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Tape player(s) on panasonic RX-DT680, neither deck 1 nor deck 2 will engage

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SOURCE: cassettes tapes not moving in my Panasonic RX-ED77

If you can her the motor turning, there is a good chance that the belt(s) have broken and need to be replaced. If you hear nothing, then there could be a control issue. I'm leaning toward the belts though. Figure on $5-$15 for the belts,

Dan

Posted on Mar 18, 2009

dunnbiker
  • 8546 Answers

SOURCE: Can't get a signal from my Turntables to record on my tape deck. I'm running turntables through RX 206 Amplifier and don't understand the RCA ins and outs.

Connect them to a receiver with a phono preamp.

Posted on Apr 12, 2009

F1xer
  • 415 Answers

SOURCE: I require a user manuel

You can get your manual for free from here:
http://safemanuals.com/user-guide-instructions-owner-manual/PANASONIC/RX-ED70-_J
Enjoy

Posted on Aug 13, 2010

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1 Answer

How do I hook up an equalizer to my Yamaha RX-V630 Receiver ?


you hook it up through your tape monator just like you were hooking a tape deck up if you have a tape deck pluged in there you should be able to plug it in to the back of equalizer the same way

Sep 08, 2014 | Yamaha RX-V630 Receiver

1 Answer

I have a Pioneer VSX-D308 reciever and I have a EQ. How do I hook it up to this reciever?


I only know of one way to do this and here it is:

1. Plug your tape deck's output (cassette or R2R) into the EQ's "Line In".
2. Plug the EQ's "Line Out" into the Receiver's "Tape 1 Input".
3. Now plug the Receivers "Tape 1 Output" into the Tape Player's "Line In".
4. You have now made an "FX loop" for the Tape Deck. Now you just have to put the Tape Deck on "Tape Monitor".....put the Receiver on "FM"..... and turn on your favorite FM station and you will hear the FM Receiver THROUGH the tape deck's "Monitor Send" AND the EQ.............set EQ to taste....... and BINGO.......DONE!

Enjoy,
SKYNETRP

Jun 09, 2011 | Pioneer VSX-D308 Receiver

1 Answer

I need manuals for hooking up my fisher stereo system model ca 871 amp fm 871 tuner cr-w890 tape deck eq 867 eq can not find manuals


I can't even find a reliable picture of the amp but it's not rocket science.

The Tuner output goes to, say, FM or Aux on the am, anything BUT Phono, which is ONLY for a turntable.

The EQ output goes to the first available Tape In; Input Comes from the same Tape Out. Select that tape function to engage it in line with any source and the downstream electronics (second tape, tone, volume, speakers).

The tape deck output goes to Tape In; Input comes from Tape Out. If there is not a second tape loop on the amp, nest the Tape Deck into the EQ's Tape loop. They always have at least one to replace the one they use. Select THAT tape function to engage it in line with any source and the downstream electronics.

Mar 13, 2011 | Audio & Video Receivers

1 Answer

How do I hook up an ADC SS-100SL Equalizer to a Yamaha RX-V661 Receiver?


The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Monitor as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? They would NOT be processed. That logical problem also plays into the decision to defeat digital sources if the Tape Monitor is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver MD/CDR Out to the SS2 EQ Preamp- or Amp-In; Receiver MD/CDR In from the SS2 EQ Preamp- or Amp-Out.

So, to sum up, you can only use the EQ for analog stereo sources. If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

[Or you could obtain a dbx Program Route Selector (check eBay, I highly recommend the 400x, of which I have two) and it would, while only using one receiver Tape Loop, allow for three discrete attachment paths for processors and three for tape decks with the added flexibility of front-panel selection of any and all, with the processors being before, after or between the source or tape decks. Plus it has a dedicated facility for an inline dbx Noise Reduction Processor that can also be juggled around via pushbuttons. Pretty neat.]

Dec 24, 2010 | Yamaha RX-V661 Receiver

1 Answer

I require a user manuel for a Panasonic cd/double tape/radio model RX-ED70 EB-K FS61OE4750 CLASS 1 Panasonic Laser Product . Many Thanks for your help. bwesmith


You can get your manual for free from here:
http://safemanuals.com/user-guide-instructions-owner-manual/PANASONIC/RX-ED70-_J
Enjoy

Aug 13, 2010 | Panasonic Audio & Video Receivers

1 Answer

No, i was looking for free advice


Be advised that the engagement of any device in a Tape Monitor loop will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Mon as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? That logical problem also plays into the decision to defeat digital sources if the Tape Mon is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In jacks; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out jacks.

If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Mar 26, 2010 | JVC Audio & Video Receivers

1 Answer

Cassettes tapes not moving in my Panasonic RX-ED77


If you can her the motor turning, there is a good chance that the belt(s) have broken and need to be replaced. If you hear nothing, then there could be a control issue. I'm leaning toward the belts though. Figure on $5-$15 for the belts,

Dan

Mar 18, 2009 | Panasonic SA-XR55 Receiver

1 Answer

SX-1600 + KD-491F


Appreciate the additional information.

To recap what you need is a receiver that can accommodate:
4 - Pioneer S-DF1-K (15-100W, 8 ohms)
1 - Pioneer PD-F407 25 Disc CD Player
1 - Pioneer CT-300 dual tape deck
1 - Kenwood KD-491F turntable

Possible choices are (keeping in mind that the power output should be less if not equal to 100 watts and a turntable/phono input):
i. Onkyo TX-8522 Stereo Receiver;
ii. Yamaha RX-397 100 Watt Natural Sound AM/FM Stereo Receiver;
iii. Sony STR DE695 AV receiver;
iv. Teac AG-790 200 Watt Stereo Receiver;
v. Denon AVR 888 - AV receiver - 7.1 channel.

Some of the above also includes feature(s) to hook up to your video system. Some may even require a fifth speaker (subwoofer).

Incidentally, you can also choose another brand/model even without a turntable/phono input. As initially posted, a turntable/phone to line level pre-amplifier is only required. Here are some examples:
a. XP200 Turntable Preamp - Nano Series;
b. Pyle® Pro PP999 Phono Preamplifier;
c. Pro-Ject Phono Box Turntable Preamplifier;
d. Radial J33 RIAA Turntable Preamp Direct Box

Good luck with your project.

Apr 29, 2008 | Audio & Video Receivers

1 Answer

Yamaha Natural Sound Amp and Tape Player


All of this applies to nearly any analog consumer audio gear...

If you have any Tape Deck and an Equalizer and only the one Tape Monitor loop you should place the EQ into that Tape Monitor loop, then place the Tape Deck onto one of the probable two Tape Monitors on the EQ as it sounds like you had here...

"When I had it set up with the graphic equaliser,pressing tape monitor on the amp and on the equaliser gave me play backfrom the tape player."
That setup will allow you to apply EQ to any analog source and the tape deck in record or playback mode.

However, if you want to remove the EQ and use the Tape Deck directly on the Tape Monitor just attach the deck's Playback cables to Tape Mon In (Play) and the deck's Record cables to the Tape Mon Out (Rec). Flip the Tape Mon control to hear the tape deck or monitor it while recording.

----

NEVER plug anything but a turntable into the Phono. It has a preamp that expects a ver ysmall signal from the cartridge AND it also has a severe RIAA Equalization curve which would result in grossly exaggerated frequency extremes if you managedto get a non-LP source into it. Likewise, turntables without internal electronics mut always use the Phono section of a receiver, preamp or integrated amp to get the boost and EQ they need.

Mar 23, 2008 | Yamaha RX-Z1 Receiver

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