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Posted on Apr 15, 2009

Print to Video from Final Cut to GV-HD700 HDV has been impossible. What are the proper settings for both programs?

Print to Video from Final Cut to GV-HD700 HDV... What settings should be on Final Cut and what settings should it be on the deck?

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  • Posted on Jul 01, 2009
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Depends how you are out putting the signal and the aspect of the original source footage. If firewire insure input select is hdv / dv, iee. And that remote is selected (if that deck has a remote option). Ensure the aspect ratio is correct as a sequence setting mark the area with an in and out and select in/out in the print to video window. Away you go, unless the tape is for broadcast (which I doubt as HDV is not generally a deliverable format).

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I can't initialize on FCP

If you are capturing HD, go into the menu > IN/OUT REC > i.LINK CONV and set it to off, and A/V->DV OUT to off. Go into FCP and go to the File Menu and select "easy setup". In the easy setup menu set the "Format" to "HDV" and set "Use" to HDV - 1080i60. Click "Setup". Now go to File > Log and Capture (command-8). You're now set to capture. Just queue your tape and hit "Capture Now" or set in and out points and capture "Clip".

If you want to capture SD footage, then on your Sony unit, go to the menu and set the i.LINK CONV to "on". In the easy setup menu you will want to set "Format" to "NTSC" and "Use" to DV-NTSC".
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How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut...

How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut Pro?

Final Cut Pro is a professional and all in one video editing, compositing and special effects package for the Macintosh. The software logs and captures video onto a hard drive (internal or external), where it can be edited and processed.

If you are a Kodak video fan and you want to give professional editing to your Kodak videos, Final Cut Pro is the best choice for you. However, Final Cut Pro can edit any QuickTime compatible file format including DV, HDV, MOV, MPEG-4. That is to say, in order to edit your Kodak video with Final Cut Pro, you have to convert Kodak videos to the supported formats by Final Cut Pro with Kodak video to Final Cut Pro Converter for Mac.

Tips:
Kodak records the video files with mov files (i.e. Quicktime files) does not mean they are perfect for editing in FCP. The fact is, all of the small video cams, including the Kodak Zi8 Cams, records highly compressed codecs that are known as delivery codecs, not editing codecs. You need one third-party software to convert HD mov files to some formats like DV, HDV , MPEG-4 that FCP is happy to edit.

How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut Pro?

Kodak video to Final Cut Pro Converter for Mac is one simple-to-use solution with the minimum amount of buttons and a small menu for converting Kodak video (Kodak Zx1, Kodak zi6, Kodak Zi8 and Kodak PLAYSPORT) to DV, HDV, MPEG-4, etc., for importing Kodak videos to Final Cut Pro. Besides, it is also an easy-to-use editing tool that assist you for making personalized video. You can trim the video to a certain length to convert, adjust video aspect ration by using crop function, add special effect like Gray, Emboss, Old film into video to make it more artistic, join several files or set the video output parameters. All this can be done with a few mouse clicks.
Part one: How to import Kodak video to Final Cut Pro and edit Kodak video with Final Cut Pro?

Step 1:Free download and install Mac Kodak video to Final Cut Pro Converter
Download Kodak Video to Final Cut Pro Converter For Mac and double click the downloaded . dmg files to install. A user-friendly interface will pop up.

Step 2:Load Kodak video files
First: Connect Kodak camcorder to computer and transfer mov files to iMac, Mac book.
Second: Hit the File button on the top left panel or click "Add Video" button to select Kodak MOV files to this converter.
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Step 3:Select the output format and destination
Click the downward arrow beside Settings to choose the proper Final Cut Pro format from the drop-down list. And then click Browse button to specify the output location.
Tips: Select DV, HDV or MOV format for FCP in the pull-up list next to Profile field. And then click Browse button to specify the output location.


