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When I take pictures the eyes turn green. How do I get the natural color?

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Use some photo edit software.

Posted on Feb 15, 2012

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Infocus 1100 picture when playing is red and green in nature, the movie plays but the entire picture/people/objects are distorted with this color


Is it making a humming noise? The color wheel is known to fail on that model. It is easily replaceable.IF you decide to fix it, yo can find many videos on youtube on color wheel replacement

Aug 15, 2015 | InFocus Televison & Video

1 Answer

How to set perfect color on samsung 48" led smart tv


To achieve true life like colors, the primary colors need to be balanced to produce a perfect black and white picture. Turn the color level on the tv to 0 and tint to middle then look at the picture - does it have a reddish or other "coloration" to it? Then set the individual color levels (if your TV has these settings) of red, blue and green to balance out and get a true black and white picture. After that, bring the color level up slowly until the facial levels are natural - not over driven as seen in most store displays. You may need to use tint control slightly.....
One other way - There is a dvd from Disney called "Wow" that aids in getting your set to optimum display.

Jul 27, 2014 | Televison & Video

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Sony tv screen turns green


Use the remote control to go into your TV picture settings menu and change the mode to NATURAL. It's also a good idea to check that all of your cables are in good shaped and tightly connected.

The green color could signify that your TV is magnetized. This can cause colors to draw out to the corners of the screen. Remove any magnetizing devices, like speakers, away from the TV and see if that helps.

For more solutions, read the troubleshooting steps outlined in TV color problems. I hope this helps!

Sep 12, 2012 | Sony Internet TV NSZGT1

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What is the best picture settings ,like color,tent ,contrast,brightness..ect..


Just a suggestion, since you gave no model information, no specific directions can be given. <div><br /></div> <div>If your set, through the main menu, offers the choices of 'Warm' and 'Cool,' try both to see which you like better.</div> <div><br /></div> <div>The first offers more intense colors, the second (which we prefer) is much more natural to our eyes with flesh tones and single colors closer to nature.</div> <div><br /></div> <div>If you don't have those choices, try varying the color intensity first, and tint second since the last one is pretty easy to find one that looks more like life.</div> <div><br /></div> <div>Brightness and contrast are highly dependent on the viewing room so there isn't really a 'right' or 'wrong' setting for this.</div>

Aug 24, 2010 | Televison & Video

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In the past few day i've noticed the picture is


