Question about Yamaha HTR-5860 Receiver

1 Answer

Hooking up an EQ on a Yamaha HTR 5860

How do I add an EQ to my home theater system? My old receiver had a tape 2 monitor button that would allow the signal to go through. If any one knows if it is possible to hook up an EQ to this receiver Yamaha HTR 5860 please let me know.

Posted by on

Ad

1 Answer

  • Level 2:

    An expert who has achieved level 2 by getting 100 points

    MVP:

    An expert that gotĀ 5 achievements.

    Governor:

    An expert whose answer gotĀ voted for 20 times.

    Hot-Shot:

    An expert who has answered 20 questions.

  • Expert
  • 105 Answers

Are you nuts? You dont need EQ to this system.This is such a nice syetem,inbuilt EQ gives very good output.Don't try to connect EQ if you are not an engineer.It can be connected with external source

Posted on Feb 10, 2007

Ad

1 Suggested Answer

6ya6ya
  • 2 Answers

SOURCE: I have freestanding Series 8 dishwasher. Lately during the filling cycle water hammer is occurring. How can this be resolved

Hi there,
Save hours of searching online or wasting money on unnecessary repairs by talking to a 6YA Expert who can help you resolve this issue over the phone in a minute or two.

Best thing about this new service is that you are never placed on hold and get to talk to real repairmen in the US.

Here's a link to this great service

Good luck!

Posted on Jan 02, 2017

Ad

Add Your Answer

Uploading: 0%

my-video-file.mp4

Complete. Click "Add" to insert your video. Add

×

Loading...
Loading...

Related Questions:

1 Answer

Where is pre out im having trouble hooking up amp and eq


You have to use the TAPE 2 (or monitor) on the receiver. It will take two sets of RCA cables. Both the receiver and the EQ will have an input and an output.

  • Run the output/REC (from TAPE 2) to the input on the EQ.
  • Then, run the input from the receiver (TAPE 2 again) to the output on the EQ.
The EQ will have another 2 sets of RCA jacks to hook up a second tape deck (because you used the jacks on the receiver for the EQ). You don't have to hook anything to these if you don't want to, or don't have a second tape deck.

The receiver will have a monitor button, which most of the time is labeled as TAPE 2/MONITOR. Select whatever input you want to use (CD, Tuner, Aux, etc.), then press the MONITOR/TAPE 2 button. When that is on, the EQ will be in the audio chain - you'll be able to use the EQ to adjust the sound. If you turn the MONITOR off it will take the EQ out of the audio chain - the EQ settings won't affect the sound.

Keep in mind, the EQ will also have a button to select the TAPE 2 input. If you have a second tape deck hooked up to the EQ, this is how to use it. Make sure that the tape input is off on the EQ, if you aren't listening to that second tape deck.

26123239-y0ulrggn2ivgerqzsprmr5h3-2-0.jpg

26123239-y0ulrggn2ivgerqzsprmr5h3-2-1.jpg

Mar 09, 2016 | Audio Players & Recorders

1 Answer

Using Bose 901 Equalizer on Yamaha HTR-5840 Reciever


The manual is linked below. Page 19 advises you to use the "MD/CDR" - "IN (PLAY)" and "OUT (REC)" analog audio jacks.

http://data.manualslib.com/pdf/20/1975/197493-yamaha/htr5840.pdf?ace7c7b79ec34305a811125fb9ef1160&take=binary
http://data.manualslib.com/pdf/20/1975/197493-yamaha/htr5840.pdf?ace7c7b79ec34305a811125fb9ef1160&take=binary

Jan 27, 2014 | Yamaha HTR-5840 Receiver

1 Answer

Hello, Can somebody please tell me how I can hook up my Yamaha EQ70 to my Yamaha RX-V663? Thanks very much!


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? The rest would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.



Okay, back to the hook-up:


You have to select any available 'tape loop' containing an overrideable analog 2-channel Out and In.


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.



So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Mar 05, 2011 | Yamaha EQ-70 Home Equalizer

1 Answer

I want to know how to connect an equalier to an 7.1 onkyo surround system


It might not be worth the effort because it would only be useful for analog 2-channel audio. But it IS possible.

Video 1 and Tape have Ins and Outs for the use of any typical analog stereo processor, such as the EQ.

The following is some boilerplate I made up that should explain some usage limitations.


Be advised that the engagement of any device in a Tape Monitor loop on a late-model Audio/Video Receiver will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.



Okay, back to the hook-up:


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Rec, Line-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Play , Line-Out.



