Question about Gemini Sound Products EQ-300 Home Equalizer

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Gemini Sound Products EQ-3000 equalizer

I have a Gemini EQ-3000 equalizer and a onkyo tx8522 av reciever and a onkyo dual cassette deck and a mp3 player hooked up but I need the equalizer to work with the mp3 player I have it working with the dual cassette deck but thats it.I need the equalizer to work with both.

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Please connect as the following-----1-mp3 out-----to cd in in your receiver.
2-receiver rec out (tape put)----to equalizer in.
3-equalizer out----to tape in in receiver.

Posted on Sep 22, 2008

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Hooking up EQ to RECIEVER for a TECHNICS MODEL SH-8017


You'll need 4 connections total. On my integrated amp, I connected the four connections to all Line In and Line Out ports. And the other ends into the tape 2/EXTRA ports respectively.

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I cant seem to hook my pioneer gr 470 equalizer to my pioneer receiver ( vsx-403) what is the proper connection sequence?


tape out from reciever to line in on the eq --then line out from the eq to tape in on the reciever --whenever the tape monitor will be used on the reciever the sound will then be equalized

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IM TRYING TO CONNECT MY EQ TO MY RECEIVER MY EQ HAS3 PAIRS OF RCAS LINE IN AND OUT TAPE 1 AND TAPE 2 WHICH ONE DO I HOOK IT UP TO ALL I USE THIS RECEIVER FOR IS FOR MUSIC ON MY IPOD.WILL TAKE ALL THE I...


You don't specify the receiver model or type so I'll give you the generic AV/Receiver advice that also applies to stereo receivers. It's probably verkill but the short answer is at the end.

Be advised that the engagement of any device in a Tape Monitor loop will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Mon as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? That logical problem also plays into the decision to defeat digital sources if the Tape Mon is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out.
If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Apr 18, 2010 | Gemini Sound Products EQ-300 Home...

1 Answer

How to connect jacks from gemini stereo graphic equalizer eq2010 to harmon kardon avr40


I couldn't find the manual for this receiver, so you may have to adjust some of the terminology below to the labels used on the HK.

Be advised that the engagement of any device in a Tape Monitor loop will effectively tie the receiver down to stereo-only analog sound reproduction. I'll explain.

The connections themselves are fairly simple but it pays to understand what happens in the loop.

In general, any Line-Level external processor (EQ, dynamic range expander, etc) will go into a Tape Monitor loop on a receiver. A Tape Monitor, when engaged, sends the stereo analog signal Out to the Processor, massages it and returns it to the receiver via the Tape Monitor IN connectors to be passed on to the receiver's internal processes (volume, tone, whatever).

Old school analog stereo-only receivers consistently work this way. Newer digital and audio/video receivers introduce a couple of problems: 1) digital sound processing to simulate a variety of soundfields; 2) multiple output channels, either discrete or digitally-generated.

The latter requires that whatever signal is being processed experiences a maximum of one analog-digital-analog conversion.

EVERYTHING analog coming into the modern digital receiver is automatically converted to a digital signal for internal processing unless you choose a STEREO-only or STEREO-Direct setting. Consequently, no further external analog-digital conversions would be allowed if, say, a Tape Monitor circuit was activated, and a possible feedback loop could otherwise be created in a digital-sourced selection (output to its own input), so the unit is wired to treat the Tape Mon as the first analog step in the process and defeats any pure digital sources.

In a multichannel unit, what would happen to the other channels if you sent ONLY the Front Left & Right out for processing? That logical problem also plays into the decision to defeat digital sources if the Tape Mon is activated. I don't totally agree with the engineers but that's the way it is. Nature of the digital beast.

Okay, back to the hook-up: Receiver Tape- or VCR Out to the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-In; Receiver Tape- or VCR In from the External Processor (EQ, whatever) Preamp-, Amp-, Tape- or Rec-Out.

If you actually want to use an analog recording deck you could place it within the typical Equalizer's own Tape Monitor loop(s). Many have two to facilitate equalized dubbing between decks.

Apr 11, 2010 | Gemini Sound Products EQ-300 Home...

1 Answer

Do you have any manuals as to how to hook this up to a sony str av-710 receiver?


Well, since the EQ-0100 is a stereo analog component you will be able to use it only for stereo analog source material. Of course, once it's inside the av-710, you can manipulate the sound digitally for soundfield and such.

Basically, hook it in like a tape deck, say, in Tape Deck 2's circuit. Then, whenever you want to use it inline with stereo source material just select Tape 2 Monitor and it will be placed inline. Be advised, any digital programming you want to hear will probably be muted if you monitor any tape deck. That's pretty much normal.

You can slave an analog deck off the EQ as it has a Tape Record/Monitor loops of its own and facilities for making the EQ be on the Record OR the Playack side of it.

Normally, the receiver's internal volume, eq or effects controls will not affect the analog loop out to the EQ-100 or attached decks, BUT, this receiver sends processed effects out to Tape Deck 2, if you should desire to record them (page 29 of the manual). Other REC Out jacks pass conventional UNprocessed sound.

I couldn't find the exact instructions for this model but they all work about the same.

Nov 16, 2009 | AudioSource EQ-100 Home Equalizer

1 Answer

Having a hard time connecting various audio components


Yes, it is a little tricky...

1) CD Changer (output) -> CD input on Amp

this is tricky... this will allow you to record to your tape deck, and control the sound via the EQ:
2) Tape Deck (tape out / recout) -> TAPE PLAYBACK on EQ
3) Tape RecOut on EQ -> Tape 1 Playback on Amp
4) Amp Tape 1 RecOut -> Tape Deck Playback / Input / RecIn
in essence, your creating a loop starting from the tape deck, going to the eq, then to the amp, then back to the tape deck to record.

Your EQ has another set of LINE IN and LINE OUT - use the second Tape 2 on the amp to create another loop. This will
allow you to control the EQ for any of the other sources.
5) LINE IN on EQ -> Tape 2 RecOut
6) Tape 2 Playback on Amp -> LINE OUT on EQ

5) Radio Tuner (output) -> Tuner input on Amp
6) DVD/VCR Combo Output -> AV/AUX on Amp

7) PC Computer... you don't have room for this. You can either use the PHONO input, and you'll have to purchase a Line Level Phono Converter
or, get a Y cable and split the signal and share with some other source.

Hope this helps.

- OPTiC
www.djproaudio.com
www.repairny.com

Dec 13, 2008 | Technics SH-GE90 Home Equalizer

1 Answer

Conection


connect the out of your equalizer to your amplifiers in...... thats it................ ok!!!

Sep 17, 2008 | Gemini Sound Products EQ-300 Home...

1 Answer

Conecting my EQ to my Yamaha reciever


your media out(dvd-cd-dat-deck player)-to equalizer in-and equalizer out to aux or cd in receiver.


Jul 17, 2008 | Yamaha EQ-70 Home Equalizer

2 Answers

CONNECTING


you can do it passive. no idea with your ampli, but if it does have a bridge then you can hook your eq there, series. if it doesn't have then via tape monitor 2 of your kenwood.

onkyo recvr tape 2 record to - kenwood eq in
onyo recvr tape 2 playback - kenwood eq out

that's all. if you want your eq to be active, then switch your reciever to tape2, all selected input in your reciever will by pass through your eq then back to kenwood. you dont have a function for tape 2 input then but your eq will have an extra input for tape, that you can use for your second tape, it will be active only if your reciever is set to tape 2. i hope you got it right.

post back if you got it done
red

Feb 10, 2008 | Audio Players & Recorders

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