Hello list, Do you also record your own guitar music using a Cakewalk (or any other) software? Same here; that's why I just wonder if you also have the same headache there! The problem is, I think, because I don't use any equalizer in-between my Takamine and the computer. But do I need one? My Takamine already has a built-in equalizer and whenever I play normally with an amplifier, that equalizer can split well the treble from the bass. But with the computer, equalizing them is really @#$%!. If I put down the equalizer, then the bass is missing; but if I put it up, then treble is broken.
How can split them both? Do I really need to buy an equalizer?
I don't like the sound of recording my Takemine plugged in, I mic it with an old Shure SM57 and it sounds far better, the question of eg never comes up. A pre-amp between the mic and computer is important though,
Jim in Canada #
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Solution #2
posted on Aug 01, 2007
man1 - usenet poster
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There is NO replacement for a nice mic when recording the classical guitar. No internal transducer or pickup even comes close. It's physically impossible. Think about it - what is the ONE thing between your guitar and your ear?? The ROOM! The guitar sounds the way it does to your ear because of the room. Ever notice that your guiar sounds differently when youplay it in your living room versus your bathroom?? Only a microphone can pick these differences up. The inside of your guitar is pretty much always the same and therefore will always sound the same using a transducer.
OK, so I'm babbling. A mic is going to be the way to go if you want to capture "your" sound on disk. :0)
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Solution #3
posted on Aug 01, 2007
Lizzy - usenet poster
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Thanks to Will & Jim for their kind opinion.
Anyway, today I've just purchased a Fishman Pro-EQ Platinum (#) after a suggestion from Guitar Center's salesman. I think this external EQ must be like what Will meant by the "impedance transformer".
I've tried to play around with it as a medium between the guitar and the computer. For now, the problem with unbalanced treble and bass is somehow solved. But, there are still more obstacles to a real CD qualtiy: 1. The E-F-F#-G on the 6th string sound really weak and are often missing. I tried the "Spanish Romance" that extensively use the 6th-E open string for instance, and what was recorded was only the 1-2-3 strings. But, funnily, the 5th-A string is okey; as well as the A on the 6th string. 2. The balance between the bass and the treble sound is somehow there, but now there is this disturbing noise in between the two. My User Manual says that I simply need to lower the mid equalizer..., but then, if I do that..., the overall sound clarity of the recording is absent!
I guess Jim may have gone through this all mess, that's why he says 'pre-amp AND microphone'. Anyway, I'm still hopeful that all this ads that say "just plug in your guitar and record" do mean what they say...:)
JD
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Solution #4
posted on Aug 01, 2007
Phoebe - usenet poster
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[I apologize if this is a duplicate post. I replied earlier from another account, whose newsgroup feed I wanted to test. It hasn't shown up so far as I can tell, so I'm posting again.]
If you are plugging your guitar directly into a microphone or line input on your sound card, then I suspect that your equalization problems come from the mismatch between the high-impedance output of your Takamine preamp and the low-impedance input on your sound card. The solution is to insert an impedance transformer of some sort.
Will
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Solution #5
posted on Aug 01, 2007
Horner - usenet poster
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Mic the guitar AND use a pre-amp, the pre-amp will boost the mic's signal enough to make a difference, try it yourself with and without a pre-amp, unless you have a great mic you should hear a big difference.
Jim
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Solution #6
posted on Aug 01, 2007
Melissa - usenet poster
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Thanks Jim. I also listen to your recording (alman) that sounds quite balance and well-splitted. Anyway, which one is more important in your opinion: mic the guitar or pre-amp or both? Thanks again. JD
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