Step 4:Start the conversion
After all the necessary setting has been done, hit the "Start" button to start converting. Click the Open button to select the converted DV, HDV files to Final Cut Pro for further editing upon completion.
Part Two: Import Kodak videos to Final Cut Pro and edit Kodak video in Final Cut Pro.

Step 1:Import Kodak videos to Final Cut Pro
Launch Final Cut Pro and click "Import"-"Files" and then select the converted Kodak files. Find the file in the resources list for the project and drag the file into the Timeline, and then save the project.

Step 2:Edit Kodak video in Final Cut Pro
Apple's Final Cut Pro Software is an all in one video editing, compositing, and special effects package for the Macintosh. The following steps will show you how to use the Timeline:
One: Edit video and audio timing
There are three tracks on the Timeline, one for video and the other two for audio. And you can cut the video and audio tracks all at once in the same place.
Choose the razor blade tool in your menu, and click the times that you want to split it. You can also set input and output times on the Viewer window. Final Cut Pro also allows you to layer video tracks on top of each other.
Two: Add transitions
For Kodak videos, you might want to use simple and non-distracting transitions. Then you can just select Fade Out or Cross-Fade transitions.
Three: Export video
Once you are finished with editing your video, click on File and point to Export, then you will see a list of options of how you can export the edited file. For example, if you want to publish your video to the web, you can click on "Export using QuickTime Conversion". When you see the naming dialog box, input the name you prefer and at the bottom, select "MPEG-4" at the bottom, and then select "Broadband-High" under the format setting. And now click on Save.
on Sep 17, 2010 • Computers & Internet
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Import AVCHD Video to Final Cut Pro

AVCHD is a highly compressed video format and often recorded by Camcorder like JVC GZ-HM400, Sony HDR-SR10E and Canon VIXIA HFS10 etc in AVCHD (MTS, M2TS,TS) format. But, if you want to edit AVCHD in Final Cut Pro/FCP or add AVCHD footage in Final Cut. Then you need a AVCHD Converter to convert AVCHD to FCP supported formats.

Final Cut Pro is a professional non-linear editing software application and provides non-linear, non-destructive editing of any QuickTime compatible video format including DV, HDV,MOV, MPEG-4 etc.

AVCHD Converter for Mac is an awesome tool to convert AVCHD (MTS, M2TS,TS) to FCP formats, like DV, HDV,MOV, MPEG-4 etc. It’s specially designed for Canon, JVC, Sony, Hitachi and Panasonic camera users with easy-to-use interface and powerful functions. Owning this Mac AVCHD Converter, everyone can have "highest quality" for their home videos.
Easy Steps of Importing AVCHD video from the camcorder into FCP:
Preparaton: Plug in your camera and save MTS video on the hard drive.

Step 1 ) Add source files:
Download and run AVCHD Converter for Mac. Then open main interface and click Add Files for adding MTS files.
If you want to work with several source files at once, you need to add the first source file, then do this same sequence for sencond source, third source and so on.

Step 2) Output Settings
As you can see the main window shows up. Click Profile and you have to select your prefer output video format.
There are detailed explanations below for various features in main window.

Clip: Shrink an AVCHD video size or cut video into small clips
Edit: Crop play area, adjust video frame effects, preview the video files, etc for editing AVCHD videos
Merge: Join a couple of camera clips or merge different files into one.
Settings: Next to the pull-down menu of Profile and adjust the Resolution, Frame rate, Encoder and Bitrate of AVCHD files.
Destination: Save your converted files and next Open button to find the converted AVCHD movie files.

Step 3) Start Conversion
When you get all selections ready, press Start. The conversion process will begin.
Step4) Import converted videos to Final Cut Pro and edit AVCHD video in FCP natively.
on Aug 23, 2010 • Computers & Internet
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Drum / Tape hours

It can be viewed at its service mode option. Check this link to know more about how to enter its service mode. Surf this link. http://electronicshelponline.blogspot.com/ There are more than two thousand and four hundred posts. All are related to television and other domestic electronic equipment service help. More than Nine and half Lakh viewers cannot be wrong.
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How to Edit/Convert Sony HDR-FX1 HDV Files to FCP,Adobe Premiere,Avid Sony's...

