factory setting" in "setup" will also drop all settings to center.

Mar 30, 2010 | Hitachi 50V500 50 in. HD-Ready LCD...

2 Answers

In the past few day i've noticed the picture is


BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

Dec 12, 2009 | Sony Grand WEGA KDF-55XS955 55" Rear...

1 Answer

Greenish tint to picture


there may be a green tube issue or there could be a screen voltage or screen control adjustment issue. There is a control block with six adjustment screw inside the front panel in front of tv. WARNING high voltage exsit in this set and adjusting these controls really should only be done by a tech,....So be careful

Nov 20, 2008 | RCA D52W19 52" Rear Projection Television

1 Answer

White colors schemes seem off white color or brownish color and blue has green tint or baby blue color. .


Check the coolant in all three crt's as chances are it is contaminated (should be crystal clear). If brown (beer color), replace coolant in all three crt's and perform convergence adjust. Picture should be like new!!!

Good Luck!!!

Jul 20, 2008 | Akai PT5598HD 55" Rear Projection...

1 Answer

Color problems


if you have hd cable or satellite box make sure the component cables are properly connected(green red and blue) and matching same color in source (cable box or satellite and tv as well)
also make sure in tv menu that color and tint are 50%

Jul 03, 2008 | Sony KP-57WS500 57" Rear Projection...

Not finding what you are looking for?
Televison & Video Logo

Related Topics:

24 people viewed this question

Ask a Question

Usually answered in minutes!

Top RCA Televison & Video Experts

The Knight
The Knight

Level 3 Expert

74383 Answers

matt martin
matt martin

Level 3 Expert

1212 Answers

Computer Repairing
Computer Repairing

Level 3 Expert

14641 Answers

Are you a RCA Televison and Video Expert? Answer questions, earn points and help others

Answer questions

Manuals & User Guides

Loading...