Recently, with the Tascam 2488 MKII, I've been experiencing problems regarding guitar effects. It has performed flawlessly until recently - it seems that after recording a guitar track having assigned it to a guitar effect from the Multi-effect list, the track will become effect-less if an effect from the list is assigned to another track. Surely the track should remain as it was when recorded, and it shouldn't be possible for the effect to go away post-recording? Perhaps I'm doing something wrong but I had not previously experienced this problem. Any help would be greatly appreciated.
An expert who has achieved level 2 by getting 100 points
An expert that got 5 achievements.
An expert who has written 50 answers of more than 400 characters.
An expert whose answer got voted for 20 times.
Re: Guitar effects often disappear after recording
You seem to be aware already that the multi-effect acts like a traditional 'insert effect' on a mixer and as such can only be applied to one track/channel at a time (multiple effects / single channel). The problem you're asking about seems to be that the effect is not 'printing' during the recording of your track. Obviously the effect can't 'go away' after recording so it would appear that your guitar effect isn't being recorded (only monitored) when the track is being laid down.
My initial guess here would be that while recording you've been assigning the multi-effect to a channel vs an input. That would explain the effect being audible while monitoring, but the input still being recorded dry even though the effect is heard through the monitors.
So to get this working the way you expect you'd want to insure that you are indeed assigning the multi-effect to input from which your guitar is coming, rather than the track on which it is getting recorded.
Having said that, actually recording dry (like you are doing) and then applying the multi-effect to a new track via a 'bounce' is the way a lot of people (myself included) choose to accomplish this anyway. That way you preserve a dry track and can go back and 'redo' the effect (or choose a different effect instead) later on. It does however introduce another step and use up another virtual track (but the 2488 has 250 of them available which si a big reason the 2488 is so competitive).
a 6ya Technician can help you resolve that issue over the phone in a minute or two.
Best thing about this new service is that you are never placed on hold and get to talk to real repair professionals here in the US. click here to Talk to a Technician (only for users in the US for now) and get all the help you need. Goodluck!
- If you need clarification, ask it in the comment box above.
- Better answers use proper spelling and grammar.
- Provide details, support with references or personal experience.
Tell us some more! Your answer needs to include more details to help people.You can't post answers that contain an email address.Please enter a valid email address.The email address entered is already associated to an account.Login to postPlease use English characters only.
Tip: The max point reward for answering a question is 15.
Tascam Digital recording is an effective solution for broadcast-quality home recordings. The Tascam 2488 is a user-friendly tool and useful for home recording situations, especially when writing songs or cutting demos. It even has bus compression and processing for your final mix to give it that "mastered" feel. There are other recorders as well.
Learn your gear. The Tascam 2488 DAW offers 24 discrete channels that can be recorded at up to 24-bit resolution. 16 tracks can be recorded simultaneously, via eight XLR balanced inputs and eith 1/4-inch unbalanced inputs. There are several high-quality built-in effects, such as reverb, delay, modulation, compression and a great tool for guitarists: amp and effect modeling. So you can simply plug directly into the console and get live amp tones.
Record or program the rhythm tracks. Most Tascam products offer a large library of built-in drum loops to construct rhythm tracks, so you don't even need live drums just to get a song down. You can designate the tempo of your song from the transport located on the right side of the console; this is where you would use a variety of buttons to make edits, undo or redo and automate punch-ins
Record your base rhythm instrument. Let's say a rhythm guitar. There is a dedicated guitar input located on the front of the console, and once you're plugged in you can use the aforementioned amp modeling features to dial up a sound.
Record the remaining track or tracks. This could include bass, vocals, keyboards, horns or any other instrument. The process is always the same. Arm the track you wish to record on, hold in record and hit play, and the machine begins to record whatever you are playing. When you're done, hit stop. If you want to undo what you recorded, simply hit the undo button.
Repeat these steps on any other instrument you want to record. Plug a microphone into one of the first eight XLR inputs, the first 4 of which have phantom power for studio condenser microphones, arm a track and record.
If you need to punch-in a section, you can automate it by dialing up the time in the song you wish to replace using the auto punch function. When you enable this and choose the time in the song you wish to record over, once you hit record and play it'll start the track a few seconds before where it begins the punch-in and it will only go into record when it reaches the designated time stamp.