BRIGHTNESS. Your owner's manual probably says that the brightness setting is used to control "brightness" or "picture intensity" or something other fuzzy non-descript term. The truth is that brightness is used to set the BLACK level in the picture.
On most TVs and projectors in use today, brightness is set too high. That's because people think "a bright picture is good, so I will set it as bright as I can get." Well, that's nice in theory, but entirely wrong in practice. Setting the brightness level too high makes a black tuxedo look gray rather than black. It muddies up the shadow areas, and reduces the overall snap and crispness that the picture would have if properly calibrated.
To find the right setting for brightness, go to the image in your movie that has textured blacks and hopefully some shadow/low light areas in which there is detail. Then freeze on that frame. As you move the brightness control down, the intensity of the blacks will increase, and shadows will get darker. As you move the control all the way to zero, you will (hopefully) see that the low light shadow areas will also go to solid black and lose their detail.
The optimum setting for brightness is achieved at just the point where true black objects appear as black as your system will make them while retaining as much visible detail in the shadow areas. Above this point the blacks appear to go grayer. Below this point you lose detail in the shadows. On many video systems, this optimum point is toward the lower end of the brightness scale. But find the point that looks correct to you regardless of where it is on the scale.
CONTRAST. The contrast control is similarly confusing. It is also often set too high on the theory that contrast is good, and therefore we might as well get the most we can out of our set by turning it all the way up. In fact, the contrast setting is used to control the intensity of the brightest highlights in the picture, so it is (oddly enough) the opposite of brightness control.
First, find your test scene in which you find textured whites in bright light, and freeze that frame. You are looking for the brightest elements in the picture in which you want to retain visible detail.
Let's assume you have a whitewashed fence in sunlight. If you start with the contrast set low, the fence will appear light gray rather than white. As you move the contrast control up, the fence will get whiter. Eventually details in the texture of the fence will begin to disappear.
If you continue to push contrast past the optimum point, the wood-grain texture of the fence will go solid white and all visible detail will be obliterated. Push contrast up even a little further, and our fenceposts might actually appear to expand very slightly due to a glow around the edges. This phenomenon, called "blooming" is a definite sign that your contrast setting is overcooking the image (and maybe your picture tube as well—don't ever leave the contrast control set this high!!!)
Find the point at which whites look white while retaining as much texture detail as possible. This is your optimum contrast setting. On most video systems, this setting is toward the higher end of the scale, but it can be anywhere. Find the point that looks correct to you. (By the way, unlike TV's, digital projectors will not bloom)
Now…note the following: brightness and contrast can be to some degree interactive. Your new contrast setting may have affected your brightness. So return to the brightness scene and verify that your blacks are still black, and you still have maximum detail in the shadows. Adjust it if necessary, then return and adjust the contrast setting once again if necessary. (You can see that this is much easier if the black and white elements you are testing all appear in the same image!)
COLOR. The color control on your set determines the level of color intensity in the image. One of the most common errors people make in calibrating their video systems is overdriving the color. That's what makes Larry King look reddish-orange on the TV at the gym. Overdriving color is common because once again, people naturally think, "I want to get as much color as I can out of this color TV, so I will crank it up some to make sure I get the most out of it!" No. Bad mistake.
If you move the color setting down to zero you will notice that your picture will turn into a black and white image. The optimum setting for color is achieved by increasing the setting just to the point where colors look natural and not a bit more! Flesh tones should look natural and without any hint of an unnatural glow. Grass should look naturally green rather than screaming spray-paint green.
When adjusting color, make sure that your test image has relatively unsaturated colors. Flesh tones or natural landscapes are ideal. It is impossible to set color properly if you are using a brilliant red Ferrari as your test subject.
On the large majority of video systems, the optimum setting for color is somewhere near the middle of the scale. However, trust your eyes for the optimum setting and think "what looks like the most natural, accurate reproduction of reality?" Any overdriving of color will make the image look artificial.
TINT or HUE. The tint control adjusts color balance rather than color intensity. It is an easy control to set properly, but for some reason many people don't get it right. When flesh tones look either too green or too magenta, a phenomenon you see with amazing frequency, it is because the tint control is not set properly.
Find a human face and freeze-frame it. (In choosing your test subject, note that lighter skin tones will show errors in tint more readily than darker skin tones). As you move the tint control to one end of the spectrum, the face turns green; as you move it to the other extreme, the face turns magenta (red+blue).
The correct setting for tint is the point near the middle of the scale at which you can detect no hint of either green or magenta. It is the most neutral point between the two extremes. The flesh tone looks the most natural at this point.
SHARPNESS or DETAIL. The final setting is sharpness or detail. Now, pray tell, who in their right mind wouldn't want the sharpest, most detailed picture they could get? And since there is a control that lets you turn it up, why not turn it up? That's what many folks do, and of course it's exactly the wrong thing to do.
The sharpness control adds processed information to the picture that is NOT part of the original video signal. It adds artificially highlighted edges, and makes the picture look less natural than it otherwise would. This is most evident along the continuous edge of a dark object against a middle-toned background. When sharpness is overdriven the dark edge will be outlined by a white ringing effect that increases contrast just along the edge of your dark object. That edge "highlighting" effect is created by the sharpness control. It is an artificial manipulation of the image. It wasn't in the original scene, and it shouldn't be on your screen either.
On most televisions, the optimum setting for sharpness is zero. On many digital projectors, the optimum setting is either in the low or middle part of the scale. Picture tube televisions and digital projectors behave differently in this regard; on a digital projector it is often possible to fuzz the image by setting sharpness too low.
Now look at your picture with the sharpness turned down or off depending on what works best on your system. You will see a smoother, more natural image. It might take some getting used to, since you may be accustomed to viewing video with all the artificial edge enhancements that create the illusion of added sharpness.
However, when the interference and noise from the artificial sharpness enhancer is removed, you are seeing the most genuine reproduction of the video signal that your projector or TV is capable of. And if you view it for a while, you will gain an appreciation for just how smooth, natural, and satisfying the picture can really look.

Dec 12, 2009 | Sony Grand WEGA KDF-55XS955 55" Rear...

1 Answer

TV picture is red.


Normal color picture is composed with 3 colors R-G-B (Red-Green-Blue). Picture turns Red means: Missing Green and Blue colors (many reasons: bad contacts, projector tubes dead, and other...). Try to give some "tabs" to diagnose ... I don't know what is the type of your Projection TV, how long you owned it, to have more idea.

May 15, 2009 | Toshiba 57H81 57" Rear Projection...

1 Answer

My Polaroid LCD tv picture is green!


if all r green meanns there is no use to watch the tv so for our support all should be in natural colours

Mar 14, 2009 | Polaroid FLM-2632 Television

2 Answers

One of the primary color is absent


Hey Kuld.. Just asking... since both, your TV and your monitor have the same color issue...??.... have you been to the optometrist lately... (My Dad had this color issue with his eyes!).. he was red color blind..
Good luck,

Jun 20, 2017 | LG Studioworks 700B (White) 17 in.CRT...

2 Answers

Nikon D70 Help


I don't think there is really any such thing as a 100% "natural picture". What your eyes see and what film or a sensor "see" are not the same. All photos are manipulated to some degree whether it be from the type of film or the digital "modes" you use. If you would have shot with a film such as Velvia, the greens may have been more "stellar" or maybe too green. There are a number of settings you can use to get the results more to your liking with a D70, or shoot NEF and post process to your liking. Your exposure will make a difference so you may want to bracket.

Sep 14, 2005 | Nikon D70 Digital Camera

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