So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer

Feb 07, 2011 | Onkyo HTS3100 Theater System

1 Answer

Trying to hook up my yamaha eq-70 to my new htr-5063


You don't. No tape loop or other place to insert it between the analog sources and the amps for the front channels.

http://www.retrevo.com/support/Yamaha-HTR-5063-Receivers-manual/id/23658bh532/t/2/

You'll notice on page 22 they don't show a return (playback path) from the 'audio recorder' or the VCR. That's a clue that there's no tape Rec/Playback loop, which is required for any external audio processor.

You can send analog audio out OR you can accept analog audio in, but you can't do both at the same time. Sorry.

Just the same, IF you had a Tape Loop or could break into a Pre-Out/Amp In slot...

The following is some boilerplate I made up that should explain some usage limitations.


Be advised that the engagement of any device in a Tape Monitor loop on most late-model Audio/Video Receivers (*) will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.


* But not the HTR-5063.


The connections themselves are fairly simple but it pays to understand what happens in the loop.


In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).


Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.


The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.


EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.


In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up IF you had a Tape Loop:


Receiver Tape Out (Rec) - to the External Processor (EQ, whatever) Preamp-, Amp-, Rec-In;


Receiver Tape In (Play) - from the External Processor (EQ, whatever) Preamp-, Amp-, Play-Out.


So, to sum up, you can only use the EQ or any outboard processor for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer

Jan 27, 2011 | Yamaha EQ-70 Home Equalizer

1 Answer

The volume control knob fell off can i buy a new one model htr 5860 yamaha


Sometimes volume controls are held on by an Allen type screw, which can become loose, allowing it to fall off. You should see a hole in the knob if it is. You might need a long thin Allen Key to get it back on.
Otherwise have checked my spares guide (though it's a few years old) and it seems Yamaha might only do their own spares.

Feb 12, 2010 | Yamaha HTR-5860 Receiver

1 Answer

I have a Yamaha HTR-5890 receiver and I am trying to hook up a Yamaha EQ-32 10 band graphic equalizer to the receiver. The frequency spectrum analyzer on the equalizer is working but the graphic...


must have the tape monitor to work the regular tape loop does not physically go back into the receivers processor.

only other solution is if the receiver has PRE out and ins use the PRE out to the EQ then back into the PRE in.

if you have the OUT but no in then the solution would be to go out of the EQ and into an external amp.

In my experience "young adults" like using EQ's to boast bass output.

If that's your goal a POWERED subwoofer is what you need.(check out polk audio direct on ebay)

Your unit is a 7.1 surround receiver the reason that it doesn't have the capability for an EQ is that it messes up the surround sound processor.

If the sound is not what you are looking for the issue more than likely is with the speakers. post a messege with what you want to achieve and I'll try to point you in the right direction.

Dec 29, 2009 | Yamaha HTR-5890 Receiver

1 Answer

Adding equalizer to system


TIB's are notoriously rigid in their design. An EQ would go in between the source and the amplifer, typically in a Tape Monitor loop if a receiver is powering the speakers. This unit has nothing like that.

The manual implies you can record OUT to a tape deck and play it back (later) through the AUX but that does not mean you can send a signal out and get it back simultaneously as a real tape Monitor would do. Attached in the prescribed configuration, your EQ would be signal-starved as soon as you selected AUX. Dead silence would be the result.

Even if it was a true Monitor circuit, the change imparted would be to the entire program and anything down stream, including the subwoofer, would be affected.

A crossover could be used with a few high-end receivers or complete separate components and bi-amped speakers only.

Many people want to use an EQ with their modern multi-channel Digital Sound Processing gear but at best an analog 2-channel EQ (or any other processor) will only work with analog stereo sources. On most receivers, simply selecting the Tape Monitor disables all digital inputs. However, most DSP can still be employed with stereo source material and a 2-channel processor, with varying degrees of aesthetic pleasantness. Beauty is indeed in the ear of the beholder.

Apr 25, 2009 | Panasonic SC-HT930 System

2 Answers

How to connect an equalizer


the monitor its basicaly the switch who connect or separate the preamplifier from the amplifier and that the part that you can connect the equalizer the only way it using an external preamplifier. sorry for the bad news

Jun 10, 2007 | Yamaha HTR-5850 Receiver

Not finding what you are looking for?

Open Questions:

See all Yamaha HTR-5860 Receiver Questions

Yamaha HTR-5860 Receiver Logo

Related Topics:

344 people viewed this question

Ask a Question

Usually answered in minutes!

Top Yamaha Audio Players & Recorders Experts

 Grubhead
Grubhead

Level 3 Expert

5547 Answers

Donald DCruz
Donald DCruz

Level 3 Expert

17130 Answers

The Knight
The Knight

Level 3 Expert

75846 Answers

Are you a Yamaha Audio Player and Recorder Expert? Answer questions, earn points and help others

Answer questions

Manuals & User Guides

Loading...