How to Edit/Convert Sony HDR-FX1 HDV Files to FCP,Adobe Premiere,Avid
sony-hdr-fx1.jpg
Sony's HDR-FX1 is the first three-CCD HDV camcorder to hit the market. The Sony HDR-FX1 HDV camcorder can record and playback both in high definition and in standard MiniDV formats, so the choice is yours. What's amazing is that with this camera, you can play and record both formats on a MiniDV tape!
With the Sony HDR-FX1, Sony developed a special compression engine. It encodes in MPEG2 at the same bit rate as DV. As a result, you can use the same miniDV tapes you're accustomed to buying to record at stunning high definition. Moreover, when in high definition mode, the camcorder records audio in MPEG1 Audio Layer II, providing excellent sound quality.
Sony HDR-FX1 Handycam Camcorder Supported Format:
Audio system: MPEG1 Audio Layer 2 Stereo;
Dolby Digital Output : MPEG1 Audio Layer 2-Stereo (HDV), PCM (DV)
Video: Digital Video Format: MPEG-2
Video Recording System: Real-Time HD Codec Engine, HDV/DV Recording
Still Image Format: JPEG
The Advantages and Disadvantages of Sony HDR-FX1 Handycam Camcorder:
Advantages:
1.Sharp and vibrant three-chip HD images;
2.Native 16:9 capture;
3. Ability to downconvert video for use with existing editing systems and displays.
Disadvantages:
1. No XLR inputs or independent audio-level controls;
2. No 24P;
3.Somewhat difficult to control and monitor focus manually;
4.Limited HDV editing and distribution options at this time.
Final Cut/Abobe Premiere/Avid/Canopus/Pinnacle/Ulead Support Sony HDV/DV files Editing
Along with the announcement of the HDR-FX1, Apple Computer is announcing support for the HDV spec with their popular video editing program, Final Cut. "Native HDV support in future releases of Final Cut will enable our customers to create high quality HD content with affordable HDV cameras, including Sony's much anticipated HDR-FX1 camcorder," said Rob Schoeben, Apple's Vice President of Applications Marketing.
Adobe has also stated that they will be releasing an HDV plug-in for their popular Premiere editing system later this year. "The Sony HDR-FX1 is a milestone product, bringing HD-quality video at resolutions of up to 1080i at a price that will encourage widespread adoption of HDV across the industry. In keeping with our commitment to lead the HD revolution, Adobe plans to release a HDV Plug-in for Adobe Premiere Pro later this year," said Steve Saylor, Vice President, Digital Imaging and Video, Adobe Systems, Inc.
Avid, Canopus, Ulead and Pinnacle also announced support for HDV. Editing support has been a big issue for HDV in the past, with third party companies supplying solutions for Final Cut and Adobe Premiere.
Aunsoft Video Converter for Mac Supports Native Sony HDV/DV files Converting
With the release of Aunsoft Video Converter for Mac, no matter what usages you want to deal with Sony HDR-FX1 recorded HDV/DV files, for sharing on your websites, YouTube, Vimeo, Dailymotion, Motionbox, Myspace, etc, for playing with your iPad, iPhone 4, iPod, Android Phones, Xbox 360, etc, for making forever collection by burning to Blu-ray or DVD, etc, it can help you to convert Sony HDV/DV files to MOV, AVI, WMV, 3GP, MP4, FLV, F4V, etc formats you wanted. Take it as your Sony HDR-FX1 converter, and you have the choice to deinterlace HDV/DV files, merge HDV/DV files into only one.
on Jul 15, 2010 • Computers & Internet
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My JVC GY-HD111E isn't located in final cut pro