Do not rush. Proper recording takes time and patience.
I'm assuming you are using the Hi-z input on the front of the 2488 to line-in your guitar. That input equates to the H input of the 2488 (you can use the front Hi-Z or the normal 1/4 inch input on the back as the H input). Therefore you need to turn up the H input trim pot to hear your guitar coming through. You should see the meters for the main stereo bus moving as signal is coming in. That means your signal is getting into the 2488 but it won't be assigned to any track until you assign input H to a track. Once you assign the input to a track and press the rec button for that track (to arm it for recording) you'll see the meters registering both on the stereo bus and for the track you have assigned.
If you've turned up the H input trim knob and still don't get any sound, insure that the volume knob on the guitar is turned up as well.
If that fails too I would try jiggling or using a different guitar wire.
There are 8 inputs on the back. 4 of them support XLR type microphone connections, but also double as 1/4 inch and the remaining four are just 1/4 inch. These are all line level inputs and you can use any of them for a keyboard hookup. Typically you might leave the XLR inputs (A thru D) available for mics and take the next two (E and F) to use from your keyboards L and R outputs. Then just assign those inputs to two adjacent channels (tracks) or one of the stereo pairs, turn up the input levels for those inputs and the faders for those tracks and you'll be able to hear the keyboard playing through the 2488 (or whatever monitors/or stereo you have hooked up to it for monitoring). To record the keyboard simply arm whatever tracks you have those inputs assigned to for recording and record away.
You are not recording the effect to track, it is probable that you are perhaps using the effect loop, it will not be recorded to track this way. This how you should really record anyways so that you can go back and change the effect or even just fine tune it in the mix, you can then bounce the track later with effect if you want later. If you want the effect to go to track then
1. Press and hold the MULTI button, then press
the SELECT button on the channel you want to
2. Press MULTI again to view the effect parameters.
Press the ENTER button to choose an effect
that you want, tweak it for what you want, and it should then go to track
Try that and see how you go. I am happy to talk to you more about it. A FixYa is a good reward for my efforts to help you out. Cheers mate
You have a couple of options with your guitar input. You can either plug your guitar directly into the right (Hi-Z) input and use the Tascam's onboard effects with it instead of your effect pedal.
You can put your pedal in the chain between your guitar and the (Hi-Z) input. So guitar into pedal is, pedal out into Tascam Hi-z in. (Still doesn't use the amp).
Or my preferred method for recording guitar would be to mic the amp. In that case you'd just input a microphone (placed about 8-12 inches from your amp) and record your guitar that way. The mic would be plugged into either one of the Tascams two mic inputs to record the amps speaker output while your guitar, pedal and amp would just be hooked up in the normal way.
Please note: Never plug the output from an amp into any of the Tascams inputs. Those inputs are line-level and the speaker output level which comes out of an amp out would damage your Tascam.
To get a backing song into a track in your Tascam, you'll have to first, using a PC, get the song into a 16 bit mono Wav file format. Then you'll have to use the USB import function to copy that wav file onto your Tascam onto the CF media cards fat partition. From the you'll be able to import it into the Tascam choosing which track it will import into.
Use a single effect vice a multi effect and assign it to the channel vice the input and that should get you going. I'm sure you could just set the effect to the input and not the channel but this works for me. If your tracking your instruments/tracks to different channels, and you should be, then assigining the effect to the channel wont hurt you.
To reset the 2488 to factory defaults: Simultaneously press quick routing/shift/send/shutdown & turn on the unit.
The 'stop' button problem may require a look under the cover to see if the button is dirty or damaged under there. A good cleaning might do it. As for the 'no guitar out the monitors' issue, this sounds like it might have something to do with the setting of the monitor selector. Make sure it's set to 'stereo' and not effect loop or effect send or even muted. You might want to also make sure your monitor level pot is working properly.
To use the maximizer as a send effect, connect the effect send (1 or 2) to the input on your maximizer, then connect the output from your maximizer back into any input A thru G on your 2488. You then assign the track you want to maximize to the correct send (1 or 2) using the send key and then assign the input to a track to record to.
To use a maximizer as an input effect (assuming guitar) simply plug yoiur guitar into the maximizer and then patch the maximizer to input H (Hi Z input of the front panel of the 2488). Assign input H to a track to record and this will record the maximized input signal.