Are you using HDV, make sure you set the signal to DV on the camera. Does it have a signal out option to switch from video to dv / firewire? Have you checked to see if it is supported? Also just keep trying, turn camera on and off, restart the computer with firewire connected then without. I had this problem with a deck and it randomly started working after my 5th try.
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Get Final Cut Pro 5.04 to communicate with my XH A1

Many HDV cameras and decks are able to play and record DV as well as the higher-resolution HDV format. Additionally, many of these HDV devices will attempt to automatically change their settings to match the format of the tape that it's playing. Here are some tips for using these types of devices with Final Cut Pro / Final Cut Express.
Tip: Make explicit settings on your HDV device. Instead of using an "Auto" setting, make your own settings on your HDV device to keep the communication going between it and Final Cut Pro / Final Cut Express. This also helps Final Cut Pro / Final Cut Express keep things running smoothly with HDV devices that handle both DV-NTSC and DV-PAL.
For example, say you're using an HDV deck to capture footage from a tape that was recorded as DV-NTSC. Before capturing in Final Cut Pro / Final Cut Express, make sure that you set the deck to DV mode specifically—don't rely on Auto mode. With some devices, you may need to disconnect it from FireWire to change the mode.
For a common capture workflow, this sequence of steps can provide the best results:
  1. Quit Final Cut Pro / Final Cut Express if it's open.
  2. Insert your tape into your HDV deck or camcorder.
  3. Use the device's menus to set it to match the format that's recorded on the tape.
  4. Connect your HDV device to your computer with a FireWire cable.
  5. Open Final Cut Pro / Final Cut Express.
  6. Choose an Easy Setup for DV or HDV (whichever matches the format recorded on your tape).
  7. Proceed to Log and Capture.
Tip: Quit Final Cut Pro / Final Cut Express before changing modes. It's generally a good idea to quit Final Cut Pro / Final Cut Express before you change the mode on your device from DV to HDV, or from HDV to DV, and then re-open the application again.
Tip: Use an Easy Setup to play back non-default HDV format footage on your HDV device. You can use Final Cut Pro / Final Cut Express to make your HDV device play back footage in its non-default HDV format. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as 1080i50. Or perhaps you have a 1808i50 HDV device and you want to play back footage that was recorded as 1080i60. To do this, follow these steps:
  1. Connect your camera to your computer.
  2. In Final Cut Pro / Final Cut Express, choose an HDV preset Easy Setup that matches the format of the tape's footage (you don't need to restart Final Cut Pro / Final Cut Express).
  3. Your device's LCD display should automatically display a switch to 60 or 50, indicating the type of media that's being played.
Playing back non-default DV format footage on your HDV device You can also use your HDV device to play back footage in its non-default DV format too. For example, maybe you have a 1080i60 HDV device and want to play back footage that was recorded as DV-PAL. Or maybe you have a 1080i50 HDV device and want to play back footage that was recorded as DV-NTSC. If so, follow these steps:
  1. Make sure that your device is in DV/DVCAM mode.
  2. Put your device into Play/Pause mode, then open the Log and Capture window in Final Cut Pro / Final Cut Express.
  3. Make sure that your device's LCD (or other readout screen) displays the same format as your tape or Final Cut Pro / Final Cut Express will misinterpret what type of device you have.
Tip: Avoid recording both HDV and DV formats on the same tape. Use separate tapes whenever you want to record in a different format. If you need to record over existing footage in a different format (for example, you have a tape with DV-PAL on it, but you want to record over it with HDV 1080i50), it's a good idea to black and code the tape, or completely record over the old footage with contiguous recording in the new format. If the tape contains even a second of, say, DV in the middle of an HDV tape (or vice versa), it could cause unexpected results later when you try to capture video from that tape.
For more information, see HD and Broadcast Formats and the Final Cut Pro / Final Cut Express User Manual, available under the Final Cut Pro / Final Cut Express Help menu
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